鲍蓓
简介Biography
鲍蓓（Bao Pei），1960年出生，1984年毕业于中央美术学院版画系，同年任职于中国文化部艺术局美术处，1986年任职于中国艺术研究院《中国美术报》及中国美术馆，1987年移居美国纽约，2003年回国定居至今。她的创作涵盖纸上综合材料、布面油画等多种媒介，作品常以个展和群展形式展出。重要个展包括2004年新加坡《土地》、2007年北京《往事并不如烟》、2009年北京《立春》、2010年上海《如此近，又如此远》、2011年上海《流动的风景》及厦门《家传》父女联展、2012年上海《失落的桃园》、2014年北京《夏至》《无花也芬芳》《白雪与飞尘》、2015年北京《工匠之心》、2016年北京《花墙与飞尘》及比利时《中国艺术家联展》、2017年北京《一个人要抬头多少次，才能昂望到星空》、2018年意大利《自由的尺度—中国当代水墨走向欧洲》及北京《国际文化与艺术》邀请展、2019年北京《这是一张蓝图》。群展包括2008年中央美术学院建院95周年展、2009年北京国际艺术交流展、2013年山东美术馆艺术群展及第二届女艺术家作品展、2018年亚瑟·赛克勒基金会成立北京大学考古与艺术博物馆第二十五周年纪念展等。2010年获法国卡地亚“Cartier（中国）杰出女艺术家”荣誉，被Cartier评选为2010年中国杰出女画家之一。作品被中国妇女儿童博物馆、英国私人艺术博物馆、瑞士国家画廊、葡萄牙驻中国大使、西门子德国总部、摩托罗拉（中国）等机构及国内外企业、私人收藏。
Bao Bei was born in Anhui Province in 1960, graduated from the Printmaking Department of the Central Academy of Fine Arts in 1984, moved to New York in 1987, and returned to China in 2003, where she now lives and works in Beijing. Bao Bei's artistic style is the precipitation of her life experience. After ten years of experience in oil painting, one day, a piece of textured handmade paper, a small bottle of Tempera toner, and the scent of woodblock ink awakened memories that seemed to have been long forgotten - woodcut printmaking. Based on the experience of woodcutting in the Printmaking Department of the Central University of Fine Arts (CUFAM), when I started to chisel on wood again with a knife instead of a brush, the creation was no longer restricted to the traditional experience of woodcutting; it was a combination of chiselling, hand-painting, and the use of inks and Tempera colours to repeatedly cover and destroy the work until it was in its best state. After combining the qualities of printmaking and oil painting, the artist has reconstructed a new language, and after nearly ten years of constant deduction and experimentation between styles and materials, he has formed his current works of mixed-material paintings and light installations on paper. The artist's creative process is to record her emotions in words and put them into the action of painting, and ultimately bet on the multi-layered organisation and layout. Her images are states of emotional outbursts, extremely multi-layered and complex cycles, released in restraint to arrive at boundless and highly expressive forms, retracted and stopped.
代表作Selected Works
展览履历Exhibitions
- 2025个展 在蝴蝶到过的地方白石画廊 北京 · 白石画廊
- 2022春天来了 群展白盒子美术馆
- 2021美在科技—中国美术馆藏科技题材美术作品展 群展中国美术馆
- 2019这是一张蓝图 个展成·当代艺术空间
- 2019时间与空间的视角 群展蓝岸画廊
- 2018自由的尺度—中国当代水墨走向欧洲 群展卡萨雷斯博物馆
- 2018世间最美的情郎 个展蓝岸画廊
- 2018国际文化与艺术 群展亚瑟·赛克勒基金会成立北京大学考古与艺术博物馆
- 2017一个人要抬头多少次，才能昂望到星空 个展太和艺术空间
- 2016花墙与飞尘 个展美国大使馆文化中心
- 2015工匠之心 个展非凡仕艺术空间
- 2014无花也芬芳 个展北京画廊
- 2014夏至 个展楠书房会所
- 2014白雪与飞尘 个展马奈草地美术馆
- 2013第二届女艺术家作品展 群展中国妇女儿童博物馆
- 2012光明·顶 群展亚明美术馆
- 2012失落的桃园 个展海邑画廊
- 2011家传 群展中华儿女美术馆
- 2010如此近，又如此远 个展海邑画廊
- 2009国际艺术交流展 群展环铁时代美术馆
- 2008中央美术学院建院95周年历届优秀毕业生作品展 群展中央美术学院美术馆
- 2004土地 个展好望角画廊
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
平台暂无艺术家鲍蓓的档案资料，其完整简历（生卒、籍贯等）与系统展览履历暂缺。
根据展览文章上下文，可补充以下【叙事类】信息：
- **代表作**：文章提及作品《好，春天》（2026，手工纸、坦培拉色粉、铜版画油墨、油画色、布料，128.0×115.0cm）。
- **创作特点**：创作建立在长期生命经验与材料实践积累之上；融合版画的刀刻逻辑、油画的色彩经验与坦培拉的层层覆盖；画面在反复建构与调整中形成内敛而稳定的张力；色彩缓慢显现、层次不断叠加，时间在画面中沉积，呈现出尚在积蓄中的状态，带有湿度与重量。
Bao Pei (b. 1960) is a Chinese artist whose practice spans works on paper, mixed media, and oil on canvas. Her creative style merges experimental ink aesthetics with abstract and expressive figuration, often employing handmade paper, tempera, intaglio ink, and oil pigments—sometimes incorporating fabric—to build richly layered surfaces. Her thematic concerns revolve around urban landscapes, the emotional resonance of nature, memory and time, and a lyrical engagement with the body and identity.
Representative works from her recent output include “树神召唤了酣睡的溪流” (2025), “死亡也不能统治万物” (2025), “在蝴蝶到过的地方” (2025), “Eva的花园” (2025), “繁花 之二” (2024), “春江花月夜” (2024), and “不羁的生长” (2023). These pieces demonstrate a consistent exploration of texture and transparency, blending calligraphic gesture with an almost archaeological sense of surface erosion and repair. Her solo exhibition “在蝴蝶到过的地方” at Whitestone Gallery Beijing in 2025 further underscores her pursuit of a meditative, poetic space where personal memory and the natural world merge.
展览与收藏Exhibitions & Collections
根据目前“结构化艺术家档案数据”库，平台暂无**鲍蓓**的艺术家档案，因此无法提供其曾展出或被收藏的具体机构信息。
According to the artist's archival profile, Bao Pei has held solo exhibitions in venues across Singapore, Beijing, Shanghai, Xiamen, Belgium, and Italy. Key solo shows include *Land* (Singapore, 2004), *The Past Is Not Like Smoke* (Beijing, 2007), *Beginning of Spring* (Beijing, 2009), *So Close, Yet So Far* (Shanghai, 2010), *Flowing Landscape* (Shanghai, 2011), *Family Heirloom* (a joint father-daughter exhibition in Xiamen, 2011), *Lost Peach Garden* (Shanghai, 2012), *Summer Solstice*, *Fragrance Without Flowers*, *White Snow and Flying Dust* (Beijing, 2014), *Heart of the Craftsman* (Beijing, 2015), *Flower Wall and Flying Dust* (Beijing, 2016), a Chinese artists group exhibition in Belgium (2016), *How Many Times Must One Look Up to See the Stars* (Beijing, 2017), *The Measure of Freedom – Chinese Contemporary Ink Towards Europe* (Italy, 2018), *International Culture and Art* invitational exhibition (Beijing, 2018), *This Is a Blueprint* (Beijing, 2019), and the recent solo exhibition *Where the Butterflies Have Been* at Whitestone Gallery in Beijing (2025). She has also participated in group exhibitions at institutions such as the Central Academy of Fine Arts (95th anniversary exhibition, 2008), Beijing International Art Exchange (2009), Shandong Art Museum (2013), the 2nd Female Artists Exhibition (2013), and the Arthur M. Sackler Foundation's 25th anniversary exhibition at the School of Archaeology and Museology of Peking University (2018).
Her works are collected by institutions including the China Women and Children's Museum, a private British art museum, the Swiss National Gallery, Siemens headquarters in Germany, and Motorola (China), as well as by private collectors and corporate collections both domestically and internationally.
