毕建业
简介Biography
毕建业（1985年出生于辽宁丹东），2008年毕业于鲁迅美术学院油画系，现工作生活于沈阳。他的绘画以具象而夸张的造型搭建出既虚幻又真实的场景，场景中的形象各异，往往表现出强烈的运动性和情绪力。其中一些形象回应了艺术史中的图像，同时又是现实生活在其内心中的折射；另一些则体现了因人类观看方式改变而带来的反思。毕建业自述其创作始于对“如何把景物画成肖像画”的追问，通过编造有“表情”和“情绪”的壳去代替人物，例如将烂香蕉作为肖像主体，此后香蕉成为其画布上的常客。他的创作脉络从“身体”缠绕的香蕉，到表现身体对抗的绿茵场运动员，再到不同身份人物的打斗形象，持续四五年。他常将已完成的作品作为后续创作的蓝本，通过层层推进的方式积累素材，并探索具象绘画与抽象绘画相互覆盖的地带。重要个展包括：2020年《归来》（站台中国，北京）、2018年《金杯与蛇》（妙有艺术，北京）、2012年《刻苦器》（站台中国当代艺术机构，北京）。重要群展包括：2020年《站台中国十五周年特展》、2019年《致青春》、2018年《花园》及《又寂寞又美好》、2017年《丛林III-寻常》、2016年《GOOOOOOOOOOOOOOOAL！》、2015年《迁禧》、2014年《折桂枝-2014中国新锐绘画奖》。
Born in 1985. graduated from the Oil Painting Department of Lu Xun Academy of Fine Arts in 2008, and now lives and works in Shenyang. Bi Jianye's paintings create a scene that is both illusory and authentic with figurative and exaggerated shapes. The images in the scene are various, often showing strong athleticism and emotion. Some of them respond to the images in the art history, also reflect the real life in his mind, while others brought about the changes in human viewing methods.
代表作Selected Works
展览履历Exhibitions
- 2023闪亮的獠牙清单站台中国当代艺术机构-北京798艺术区中二街D07, A展厅 · 站台中国
- 2022逍遥游 群展Platform China Contemporary Art Institute
- 2022LAFA GENRE 群展Chengdu Blueroot Museum
- 2021迎春画展 群展Platform China Contemporary Art Institute
- 2021情动——第七届江汉繁星计划·青年艺术家研究展 群展Wuhan Art Museum
- 2021鲁流，鲁流 群展成都蓝顶美术馆
- 2020归来 个展Platform China Contemporary Art Institute d-Room
- 2020第五届美术文献展：生生——自然、人和技术的生产 群展湖北美术馆
- 2020农场 群展K11艺术空间
- 2020站台中国十五周年特展 群展Platform China Contemporary Art Institute
- 2019致青春 群展Platform China Contemporary Art Institute
- 2018又寂寞又美好 群展Kè Fáng Art Space
- 2018金杯与蛇 个展妙有艺术
- 2018花园 群展妙有艺术
- 2017丛林Ⅱ——寻常 群展Platform China Contemporary Art Institute
- 2016丛林III——寻常 群展Platform China Contemporary Art Institute
- 2016GOOOOOOOOOOOOOOAL！ 群展北京德国文化中心·歌德学院
- 2015迁禧 群展Platform China Contemporary Art Institute
- 2015迁播 群展Platform China Contemporary Art Institute
- 2014折桂枝-2014中国新锐绘画奖 群展HI Art Center
- 2014毕桂枝·2014中国新锐绘画奖 群展Hi艺术中心
- 2013写生项目 群展Platform China Contemporary Art Institute
- 2013丛林Ⅰ——弥漫的形态：相对论 群展Platform China Contemporary Art Institute
- 2013画室 群展M50 Space
- 2012刻苦器 个展Platform China Contemporary Art Institute
- 2012再绘画 群展Platform China Contemporary Art Institute
- 2012刻舌器 个展Platform China Contemporary Art Institute
- 2011FAT ART 2011——十四重门 群展Today Art Museum
- 2011关于绘画的十九个个展 群展Platform China Contemporary Art Institute
- 2011社会体验与精神叙事——东北青年艺术生态展 群展蓝顶美术馆
- 2010丛林——中国当代艺术生态管窥 群展Platform China Contemporary Art Institute
- 2009向厚看 群展Platform China Contemporary Art Institute
- 2009十年 个展鲁迅美术学院美术馆
- 2008新视觉/08底片 群展He Xiangning Art Museum
- 2008自我经验——青年艺术家联展 群展Platform China Contemporary Art Institute
- 2007第二届中国美术院校师生油画作品展 群展He Xiangning Art Museum
- 2006第一届中国美术院校师生油画作品展 群展He Xiangning Art Museum
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
毕建业的代表作包括《闪亮尖牙》（2022）、《晚风之二》（2023）、《黑金》（2023）、《煎牛排的人》（2020）、《伪装者》（2021）等，多以布面丙烯为主，偶用油画与综合材料。
他的创作特点鲜明：以具象而夸张的造型搭建出既虚幻又真实的场景，人物与景物常带有强烈的运动性和情绪张力。作品中的形象往往回应艺术史图像，同时又折射其内心对现实生活的体验。他自述创作始于“如何把景物画成肖像画”的追问，通过赋予对象“表情”与“情绪”来替代人物——比如将烂香蕉作为肖像主体，此后香蕉成为画布上的常客。其脉络经历了从缠绕的“身体”香蕉，到表现身体对抗的绿茵场运动员，再到不同身份人物的打斗形象，并常将已完成作品作为后续创作的蓝本，层层推进地积累素材，在具象与抽象相互覆盖的地带持续探索。
Bi Jianye’s representative works include *Flashy Fangs* (2022), *Evening Breeze No.2* (2023), *Lunch* (2021), *Black Gold* (2023), *Grandpa Tom and Hope* (2023), *The Pretender* (2021), *The Man Frying Steak* (2020), *Wave* (2023), *Big Fish* (2022), *Hunter No.2* (2019), *The Man Frying Steak No.2* (2020), and *Campsite No.3* (2022) – all executed in acrylic on canvas. His creative style is characterized by figuration with exaggerated, expressive forms that construct scenes both illusory and real. The figures display strong dynamism and emotional force; some echo art‑historical imagery while refracting daily life, others reflect on shifts in human perception. Bi often replaces human subjects with “shells” that possess facial expressions and emotions – for instance, a rotten banana becomes a portrait. His practice has evolved from entangled banana‑bodies to athletes clashing on a football pitch, and later to brawling figures of different identities. He frequently uses finished works as blueprints for new ones, layering motifs to build his visual vocabulary and probing the space where figurative and abstract painting overlap.
展览与收藏Exhibitions & Collections
根据现有资料，艺术家**毕建业**曾在以下机构展出：
* **站台中国当代艺术机构**（北京）
关于毕建业作品被哪些机构收藏，目前平台暂无明确的公开信息。
According to the provided artist profile, Bi Jian Ye has held solo exhibitions at Platform China Contemporary Art Institute in Beijing (including "Return" in 2020 and "Keku Qi" in 2012) and at MOUart in Beijing ("The Gold Cup and the Snake" in 2018). A more recent solo exhibition titled "Gleaming Fangs List" took place at Platform China Contemporary Art Institute in 2023.
He has also participated in numerous group exhibitions, such as "Platform China 15th Anniversary Exhibition" (2020), "To Youth" (2019), "The Garden" (2018), "Lonely and Beautiful" (2018), "Jungle III – Ordinary" (2017), "GOOOOOOOOOOOOOOOAL!" (2016), "Moved to Joy" (2015), and "Pluck the Laurel – 2014 Chinese New Painting Award" (2014).
The available data does not specify which institutions collect his work.
