朱凯第(Candice CHU)是一位当代艺术家。2025年,其作品参展于伯年艺术空间举办的群展“蓝夜”,该展由郑涵月(Aleza ZHENG)策展,于2025年7月26日至8月31日举行。展览探索中国风作为潜在叙事,关注身份、媒介与时间的转变,并因应双边贸易历史与离散经验展开。
朱凯第(Candice CHU)是一位当代艺术家。2025年,其作品参展于伯年艺术空间举办的群展“蓝夜”,该展由郑涵月(Aleza ZHENG)策展,于2025年7月26日至8月31日举行。展览探索中国风作为潜在叙事,关注身份、媒介与时间的转变,并因应双边贸易历史与离散经验展开。



根据平台“结构化艺术家档案数据”,朱凯第(Candice CHU)的代表作与创作特点如下:
**代表作**
- 《昨夜》(2024,水彩纸上铅笔)
- 《四月》(2024,水彩纸上铅笔)
- 《12:01》(2024,水彩纸上铅笔)
**创作特点**
- 创作类型属于**观念艺术、实验性、社会介入**。
- 常用媒介包括**综合材料、装置、影像、摄影、数字艺术**,尽管上述代表作以水彩纸上铅笔呈现,说明其媒介选择灵活多变。
- 关注主题涉及**文化身份、全球化、女性主义、身份认同、社会评论**。
- 近期展览记录显示其作品曾参与2025年伯年艺术空间的群展“蓝月之夜”(档案中亦提及“蓝夜”),展览探索中国风作为潜在叙事,关注身份、媒介与时间的转变,这与其创作主题一脉相承。
(注:因平台暂无该艺术家生卒年与籍贯信息,故未提供。)
According to the structured artist profile data, Candice CHU (朱凯第) is a contemporary artist whose representative works include three pieces created in 2024: *昨夜* (Last Night), *四月* (April), and *12:01*, all executed in pencil on watercolour paper.
Her creative style is rooted in conceptual art, experimentation, and social intervention, frequently employing mixed media, installation, video, photography, and digital art. Thematically, her work engages with cultural identity, globalization, feminism, identity, and social commentary. The recent group exhibition “蓝夜” (Blue Night) at Bonian Art Space, which explored Chinoiserie as a latent narrative through identity, medium, and temporal shifts, contextualizes her practice within dialogues around bilateral trade history and diasporic experiences. Thus, her approach can be characterized as a conceptually driven interrogation of hybrid cultural identities and shifting social landscapes, often realized through delicate, process-oriented drawing techniques.
根据平台现有的“结构化艺术家档案数据”,朱凯第(Candice CHU)的展览记录为:
- **2025年**,在**伯年艺术空间**(Bonian Art Space)参加了群展“蓝月之夜”(该展亦被表述为“蓝夜”,由郑涵月策展)。
关于**收藏机构**,平台档案中**未列出任何收藏记录**,暂无信息表明其作品被哪些机构收藏。
According to the available artist profile, Candice CHU has exhibited in the group exhibition "蓝月之夜" (Blue Night) at Bonian Art Space (伯年艺术空间) in 2025.
As for institutional collections, there is currently no publicly recorded information indicating that her works are held by specific institutions.