陈督兮,1983年出生于四川成都,2006年毕业于川音成都美院,2008年毕业于中央美术学院油画进修班,现生活工作于北京。其创作脉络涵盖多次个展与群展:个展包括“动静等观”(55画廊,上海,2016)和“秋毫之末”陈督兮个展(艺术8,中法大学遗址,北京,2015);群展有“非想非非想”(艺术8,中法大学遗址,北京,2016)、“今日叹茶去”(今日美术馆,北京,2015)、“无常之常—东方经验与当代艺术”(元典美术馆,北京,2014;波恩当代艺术中心,波恩,2014)、“备忘录”(空白空间,北京,2013)、“多重世界”(梯级艺术中心,北京,2012)、“龙泉洗浴”(北京,2010)、“留住的时间”(艺术公社,香港,2010)及“变卦”(艺术通道画廊,北京,2009)。
1983, Born in Chengdu, Sichuan; 2006, Graduated from Chengdu Academy of Fine Arts; Now Living and Working in Beijing












根据平台“结构化艺术家档案数据”,陈督兮(Chen Duxi,1983年生于四川成都)的代表作与创作特点如下:
**代表作(以档案收录作品为准)**
- 《尔躬-水母》(2025,绢本设色)
- 《尔躬-白色百合》(2024,绢本矿物颜料)
- 《尔躬-果实》(2024,绢本矿物颜料)
- 《尔躬-马达加斯加苍炎龙》(2022,绢本矿物颜料)
- 《尔躬-春羽》(2022,绢本矿物颜料)
- 《尔躬-紫色郁金香》(2023,绢本矿物颜料)
- 《尔躬-叶#2》《尔躬-叶#1》(2023/2022,绢本矿物颜料)
- 《尔躬-睡莲》(2023,绢本矿物颜料)
- 《尔躬-云》(2022,绢本设色)
- 《尔躬—虾姑》(2023,绢本矿物颜料)
其“尔躬”系列是持续深入的创作脉络,材质上以绢本矿物颜料、绢本设色为主。
**创作特点**
档案字段显示,陈督兮的创作涉及“具象艺术、实验性、当代水墨、意象”,常用媒介包括丙烯、国画、水墨、纸上作品;题材涵盖东方哲学、人物、动物、情感、故乡、自然生态、记忆与时间、身体、风景等。
结合展览文章背景,其创作特点可进一步概括为:
1. 以植物、动物(如蝴蝶兰、牛角河豚、甲虫等)为主要描绘对象,作品带有古老、冷血、体量不大的生命感。
2. 不以客观还原物象为目的,而是把博物学当作“材料”而非“目的”,更接近一种“心的视角”,强调经验、记忆与内在感受。
3. 早期作品细节丰富,后来转向更粗放的轮廓处理,追求舍去细节后的升华,而非细节堆积。
4. 关注生命鲜活与生死交替的关系,在描绘具体生命时体验“什么是鲜活的”。
5. 追求“积极而平静”的持续输出状态,使观察、吸收、转化保持稳定深度。
Chen Duxi (b. 1983, Chengdu, Sichuan) is best known for his **“尔躬 / The Order of Body”** series. Representative works include:
- *The Order of Body – White Lily* (2024, mineral pigment on silk)
- *The Order of Body – Jellyfish* (2025, ink and color on silk)
- *The Order of Body – Madagascar Dracaena* (2022, mineral pigment on silk)
- *The Order of Body – Water Lily* (2023, mineral pigment on silk)
- *The Order of Body – Mantis Shrimp* (2023, mineral pigment on silk)
His creative style is rooted in **contemporary ink painting** and **experimental figuration**, often using **mineral pigments and ink on silk**. His subjects are frequently **plants and animals**—lilies, leaves, jellyfish, beetles, cowfish, orchids, and other small, ancient-seeming creatures. Thematically, his work engages with **Eastern philosophy, nature and ecology, the body, memory and time**, and **landscape**.
Stylistically, his paintings combine precise observation with an imagistic, almost meditative quality: small, cool, quiet forms are rendered with a latent intensity. As the exhibition text for *Rumbling Valley* (2024) suggests, he approaches these modest subjects with the force of germinating seeds—silent on the surface, but inwardly charged, “like a thousand huge bells colliding with each other.”
根据平台档案资料,陈督兮的展出机构可归纳如下:
**展出机构(据档案展览经历)**
- **画廊/艺术空间**:55画廊(上海)、新氧艺O2art(北京)、又生空间(北京)、艺术8·中法大学遗址(北京)、空白空间(北京)、梯级艺术中心(北京)、艺术公社(香港)、艺术通道画廊(北京)等。
- **美术馆/艺术中心**:今日美术馆(北京)、元典美术馆(北京)、波恩当代艺术中心(波恩,德国)等。
**收藏机构**
平台档案中暂未收录陈督兮被哪些机构收藏的明确信息。
Based on the artist profile for **Chen Duxi (陈督兮)**, his listed exhibitions include:
**Solo exhibitions**
- *动静等观* – 55 Gallery, Shanghai, 2016
- *秋毫之末* – Art 8, Sino-French University site, Beijing, 2015
**Group exhibitions**
- *非想非非想* – Art 8, Sino-French University site, Beijing, 2016
- *今日叹茶去* – Today Art Museum, Beijing, 2015
- *无常之常—东方经验与当代艺术* – Yuan Art Museum, Beijing, 2014; Bonn Contemporary Art Center, Bonn, 2014
- *备忘录* – White Space, Beijing, 2013
- *多重世界* – T Step Art Center, Beijing, 2012
- *龙泉洗浴* – Beijing, 2010
- *留住的时间* – Art Commune, Hong Kong, 2010
- *变卦* – Art Channel Gallery, Beijing, 2009
**More recent exhibition records**
- *谷响 Rumbling Valley* – O2art, Beijing, 2024
- *欸乃 Rhythm of Yuloh* – O2art, Beijing, 2025
- *文脉的绵延·线* – Yousheng Space (又生空间), 798 Art District, Beijing, 2026
Regarding **institutional collections**: the available artist profile does not list any specific institutions that collect Chen Duxi’s work.