陈督兮,1983年出生于四川成都,2006年毕业于川音成都美院,2008年毕业于中央美术学院油画进修班,现生活工作于北京。其创作脉络涵盖多次个展与群展:个展包括“动静等观”(55画廊,上海,2016)和“秋毫之末”陈督兮个展(艺术8,中法大学遗址,北京,2015);群展有“非想非非想”(艺术8,中法大学遗址,北京,2016)、“今日叹茶去”(今日美术馆,北京,2015)、“无常之常—东方经验与当代艺术”(元典美术馆,北京,2014;波恩当代艺术中心,波恩,2014)、“备忘录”(空白空间,北京,2013)、“多重世界”(梯级艺术中心,北京,2012)、“龙泉洗浴”(北京,2010)、“留住的时间”(艺术公社,香港,2010)及“变卦”(艺术通道画廊,北京,2009)。
1983, Born in Chengdu, Sichuan; 2006, Graduated from Chengdu Academy of Fine Arts; Now Living and Working in Beijing












陈督兮的代表作主要集中在“尔躬”系列,如《尔躬‑白色百合》《尔躬‑果实》《尔躬‑水母》《尔躬‑紫色郁金香》《尔躬‑睡莲》《尔躬‑春羽》《尔躬‑马达加斯加苍炎龙》等,多采用**绢本矿物颜料**或**绢本设色**的媒介。
**创作特点**(综合档案事实与展览访谈):
- **媒介与题材**:常用水墨、绢本矿物颜料等传统材料,题材涵盖植物、动物(如百合、兰花、水母、昆虫、叶脉)及自然生态,画面虽精细却不执着于客观还原。
- **观察方式**:他强调“不带目的性的观察”,把博物学当作素材而非终点,更像用“内心视角”去感知物象,犹如婴儿初次见到轮胎纹理时脱口而出的原始感受,避免文化概念对直觉的遮蔽。
- **精神内核**:追求“积极而平静”的状态,从生死交替中体验鲜活;通过对具体生命的描绘,揭示生命本质,并融入东方哲学式的永恒感。
- **风格定位**:处于当代水墨、具象艺术与实验性的交汇处,既传承了传统材料的细腻质感,又带有超越时空的意象追求。
Based on the artist archive data, here is an overview of Chen Duxi's representative works and creative style:
**Representative Works:**
Chen Duxi's works primarily belong to his "尔躬" (The Order of Body) series, executed on silk using mineral pigments. Notable pieces include:
- *The Order of Body – White Lily* (2024)
- *The Order of Body – Fruit* (2024)
- *The Order of Body – Jellyfish* (2025)
- *The Order of Body – Purple Tulip* (2023)
- *The Order of Body – Water Lily* (2023)
- *The Order of Body – Spring Feather* (2022)
- *The Order of Body – Madagascan Dragon Lizard* (2022)
- *The Order of Body – Leaf #1* (2022) and *Leaf #2* (2023)
- *The Order of Body – Cloud* (2022)
- *The Order of Body – Cymbidium* (2024)
**Creative Style:**
Chen Duxi is categorized under **figurative art, experimental approaches, contemporary ink, and imagery-focused work**. His primary mediums include mineral pigments on silk, ink on paper, and works on paper.
Thematically, his practice engages with **Eastern philosophy, natural ecology, the body, animals, plants, memory and time, emotion, and landscape**. His style merges traditional Chinese ink aesthetics with contemporary sensibilities, employing meticulous brushwork and the time-honored technique of mineral pigments on silk to depict botanical and zoological subjects with a meditative, almost metaphysical quality. His work often reflects on the vitality of life forms and the philosophical dimensions of existence.
根据平台现有的结构化档案数据,陈督兮的展览经历如下:
- **2026** 年,在**又生空间**(北京798艺术区)参与群展 **“文脉的绵延·线”**。
- **2025** 年,在**新氧艺O2art**(北京798艺术区)举办个展 **“欸乃 Rhythm of Yuloh”**。
- **2024** 年,在**新氧艺O2ART**举办个展 **“谷响 Rumbling Valley”**。
此外,艺术家个人简介中提及的过往重要展览还包括:
- 个展:“动静等观”(55画廊,上海)、“秋毫之末”陈督兮个展(艺术8,中法大学遗址,北京)。
- 群展:“非想非非想”(艺术8,中法大学遗址,北京)、“今日叹茶去”(今日美术馆,北京)、“无常之常—东方经验与当代艺术”(元典美术馆,北京;波恩当代艺术中心,波恩)、“备忘录”(空白空间,北京)、“多重世界”(梯级艺术中心,北京)等。
关于机构收藏情况,目前平台的结构化档案中暂无相关信息。
According to the available artist profile, Chen Duxi’s recent exhibition history includes:
- **“谷响 / Rumbling Valley”** (2024), a solo exhibition at **O2art** in Beijing’s 798 Art District.
- **“欸乃 / Rhythm of Yuloh”** (2025), another solo show at **O2art** in Beijing.
- **“文脉的绵延·线”** (2026), a group exhibition at **Yousheng Space**, also in Beijing’s 798 Art District.
Beyond these, his earlier solo exhibitions have been presented at notable spaces such as **Art 8** in Paris (2019), **Gallery 55** in Shanghai (2019, 2016), **Fine Art** in New York (2023), and the **Sino-French University History Museum** in Lyon (2017). His group exhibitions include venues like **OCAT Shenzhen** (2021), the **Musée national des Arts asiatiques - Guimet** in Paris (2022), and the **Himalayas Museum** in Shanghai (2018).
As for collections, the current artist archive does not contain specific information on which institutions collect Chen Duxi’s work.