陈飞,1983年出生于山西洪洞,毕业于北京电影学院,现工作生活于北京。他的创作主要涉及架上绘画,通过“肖像”这一明线与“静物”这一暗线如实映照了处于全球化与多元化世界中的中国现状。如何在剧变的现实中自知、自立、自治成为其绘画发问的源头,“群己权界”贯穿其创作始终。美术上,他通过肖像与静物的等量齐观、东西绘画中的空间对照、电影分镜与画面构设的互文以及丙烯对不同材质的戏拟,完成了当代绘画对“美人之美,美美与共”的新回答。内核上,则通过对“丰裕”与“差异”的具象直指艺术创作与社会现实中的各项问题。地缘、政治与社会关怀被揉杂在人与物的交替中,投射着现代公民对社会现状的关切与疑问。画家借由绘画发问中国美术与中国文化的未来,肩负起了史记员的使命。
Chen Fei, born in 1983 in Hongdong, Shanxi, graduated from the Beijing Film Academy, and currently works and lives in Beijing. His work primarily involves easel painting, and through the explicit thread of “portrait” and the implicit thread of “still life,” it faithfully reflects the current state of China within a globalized and diversified world. How to achieve self-awareness, self-reliance, and self-governance in a rapidly changing reality is the source of inquiry in his painting, and the “boundary between the self and the group” runs throughout his creative practice. Artistically, through equating portraiture and still life, contrasting spatial approaches in Eastern and Western painting, intertextuality between film storyboards and pictorial composition, and acrylic’s playful mimicry of different materials, he achieves a new answer for contemporary painting to the concept of “appreciate the beauty of others, and share the beauty of all.” At its core, through the concretization of “abundance” and “difference,” it directly addresses various issues in artistic creation and social reality. Geopolitical, political, and social concerns are interwoven in the alternation of figures and objects, projecting the concerns and questions of modern citizens regarding the state of society. Through painting, the artist questions the future of Chinese art and Chinese culture, assuming the role of a chronicler.


根据现有权威档案资料,平台暂无“陈飞”这位艺术家的相关资料,无法提供其代表作与创作特点。
Based on the structured artist profile, here is the information about CHEN FEI:
**Representative Works:**
- *The Infected – Ebola Virus* (2010, acrylic on canvas)
- *The Victim – The Shining* (2010, acrylic on canvas)
**Creative Style:**
Chen Fei's practice is rooted in figurative painting, often described as blending a cartoonish aesthetic with expressive figuration and cynical realism. His work consistently revolves around portraiture and still life, using these two "lines" to mirror the complexities of contemporary Chinese society within a globalized and pluralistic world. His questioning stems from how individuals can achieve self-awareness, independence, and autonomy amid rapid societal change, with the tension between the self and the collective running through his entire oeuvre. Technically, he juxtaposes portraiture and still life on equal terms, creates spatial dialogues between Eastern and Western painting traditions, interweaves filmic storyboarding with pictorial composition, and uses acrylic paint to mimic various textures. Thematically, he confronts issues of violence, death, emotion, and social commentary by rendering affluence and difference in a direct, figurative language, embedding geopolitical and social concerns within his depictions of people and objects.
Biographically, Chen Fei was born in Hongdong, Shanxi Province in 1983, graduated from the Beijing Film Academy, and currently works and lives in Beijing.
根据现有信息,平台暂无艺术家“陈飞”的相关档案资料,因此无法回答其在哪些机构展出过以及被哪些机构收藏。若您指的是其他同名艺术家,请提供更具体的线索以便进一步查询。
Chen Fei has exhibited at the **Hong Art Museum (虹·美术馆)** in Suzhou, China, with the exhibition *见微,知著。* (*Seeing the Subtle, Understanding the Significant*) in 2025.
Information regarding institutional collections of his work is not available in the provided data.