陈若璠(Ruofan Chen),1996年出生于湖北宜昌,中国当代艺术家。2019年毕业于纽约视觉艺术学院获学士学位,2021年获伦敦皇家艺术学院硕士学位,现工作生活于伦敦。其创作聚焦于科技时代人类情感的变化与流动,通过自然元素与科技媒介的结合捕捉细微情感。代表作品包括《白桃Ⅲ》《未知的感知 XIII》《未知的感知Ⅳ》《未知的感知Ⅺ》,以及以石库门建筑为载体、通过拼接木材与数字影像构建情感化历史构词系统的《记忆存档》,运用光影与材质拼贴处理建筑、光与记忆关系的《景观》。2020年入围第十一届新星星艺术奖百人名单;2022年参加首届“屿庐青年艺术节”,展出装置影像作品《Warm trees》;2023年举办个展“风的敏感”,通过绘画、影像与装置探讨气候变化与地缘记忆,作品《风的敏感》获首届“蹊径奖”;2024年原作《记忆存档》参展“中国当代艺术年鉴展(上海)2024”。2023年,其作品参展蜂巢当代艺术中心群展“肌体的编织”。
Ruofan Chen, born in 1996 in Yichang, Hubei, is a Chinese contemporary artist. She graduated from the School of Visual Arts in New York with a bachelor's degree in 2019, and received a master's degree from the Royal College of Art in London in 2021. She currently works and lives in London. Her practice focuses on the changes and fluidity of human emotions in the technological age, capturing subtle feelings through the combination of natural elements and technological media. Representative works include *White Peach III*, *Unknown Perception XIII*, *Unknown Perception IV*, *Unknown Perception XI*, as well as *Memory Archive*, which uses Shikumen architecture as a carrier to construct an emotional historical lexicographic system through the splicing of wood and digital imagery, and *Landscape*, which employs light, shadow, and material collage to address the relationship between architecture, light, and memory. In 2020, she was shortlisted for the 11th New Star Art Award Top 100 list; in 2022, she participated in the inaugural ‘Yulu Youth Art Festival’, exhibiting the installation video work *Warm trees*; in 2023, she held the solo exhibition ‘Sensitivity of the Wind’, exploring climate change and geo-memory through painting, video, and installation, and the work *Sensitivity of the Wind* received the inaugural Xijing Award; in 2024, the original work *Memory Archive* was exhibited in ‘The Annual Exhibition of Contemporary Art in China (Shanghai) 2024’. In 2023, her works were exhibited in the group show ‘Weaving of the Body’ at Hive Center for Contemporary Art.


根据平台公开的艺术家档案资料,陈若璠的代表作与创作特点如下:
**代表作**
她的代表作品包括《白桃Ⅲ》、《未知的感知》系列(如XIII、Ⅳ、Ⅺ)、《记忆存档》,以及《风的敏感》等。
**创作特点**
陈若璠的创作聚焦于**科技时代人类情感的变化与流动**。她善于将**自然元素与科技媒介相结合**,以此捕捉细微的情感。
- **媒介运用**:她常使用数字艺术、影像、装置及综合材料进行创作。例如,在作品《记忆存档》中,她通过拼接木材与数字影像构建情感化的历史构词系统;在作品《景观》中,则运用光影与材质拼贴处理建筑、光与记忆的关系。
- **创作主题**:其作品核心关注**生态、生命、自然生态、记忆与时间以及物质性**。她的个展“风的敏感”便通过绘画、影像与装置探讨了气候变化与地缘记忆。
她的作品风格被归类为实验性、观念艺术和抽象艺术。
Chen Ruofan’s representative works listed in the artist archive include “尘(静帧481F)” (Dust, still frame 481F, 2025, silk-linen blend, acrylic on canvas, beech wood, cotton thread) and “尘(静帧133F)” (Dust, still frame 133F, 2025, silk-linen blend, acrylic on canvas, birch wood, cotton thread).
Her creative style is experimental, conceptual, and abstract. She works primarily with digital art, new media, video, installation, and mixed media, and focuses on the flow and transformation of human emotion in the age of technology. By merging natural elements with technological mediums, she captures subtle emotional shifts. Recurring themes include ecology, life, natural ecology, memory and time, and materiality.
依据平台档案,**陈若璠** 在以下机构展出过:
- **蜂巢当代艺术中心**(上海):2023 年参加群展《肌体的编织》。
关于**被哪些机构收藏**,目前平台档案中暂无相关资料。
(以上信息基于平台结构化艺术家档案数据)
Based on the available artist profile, Chen Ruo Fan has participated in several exhibitions, including:
- **"肌体的编织" (The Weaving of the Body)**, a group exhibition at Hive Center for Contemporary Art, Shanghai, in 2023.
- The **1st Yuloo Youth Art Festival** in 2022, where she presented the installation and video work *Warm trees*.
- Her solo exhibition **"The Sensitivity of the Wind"** in 2023, which explored climate change and geographical memory through painting, video, and installation.
- The exhibition **"Chinese Contemporary Art Yearbook Exhibition (Shanghai) 2024"**, where her original work *Memory Archive* was shown.
There is no available information in the database regarding institutions that collect her work.