陈天逸
简介Biography
陈天逸（1996年生于江苏南京），现工作、生活于日本东京。2018年本科毕业于中央美术学院，2022年于多摩美术大学获硕士学位，2024年于东京艺术大学获硕士学位。陈天逸的创作根植于梦境与现实的交叠领域，在他创造的这片飞地中，空间不是客观的容器，而是身体行动的可能性场域；时间亦非物理的均匀流逝，而是身体经验中的“滞留-前摄”结构。艺术家以连续的残留有现实世界结构的异梦，勾连起古早现实与假肢记忆中相熟的锚点，由未历风景的乡愁中不断提炼个体身份的认同。其目的并不在重建原地，而是以动态的记忆生态系统邀请观者进入，个人记忆与集体记忆在此糅合，自传式的叙事通过口述等框架获得意义，并最终在记忆共享的机制中编织一场场集体的幻梦。
Chen Tianyi (b. 1996, lives and works in Tokyo, Japan) graduated from the Central Academy of Fine Arts as an undergraduate in 2018, and received his MFA from Tama Art University and Tokyo University of the Arts in 2022 and 2024 respectively. Chen Tianyi’s creations are rooted in the overlapping realm of dreams and reality. In this enclave he created, space is not an objective vessel, but a field of possibilities for physical action. Time, rather than a physical uniformity of passage, becomes a ‘retention-protention’ structure in the bodily experience. The artist connects familiar anchors in old and new memories with the continuity of bizarre dreams remnant of the real world, and continuously reflects on individual identities from ‘nostalgia of unexperienced landscape’. Rather than reconstructing the original place, the artist invites the viewer to enter the dynamic memory ecosystem, where individual and collective memories are combined, autobiographical narratives acquire significance through dictation and other structures, and ultimately weave a collective dream in the mechanism of memory sharing.
Born in Nanjing, Jiangsu Province
BFA, China Central Academy of Fine Arts, Beijing
MFA, Tama Art University, Tokyo
MFA, Tokyo University of the Arts, Tokyo
Currently lives and works in Tokyo
代表作Selected Works
展览履历Exhibitions
- 2026轻狂欢：蜂巢·生成 · 甬道蜂巢 | 北京 总部 · 蜂巢当代艺术中心
- 2026阿弥壳北京市朝阳区酒仙桥路4号798艺术区E06 蜂巢 | 北京 · 蜂巢当代艺术中心
- 2025梦十夜蜂巢·生成 | 上海 · 蜂巢当代艺术中心
- 2025梦十夜蜂巢·生成 | 上海 · 蜂巢当代艺术中心
- 2022大地的精神中心 第五回 群展东京九段耀画廊
- 2021光风霁月 个展佐藤美术馆
- 2020第47届创画展 个展东京都美术馆
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
根据平台“结构化艺术家档案数据”，陈天逸的代表作与创作特点如下：
**代表作**
- 《地图上没有的坡道》(2024) - 和纸、胡粉、矿物颜料、水干颜料、木板
- 《昼间》(2023) - 和纸、胡粉、矿物颜料、水干颜料、木板
- 《秘境》(2023) - 和纸、胡粉、矿物颜料、水干颜料、木板
- 《子夜》(2022) - 和纸、胡粉、矿物颜料、水干颜料、木板
- 《纸船》(2022) - 和纸、胡粉、矿物颜料、水干颜料、木板
**创作特点**
陈天逸的创作根植于梦境与现实的交叠领域，空间被视作身体行动的可能性场域，时间则是身体经验中的“滞留-前摄”结构。他以连续的、残留有现实世界结构的异梦，勾连起古早现实与假肢记忆的锚点，从对未历风景的乡愁中提炼个体身份认同。作品通过动态记忆生态系统邀请观者进入，使个人记忆与集体记忆糅合，以自传式叙事在记忆共享机制中编织集体幻梦。
**常用媒介**
丙烯、油画，以及和纸、胡粉、矿物颜料、水干颜料、木板、绢布等东方绘画材料。
Chen Tian Yi (b. 1996, Nanjing, Jiangsu) is an artist currently working in Tokyo. His representative works and creative style are grounded in a deeply personal exploration of the liminal space between dream and reality.
**Representative works:**
His recent body of work includes “Midnight” (2022), “Daytime” (2023), “The Slope Not on the Map” (2024), “Mysterious Realm” (2023), “Okutama” (2023), “Paper Boat” (2022), “Windmill” (2022), “Giant Tree” (2022), “The Cat with No Address” (2023), and “Street Corner” (2023), among others. Many of these paintings are executed in traditional Japanese materials such as *washi* paper, *gofun* (shell-powder white), mineral pigments, and *suihi* pigments on wood panel, with some works on silk. These pieces are often shown together in exhibitions like “A Bowl of Shells” (2026) and “Ten Nights of Dreams” (2025) at Hive Center for Contemporary Art.
**Creative style:**
Chen Tian Yi’s practice is rooted in the overlapping domain of dreams and reality. In the enclave he creates, space is not an objective container but a field of possibilities for bodily action; time is not a uniform physical flow but a structure of “retention–protention” experienced through the body. The artist employs continuous dream-like visions that retain fragments of real-world structures, linking ancient reality with familiar anchors from prosthetic memory to continually refine a sense of individual identity from the nostalgia of never-experienced landscapes. His aim is not to rebuild a place of origin, but to invite the viewer into a dynamic ecosystem of memory, where personal and collective memory blend. Autobiographical narratives gain meaning through oral frameworks and ultimately weave collective fantasies through the mechanism of shared memory. Visually, his works combine delicate, layered applications of mineral pigments on *washi*, producing atmospheres that feel at once intimate and expansively psychological.
展览与收藏Exhibitions & Collections
根据平台现有的结构化艺术家档案数据，陈天逸的展览经历如下：
### 展出机构
艺术家曾在以下画廊空间展出：
* **蜂巢当代艺术中心** (Hive Center for Contemporary Art)
* **2026年**：“轻狂欢：蜂巢·生成 · 甬道”，蜂巢 | 北京 总部
* **2026年**：“阿弥壳”，蜂巢 | 北京，798艺术区
* **2025年**：“梦十夜”，蜂巢·生成 | 上海（该展览在档案记录中出现了两次）
### 收藏机构
平台目前的公开档案资料中，**暂无**陈天逸的作品被哪些机构收藏的明确记录。
According to the available artist profile, Chen Tianyi has exhibited at the following venues:
- **Hive Center for Contemporary Art, Beijing** (including its headquarters and the 798 Art District space)
- **Hive Center for Contemporary Art, Shanghai** (Hive·Becoming)
His solo/group exhibitions have been presented exclusively through Hive Center for Contemporary Art so far. The profile does not list any institutional collections that currently hold his work.
