陈英(生于1982年)的创作善于使用商业广告的形式进行隐喻,展示了图像传播方式的多样性,针对互联网经济的各种特征,描述身份与品牌之间的复杂关系,拒绝让算法制造广告。作为年轻一代艺术团体史莱姆引擎的创始成员之一,陈英与同辈艺术家共同成长和创作,在数字媒体中生存,并在多种文化和当下虚拟、现实交织的快节奏生活中,异变出这一代青年的气息和意识。陈英于2020年获得Dior迪奥新秀摄影和视觉艺术奖提名奖,于2019年入围ART POWER 100艺术发现单元。近期展览包括:个展“液态健康”,歌德开放空间,上海,2019;群展“春天狂想曲”,金杜艺术中心,北京,2022;“浪潮与浪潮”,chi K11 Shanghai,上海,2021;“不准停电”,明当代美术馆,上海,2021;“USB 多端口链接展”,没顶画廊,上海,2021;“Generation Now”,第三届魏玛文化论坛群展,Galerie Eigenheim Weimar,魏玛,德国,2021;“过去的未来主义”,北京当代艺述单元,北京,2021;“循环播放”,CHAO艺术中心,北京,2021;“世袭领地”,宝龙美术馆,上海,2021;“Undefined未定义”,Kiyoshi Art,东京,日本,2020;“空间领导者”,APSMUSEUM,上海,2020;“幻象颗粒”,没顶画廊,上海,2020;“唐人街到红色国际主义”,OCAT,深圳,2020;“机构的推荐”,盒子空间,深圳,2020;“降临:发明风景,制作大地”,前哨当代艺术中心,上海,2019;“极限混合”:2019广州空港双年展,广州,2019;“变量与供养”,没顶画廊,上海,2019;“环形狩猎”,没顶公园,上海,2018;“眼界拦大千”,上海视觉艺术学院,上海,2018;“上海热六人斩”,要空间,上海,2018;“BABEL7”,Babelsberger Strasse 52,柏林,德国,2018;“多样性”,尼斯维拉松国立高等艺术学院,尼斯,法国,2016等。此外,陈英还与艺术家方阳、刘树臻、善良共同运营虚拟当代艺术空间“史莱姆引擎”,参与构思并制作了平台上的数场展览。
Chen Ying (b. 1982) is adept at using the form of commercial advertising as metaphor in his practice, demonstrating the diversity of image dissemination methods. Addressing various characteristics of the internet economy, he delineates the complex relationship between identity and branding, refusing to let algorithms produce advertisements. As a founding member of the young generation art collective Slime Engine, Chen Ying has grown and created alongside fellow artists of his generation, living within digital media. Amid multiple cultures and a fast-paced life where the virtual and the real intertwine, he mutates the aura and consciousness of this generation of youth. Chen Ying received the Dior New Talent Photography and Visual Arts Award nomination in 2020, and was shortlisted for the ART POWER 100 Art Discovery Unit in 2019. Recent exhibitions include: solo exhibition “Liquid Health”, Goethe Open Space, Shanghai, 2019; group exhibitions “Spring Rhapsody”, KWM Art Center, Beijing, 2022; “Wave and Wave”, chi K11 Shanghai, Shanghai, 2021; “No Power Off”, Ming Contemporary Art Museum, Shanghai, 2021; “USB Multi-Port Link Exhibition”, MadeIn Gallery, Shanghai, 2021; “Generation Now”, group exhibition of the 3rd Weimar Cultural Forum, Galerie Eigenheim Weimar, Weimar, Germany, 2021; “Past Futurism”, Beijing Contemporary Art Narrative Unit, Beijing, 2021; “Loop Play”, CHAO Art Center, Beijing, 2021; “Hereditary Territory”, Powerlong Museum, Shanghai, 2021; “Undefined”, Kiyoshi Art, Tokyo, Japan, 2020; “Space Leaders”, APSMUSEUM, Shanghai, 2020; “Phantom Particles”, MadeIn Gallery, Shanghai, 2020; “Chinatown to Red Internationalism”, OCAT, Shenzhen, 2020; “Institutional Recommendation”, Boxes Art Space, Shenzhen, 2020; “Advent: Inventing Landscape, Making Land”, Qianshao Contemporary Art Center, Shanghai, 2019; “Extreme Mix”: 2019 Guangzhou Airport Biennale, Guangzhou, 2019; “Variables and Sustenance”, MadeIn Gallery, Shanghai, 2019; “Circular Hunt”, MadeIn Park, Shanghai, 2018; “Vision Obstructing the Boundless”, Shanghai Institute of Visual Arts, Shanghai, 2018; “Shanghai Hot Six Slash”, Yell Space, Shanghai, 2018; “BABEL7”, Babelsberger Strasse 52, Berlin, Germany, 2018; “Diversity”, Villa Arson, Nice, France, 2016, etc. In addition, Chen Ying co-operates the virtual contemporary art space Slime Engine with artists Fang Yang, Liu Shuzhen, and Shan Liang, and has participated in conceiving and producing several exhibitions on the platform.












平台暂无陈英的艺术家档案资料,因此无法提供其完整的简历、代表作文本等事实类信息。
不过,根据此次展览的相关文章,陈英是1982年出生于黑龙江省齐齐哈尔市,2010年毕业于中央戏剧学院舞台设计专业,现生活工作于北京。其绘画大多从现实存在的场景出发,在创作过程中不断压缩、弱化三维空间,使画面逐渐走向抽象;他善于捕捉平面与空间、现实与抽离之间微妙的切换,并以沉静而思考性的视角呈现这一偶发过程。展览中提到的作品《视线的轨迹》便体现了这一特点——通过叠加、再造景观,压缩空间深度,营造出海市蜃楼般的幻象。
由于艺术家档案缺失,更多关于创作脉络、系列演变等内容暂且不详。
Chen Ying (b. 1982) is an experimental and abstract artist whose representative works include the “Grey” series (2022–2024), “Trajectory of Sight” (2017), “Being Modeled” (2017), and “A Possibility After the Viewpoint” (2016), frequently executed in oil on canvas. His creative style draws on the visual language of commercial advertising as a metaphor, probing the diversity of image circulation and the complex relationships between identity and branding in the internet economy. By refusing to let algorithms generate his ads, Chen Ying’s practice captures the sensibilities and consciousness of a generation living amid digital media and the intertwined rhythms of virtual and physical life. His work merges abstract composition with themes of urban landscape, emotion, consumerism, and identity, often employing acrylic, oil, and mixed media on paper and canvas.
平台暂无“陈英”的艺术家档案资料,因此无法提供其展览机构与收藏机构信息。
Chen Ying has exhibited at **MadeIn Gallery**, with a recent solo presentation titled *The Fourth Wall* in 2025.
Regarding institutional collections, the structured artist profile does not provide specific information on which museums or public institutions hold his work.