陈子豪(Chen Zihao),华裔艺术家。2026年,其作品参展于蜂巢当代艺术中心举办的“轻狂欢:蜂巢·生成”大型群展,该展览以全球新一代年轻华裔艺术家为考察主体,陈子豪的作品被纳入展览的“剧场”单元。此次展览历经数月征集与遴选,最终确定75位参展艺术家,陈子豪为55位首次参展艺术家之一。
Chen Zihao is a Chinese diaspora artist. In 2026, his works were presented in the large-scale group exhibition "Light Carnival: Hive·Becoming" at Hive Center for Contemporary Art. The exhibition examined a new generation of young Chinese diaspora artists from around the world, and Chen Zihao's works were included in its "Theatre" unit. Following a months-long open call and selection process, the exhibition ultimately featured 75 participating artists, with Chen Zihao among the 55 first-time participants.

根据平台数据,关于艺术家**陈子豪**的代表作与创作特点,信息整理如下:
### 代表作
* **《与死神共舞的黑猫》** (2026年)
* **创作媒介**:布面油画,并使用了丙烯与砂石媒介。
### 创作特点
陈子豪的创作融合了多种艺术风格与主题:
* **艺术流派**:其作品风格涵盖**装饰性**、**意象**和**现实主义**。
* **常用媒介**:除了布面油画及综合材料,他也常使用**书法**和**纸上作品**进行创作。
* **核心题材**:作品主题围绕**故乡**、**文化身份**、**生命**以及**社会评论**展开。
### 展览背景
他的作品曾在2026年参展于蜂巢当代艺术中心举办的“轻狂欢:蜂巢·生成”大型群展,并被纳入展览的“剧场”单元。
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*注:以上信息源自平台艺术家档案库;拍卖成交数据中暂未匹配到陈子豪的单独作品成交记录。*
Based on the artist’s archival profile, Chen Zihao’s representative work is titled **“与死神共舞的黑猫” (Dancing with Death the Black Cat)**, created in 2026 using a mixed-media approach on canvas (oil, acrylic, and sand).
His creative style is characterized by the intersection of **decorative, imagistic, and realistic** approaches. Thematically, his practice engages with **hometown, cultural identity, life, and social commentary**. While his primary mediums are listed as **calligraphy and works on paper**, the documented representative work also demonstrates his use of stretched canvas with unconventional materials.
根据平台“结构化艺术家档案数据”,陈子豪的展览经历如下:
- 曾参展于**蜂巢当代艺术中心**(北京总部)举办的“轻狂欢:蜂巢·生成 · 剧场”大型群展(2026年)。
关于机构收藏,该档案数据中暂未提及任何收藏记录,因此无法提供相关信息。
According to the artist archive data, Chen Zihao has exhibited at **Hive Center for Contemporary Art** (蜂巢当代艺术中心) in Beijing, as part of the group exhibition *轻狂欢:蜂巢·生成 · 剧场* in 2026.
Regarding institutional collections, **no information is available** in the archive — it does not list any museums or public collections that hold his work.