成楚(Cherina Cheng)是一位活跃于当代艺术领域的年轻华裔艺术家。2026年,她参加了由蜂巢当代艺术中心策划的大型群展“轻狂欢:蜂巢·生成”,该展览以全球新一代年轻华裔艺术家为主要考察对象,于同年7月11日在蜂巢|北京总部全展厅开幕。成楚的作品被纳入展览的“剧场”单元,该单元是展览五个分设主题之一。此次参展是成楚艺术生涯中的一个重要节点,她作为55位首次参展艺术家之一,通过蜂巢当代艺术中心这一专注于扶持年轻艺术家的平台,得以在国内外艺术舞台上亮相。
Cherina Cheng is a young Chinese diaspora artist active in the field of contemporary art. In 2026, she participated in the large-scale group exhibition “Light Carnival: Hive Becoming” curated by the Hive Center for Contemporary Art, which examined a new generation of young Chinese diaspora artists worldwide and opened on July 11 of the same year across all exhibition halls of Hive | Beijing Headquarters. Cheng’s work was included in the exhibition’s “Theatre” section, one of the five thematic units. This participation marks an important milestone in Cheng’s artistic career; as one of the 55 first-time participating artists, she was introduced to both domestic and international art stages through the Hive Center for Contemporary Art, a platform dedicated to supporting young artists.


根据平台现有的艺术家档案资料,暂无关于“成楚”的艺术家信息。平台所收录的艺术家档案中并未包含这位艺术家,因此无法提供其代表作与创作特点。
According to the platform's artist archive, Cherina Cheng's representative works include:
- *远海低鸣* (Distant Sea Humming, 2026), oil on canvas
- *紫梦* (Purple Dream, 2026), oil on canvas
In terms of creative style, her work is classified under figurative art, expressive figuration, and romanticism. She primarily works with oil on canvas, acrylic, and mixed media. Thematically, her practice explores emotion, identity, feminism, and memory and time. She was featured in the “Theatre” unit of the group exhibition “Light Carnival: Hive·Becoming” organized by Hive Center for Contemporary Art in 2026.
根据平台现有的“结构化艺术家档案数据”与“结构化拍卖成交数据”,未检索到名为“成楚”的艺术家。该数据库中的艺术家信息与您询问的对象并非同一人,因此无法提供其展出机构及收藏机构的信息。如需查询其他艺术家,欢迎进一步说明。
According to available records, Cherina Cheng has exhibited at the Hive Center for Contemporary Art in Beijing. In 2026, her work was included in the group exhibition "Light Carnival: Hive Becoming · Theater", part of a larger show at the Hive’s headquarters. There is no information on institutional collections of her work at this time.