丁立人
简介Biography
丁立人，1930年出生于浙江省台州海门镇，六岁习画，曾就学于南京大学、山东大学及中央美术学院华东分院。现为上海理工大学设计艺术学院教授，兼任中国民间工艺美术委员会会员、上海民间文艺家协会会员、中国民间剪纸研究会会员及上少造型研究会会员。他自幼对绘画有天赋，对艺术有独特见解，一生坚持艺术追求，对中国的三代玉器、秦汉石刻、近代木版年画、剪纸以及非洲、爱斯基摩人等艺术兴趣浓厚。他主张艺术应充满生命力，认为“杂交”是恢复艺术的唯一办法。刘海粟称其为风格多变的画家，赵无极认为其艺术是中外传统艺术的浓缩发展。作品收藏于中国美术馆、中国美术学院、中南海、浙江省文化会堂、江苏省美术馆、香港大一学院、澳门文化司署、新加坡S.G画廊、日本浅沼画廊、上海刘海粟美术馆等机构及国内外个人收藏。出版有《中国名画家精品集——丁立人》。
Ding Liren was born in Haimen Town, Taizhou, Zhejiang Province in 1930. He started learning painting at the age of six and studied at Nanjing University, Shandong University, and the East China Branch of the Central Academy of Fine Arts. He is currently a professor at the College of Design and Art, University of Shanghai for Science and Technology, and concurrently a member of the China Folk Arts and Crafts Committee, the Shanghai Folk Literature and Art Association, the China Folk Paper-cut Research Association, and the Shangshao Plastic Arts Research Association (上少造型研究会). He showed a talent for painting from a young age, held unique insights into art, and persisted in his artistic pursuits throughout his life. He had a deep interest in Chinese jade artifacts of the Three Dynasties (Xia, Shang, and Zhou), stone carvings of the Qin and Han dynasties, modern woodblock New Year prints, paper-cuts, as well as African and Eskimo art. He advocated that art should be full of vitality and believed that “hybridization” was the only way to rejuvenate art. Liu Haisu called him a painter of highly varied styles, while Zao Wou-Ki regarded his art as a concentrated development of both Chinese and foreign traditional art. His works are in the collections of the National Art Museum of China, the China Academy of Art, Zhongnanhai, the Zhejiang Cultural Hall, the Jiangsu Provincial Art Museum, Hong Kong First College (香港大一学院), the Macao Cultural Affairs Bureau, S.G Gallery in Singapore, Asanuma Gallery in Japan, the Shanghai Liu Haisu Art Museum, and other institutions as well as private collections at home and abroad. He has published *A Collection of Masterpieces by Renowned Chinese Painters – Ding Liren*.
代表作Selected Works
展览履历Exhibitions
- 2025乐园茶所
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
丁立人，1930年出生于浙江省台州海门镇，现为上海理工大学设计艺术学院教授，兼任中国民间工艺美术委员会会员、上海民间文艺家协会会员等职务。他的代表作包括《大松鼠》（2023，旧衣挂改造，热熔胶）、《超模Iman》（2024，树枝、热熔胶、丙烯）、《筋斗云没电了》（2024，树枝、丙烯、木工板边角料、塑料扎带、脱胶水粉）、《人鱼爱丽儿》（2024，树枝、丙烯）、《腿足系列：美女》（2023，木方、丙烯、扎带、螺丝钉）、《腿足系列-退休生活》（2023，木方、丙烯、扎带、螺丝钉）、《Emily》（2024，树枝、热熔胶、油漆、丙烯）、《海绵系列》（2023），以及2025年的《粉笔》（木板、丙烯、粉笔、热熔胶）和《无题》（陶土、化妆土、钢铁构件、水泥构件）等。
他的创作特点鲜明：风格多元多变，手法不拘一格，将意象、表现性具象与装饰性元素融为一体。他善于运用水墨、综合材料、拼贴等媒介，题材涵盖人物、故乡、生命、神话宗教以及记忆与时间。丁立人注重从民间艺术汲取养分，对中国三代玉器、秦汉石刻、年画剪纸以及非洲、爱斯基摩人艺术有深厚兴趣，主张“杂交”是恢复艺术活力的唯一办法，其作品因而充满生命力与原始的创造力。他的艺术被刘海粟称为“风格多变”，被赵无极评价为“中外传统艺术的浓缩发展”。他在2025年于茶所举办了展览“乐园”。
Ding Liren’s representative works include pieces like *The Big Squirrel* (2023), *Chalk* (2025), *Untitled* (2025), *Supermodel Iman* (2024), *Somersault Cloud Out of Battery* (2024), *Mermaid Ariel* (2024), and his *Leg Series* (2023–2024). These works showcase his playful use of unconventional materials — for example, repurposed clothing, branches, hot glue, acrylic on wood, and even de-glued gouache — often assembled into whimsical, figurative sculptures and mixed-media paintings.
His creative style is defined by an uninhibited, eclectic approach that merges imagery, expressive figuration, and a strong decorative sensibility. Ding Liren refuses to be confined by a single medium, working across ink, paper, mixed media, and collage. Deeply influenced by ancient Chinese art (jade, Han stone carvings), folk traditions (woodblock prints, paper-cutting), as well as African and Inuit art, he advocates a kind of “hybrid” aesthetics as the path to rejuvenating art. This synthesis results in a constantly shifting, vital visual language that Liu Haisu once called “a painter of many styles,” and which Zao Wou-Ki recognized as a condensed evolution of both Chinese and foreign traditions.
展览与收藏Exhibitions & Collections
基于已有的艺术家档案数据，为您整理丁立人的展览与收藏信息如下：
**① 展出经历**
根据现有展览记录，丁立人曾在以下机构展出：
* **茶所**（北京）：2025年，举办了名为“乐园”的展览。
*注：此为平台已收录的展览记录，艺术家的完整展览履历可能包含更多机构。*
**② 收藏机构**
丁立人的作品被以下多个重要艺术机构及国内外私人藏家收藏：
* **国内机构**：中国美术馆、中国美术学院、中南海、浙江省文化会堂、江苏省美术馆、上海刘海粟美术馆、香港大一学院、澳门文化司署。
* **国际机构**：新加坡S.G画廊、日本浅沼画廊。
以上信息均来源于平台的“结构化艺术家档案数据”。
Ding Liren’s solo exhibition “Paradise” (2025) was held at Cha Suo (茶所).
His works are in the collections of the National Art Museum of China, China Academy of Art, Zhongnanhai, Zhejiang Cultural Hall, Jiangsu Art Museum, Hong Kong First Institute, Instituto Cultural of Macau, S.G Gallery (Singapore), Asanuma Gallery (Japan), and Liu Haisu Art Museum (Shanghai), among other institutions and private collections.
