王欣维
简介Biography
王欣维（Edison Wang，1998年生于吉林），硕士毕业于伦敦大学Goldsmiths学院，现居上海。他的创作关注真实场景、流动的叙事与个人直觉的并置，通过采集与再语境化，在技术冲击下重构感知与意义，从而体现逻辑、经济架构与艺术在当代系统中的循环与变形。其作品常以真实场景与社会流动为素材，将感知与叙事嵌入现实语境中进行再构。
Wang Xinwei (Edison Wang, born 1998 in Jilin) holds a Master’s degree from Goldsmiths, University of London, and currently lives in Shanghai. His practice attends to the juxtaposition of real scenes, fluid narratives, and personal intuition. Through processes of gathering and recontextualization, he reconstructs perception and meaning amid technological upheaval, thereby manifesting the cycles and deformations of logic, economic structures, and art within contemporary systems. His works often take real-life scenarios and social mobility as material, reconfiguring perception and narrative by embedding them into actual contexts.
代表作Selected Works
展览履历Exhibitions
- 2026日常的拓扑·越界处的视觉异化ISLE Gallery 山与艺术
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
根据平台公开的艺术家档案，王欣维（Edison Wang，1998年生于吉林）的代表作包括《矢量空间》系列（如《矢量空间 01 MATRIX I》《矢量空间 04》《矢量空间 02 MATRIX II》等）、《混沌的秩序》系列（如《混沌的秩序 01》《混沌的秩序 02》）、《第四回合》系列，以及影像作品《伪崇拜》《从前的生活 Past Lives》等。
其创作特点聚焦于真实场景、流动叙事与个人直觉的并置，他通过采集与再语境化的手法，在技术冲击的背景下重构感知与意义。作品常以城市景观、消费主义、身份认同、记忆与时间等主题为切入点，借由具象与表现性的艺术语言，探讨逻辑、经济架构与艺术在当代系统中的循环与变形。
Edison Wang (b. 1998, Jilin) is a Chinese artist currently based in Shanghai. His representative works are largely produced in 2025 and span both print and moving-image media. Key pieces include the **“Vector Space / MATRIX” series** (such as *矢量空间 01 MATRIX I*, *矢量空间 03 MATRIX III*) and the **“Chaotic Order”** diptych (*混沌的秩序 01*, *混沌的秩序 02*), all realised as archival pigment prints (艺术微喷). He has also produced the **“Round Four”** series (*第四回合 01*, *第四回合 02*) and the single-channel video *从前的生活 / Past Lives*, along with the two-channel colour–sound piece *伪崇拜 / Pseudo-Worship*.
His creative style is anchored in **expressive figuration often inflected with a cartoon-like sensibility**, blending acrylic, mixed‑media, and digital processes. Thematically, Wang engages with **urban landscapes, consumerism, identity, and memory/time**, re‑contextualising real‑world scenes and personal intuition into images that reflect the cyclical deformation of logic, economic structures, and art under technological pressure. His work operates at the intersection of documentary observation and digitally mediated re‑construction, consistently treating perception and narrative as fluid, malleable materials.
展览与收藏Exhibitions & Collections
根据现有资料，王欣维曾在以下机构展出：
* **ISLE Gallery 山与艺术**：曾于2026年在此参加群展“日常的拓扑·越界处的视觉异化”。
关于他被哪些机构收藏，目前暂无公开信息。
According to the artist profile, Edison Wang has exhibited at **ISLE Gallery (山与艺术)**, in the 2026 exhibition *日常的拓扑·越界处的视觉异化* (The Topology of the Everyday · Visual Alienation at the Boundary).
There is no information in the current profile regarding which institutions collect his work.
