范婧,1983 年出生于北京,毕业于首都师范大学美术学院油画系,现工作生活于北京。范婧的作品常以描绘人物为主,作品中无论从画面内容或是画面形式都始终聚焦于“ 力” 与“ 力” 的对抗、冲突以及平衡。范婧作品曾在北京、上海、香港、巴黎、新加坡等地展出,作品被重要私人藏家和基金会收藏。
姚斯青博士,先后毕业于中央美术学院艺术史专业及中山大学中文系现代文学专业。现为定居北京的独立学者与策展人。她近期聚焦于物质文化史与媒介研究,倾向于与不同知识背景的艺术家一起工作,并期待共同推动一种能够连接并创造性转化中国古典及早期现代文明资源的新感性经验在全球化的语境中发生。
Born in Beijing in 1983, Fan Jing graduated from Capital Normal University’s School of Fine Arts, majoring in oil painting. She currently lives and works in Beijing. Her work predominantly centers on the human figure and consistently explores the confrontation, conflict, and balance between opposing forces—both in content and form. Her paintings have been exhibited in Beijing, Shanghai, Hong Kong, Paris, and Singapore, and are collected by important private collectors and foundations.
Dr. Crystal Yao studied at the Central Academy of Fine Arts (MA Art History) and Department of Chinese of Sun Yat-sen University (PhD Modern Literature). She now lives in Beijing and works as an independent scholar and curator. She focuses on History of Material Culture and Media Studies, tends to work with artists from different intellectual backgrounds, and looks forward to fostering a new sensual experience that connects and creatively transforms classical and early modern Chinese cultural resources in a global context.












平台暂无关于艺术家“范婧”的档案资料,因此无法提供其代表作与创作特点。建议核实姓名拼写或提供更详细的背景线索,我们将进一步查询与跟进。
Based on the artist's archive, Fan Jing’s representative works and creative style are as follows:
**Representative Works**
- *Night Watch* (夜巡, 2025, oil on canvas)
- *Madame Butterfly* (蝴蝶夫人, 2025, oil on canvas)
- *Butterfly Lady* (蝴蝶女士, 2025, oil on canvas)
- *Love Story* (爱情故事, 2024, oil on canvas)
- *Battle of the Fairies* (仙女之战, 2023, oil on canvas)
- *Crying Giant No.1 & No.2* (哭泣的巨人, 2025, oil on wood panel)
- *Little Hero* (小英雄, 2023, oil on canvas)
- *Proper Education 2* (恰当教育 2, 2023, oil on canvas)
- *Team Sport* and *Team Sport 2* (团体运动, 2023, oil on canvas)
**Creative Style**
Fan Jing’s work consistently centers on the confrontation, conflict, and balance of “forces,” whether in the content of the scenes or the formal composition of the paintings. She primarily depicts human figures, working in a figurative yet experimental and imagistic mode. Her themes often engage with femininity, urban landscapes, emotion, social commentary, consumerism, identity, and the body. The artist uses oil on canvas and wood panel as her main media, occasionally working with acrylic and paper. Her practice draws on a nuanced interplay of tension and equilibrium, giving her imagery a distinctive psychological and aesthetic charge.
平台暂无艺术家范婧的档案资料,无法提供其展览与收藏机构信息。
Based on the available artist profile, Fan Jing has recently held solo exhibitions at:
- **HdM Gallery** (Beijing) – "Fall to the Mortal World" (2025) and "As You Like It" (2023)
- **Rainbow Art Museum** (Suzhou) – "Seeing the Subtle, Knowing the Grand" (2025)
The profile does not specify the names of institutions that collect her work. It only states that her works are held by "important private collectors and foundations."