费亦宁
简介Biography
费亦宁现工作生活于上海。2013年本科毕业于复旦大学新闻学院，2017年毕业于纽约帕森斯艺术学院，获硕士学位（MFA）。其创作媒介涵盖动画、影像、雕塑等，通过推想叙事结合荒诞与真实，探索后人类时代背景下可能的另类生存状态。作品曾展出于意大利国立二十一世纪艺术博物馆、澳大利亚维多利亚国家美术馆、尤伦斯当代艺术中心、松美术馆、金鹰美术馆等国内外重要艺术机构，并即将呈现于红星美凯龙艺术中心、Longlati基金会、北京双年展等重要学术展览。此外，艺术家曾受任于CEF实验影像中心、尤伦斯当代艺术中心完成美术馆委任作品。费亦宁作品被尤伦斯夫妇、Longlati基金会、澳大利亚维多利亚国家美术馆、X美术馆等国内外重要机构与藏家广泛收藏。
Fei Yi Ning currently works and lives in Shanghai. She received her BA from the School of Journalism at Fudan University in 2013, and her MFA from Parsons School of Art in New York in 2017. Her creative media encompass animation, video, sculpture, and more. Through speculative narratives that blend the absurd with the real, she explores possible alternative states of existence in the post-human era. Her works have been exhibited at major art institutions both domestically and internationally, including the National Museum of XXI Century Arts (MAXXI) in Italy, the National Gallery of Victoria in Australia, Ullens Center for Contemporary Art, Song Art Museum, and Golden Eagle Art Museum, and are soon to be presented at important academic exhibitions such as the Red Star Macalline Art Center, the Longlati Foundation, and the Beijing Biennale. Additionally, the artist has been commissioned by CEF Experimental Image Center and Ullens Center for Contemporary Art to create museum-commissioned works. Fei Yi Ning’s works are widely collected by major institutions and collectors domestically and internationally, including the Ullens couple, the Longlati Foundation, the National Gallery of Victoria in Australia, and X Museum.
代表作Selected Works
展览履历Exhibitions
- 2026流过蜂巢 | 上海 · 蜂巢当代艺术中心
- 2022飞飞的网HIVE中心当代艺术 · 蜂巢当代艺术中心
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
根据平台档案资料，费亦宁（1990年生）是一位工作生活于上海的艺术家，创作媒介涵盖动画、影像、雕塑、装置等。
**代表作：**
* 《泪涟连：獾、牛 与 人》（2026）
* 《但或许这样会更好 一切都消逝了》（2022）
* 《袅袅：飞去 1》（2026）
* 《袅袅：飞去 2》（2026）
* 《泪涟连：遗痕》（2026）
* 《阳光在我手》（2022）
* 《爱与干扰 ( 天使 II）》（2022）
* 《爱与干扰 ( 天使 I）》（2022）
* 《袅袅：悲声》（2026）
* 《湖面》（2022）
* 《雪的练习纸 1》（2026）
* 《浮标：并非无人之海》（2026）
**创作特点：**
1. **媒介多元与跨界**：其创作常采用影像、装置、综合材料、数字艺术及新媒体等形式，材料运用上不拘一格（如釉面陶、不锈钢、玻璃钢、聚氨酯泡沫等）。
2. **推想叙事与思辨**：作品通过推想叙事结合荒诞与真实的元素，探索后人类时代背景下可能的另类生存状态。
3. **主题关注**：创作常常围绕**女性主义、生态、身份认同、记忆与时间**以及**社会评论**等议题展开，具有很强的观念性与社会介入色彩。
Fei Yining works across animation, video, sculpture, and mixed media, weaving speculative narratives that merge absurdity and reality to explore alternative modes of existence in a post‑human context. Her practice often engages with themes such as feminism, ecology, identity, memory and social commentary.
Among her representative works are:
- *Tearful Connection: Badger, Ox and Human* (2026) – glazed ceramic, stainless steel, water pump
- *But Maybe It Would Be Better This Way Everything Has Faded Away* (2022) – fiberglass, lacquer
- *Curling Smoke: Flying Away 1 & 2* and *Curling Smoke: Mournful Sound* (2026) – glazed ceramic, thread, stainless steel
- *Love and Interference (Angel I & II)* (2022) – polyurethane foam, composite materials, resin, lacquer
- *Sunshine in My Hands* (2022) – composite materials, sand, metal
Her creative style is conceptual and experimental, often driven by socially engaged inquiries. Using a combination of digital and tangible media, she constructs layered visual stories that question prevailing systems – from ecological crises to constructs of identity – while consistently pushing the boundaries of material and narrative form.
展览与收藏Exhibitions & Collections
根据平台档案资料，费亦宁的展出与收藏情况如下：
**展出机构**
- 个展曾于蜂巢当代艺术中心（上海）举办。
- 作品曾展出于意大利国立二十一世纪艺术博物馆、澳大利亚维多利亚国家美术馆、尤伦斯当代艺术中心、松美术馆、金鹰美术馆等国内外重要机构，并曾呈现于红星美凯龙艺术中心、Longlati基金会、北京双年展等学术展览。此外，艺术家曾受任于CEF实验影像中心、尤伦斯当代艺术中心完成委任作品。
**收藏机构**
- 作品被尤伦斯夫妇、Longlati基金会、澳大利亚维多利亚国家美术馆、X美术馆等机构与藏家广泛收藏。
Fei Yi Ning has presented her work at a range of major institutions, including:
- MAXXI – National Museum of 21st Century Arts (Italy)
- National Gallery of Victoria (Australia)
- UCCA Center for Contemporary Art (Beijing)
- Song Art Museum (Beijing)
- Jinying Art Museum (Nanjing)
- Macalline Art Center (Beijing)
- Longlati Foundation (Shanghai)
- The Beijing Biennale
She has also realised commissioned projects for CEF Experimental Image Center and UCCA, and held solo exhibitions at Hive Center for Contemporary Art (Shanghai/Beijing).
Her works are held in the collections of:
- The Guy & Myriam Ullens Collection
- Longlati Foundation
- National Gallery of Victoria (Australia)
- X Museum (Beijing)
- Other prominent institutions and private collections
