冯嫣
简介Biography
冯嫣（Feng Yan），1999年出生于湖南长沙，现生活于北京。2018年毕业于中央美术学院附中，同年保送中央美术学院造型学院；2022年毕业于中央美术学院造型学院版画系，获艺术学士学位，同年保送中央美术学院油画系研究生；2025年毕业于中央美术学院油画系，获艺术硕士学位。其身份涵盖青年艺术家与策展人，创作脉络贯穿版画与油画领域。
Feng Yan, born in 1999 in Changsha, Hunan, currently lives in Beijing. She graduated from the Affiliated High School of the Central Academy of Fine Arts in 2018 and was recommended for admission to the School of Fine Arts at the Central Academy of Fine Arts in the same year. In 2022, she graduated from the Printmaking Department of the School of Fine Arts at the Central Academy of Fine Arts with a Bachelor of Fine Arts degree, and was recommended for admission to the graduate program in the Oil Painting Department at the Central Academy of Fine Arts in the same year. In 2025, she graduated from the Oil Painting Department at the Central Academy of Fine Arts with a Master of Fine Arts degree. Her roles encompass young artist and curator, and her creative practice traverses the fields of printmaking and oil painting.
代表作Selected Works
创作系列Series
《勒班陀》系列平台收录 4 件4 works on ArtMatters
《锯齿纹研究》系列平台收录 9 件9 works on ArtMatters
展览履历Exhibitions
- 2026坐标 —— JUSTART第四幕年度展利星行文化艺术中心 · JUSTART
- 2026文脉的绵延·线北京市朝阳区酒仙桥路4号北京798艺术区七星东街 · 又生空间
- 2026翎羽集 II北京市朝阳区酒仙桥路4号北京798艺术区七星东街 · 又生空间
- 2025界限消失北京市朝阳区酒仙桥路4号北京798艺术区七星东街又生空间 · 又生空间
- 2024秩序，气流槐轩
- 2022第九届“繁星计划 —— 时代浪潮中的不快捷方式” 群展树美术馆
- 2022“加载中...”2022中央美院本科生毕业展 群展中央美术学院
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
据平台艺术家档案资料，冯嫣（1999年生于湖南长沙）的创作以当代水墨、意象与实验性为总体面貌，常用媒介包括水墨、油墨、丙烯、手工纸、皮纸、木板等综合材料。
**代表作**（主要来自其近年作品系列）：
- 《锯齿纹研究-勒班陀2》（2024）
- 《海平面与地平线 9》（2025）
- 《锯齿纹研究 - 勒班陀 20》（2025）
- 《流域，堤坝3》（2026）
- 《让风进入我们的语法1》（2026）
- 《锯齿纹研究-广场,高塔与屋顶 41》（2025）
- 《锯齿纹研究-广场,高塔与屋顶 40》（2025）
**创作特点**：
- 媒介上具有明显的综合性与实验性，将油墨、丙烯与手工纸、皮纸、木板等材质结合，而非局限于传统水墨。
- 题材上持续关注自然生态、记忆与时间、文化身份等主题。
- 视觉语言上常以“锯齿纹”等符号化、抽象化意象展开，在版画与油画的跨媒介训练背景下，形成带有实验感和材料肌理感的个人面貌。
- 其学术背景贯通中央美术学院版画系与油画系，创作也呈现出跨专业、跨媒介的思考方式。
Feng Yan (b. 1999, Changsha, Hunan) works primarily in contemporary ink and mixed media on paper. Her representative works include:
- *锯齿纹研究-勒班陀2* / *Study of Zigzag Patterns – Lepanto 2* (2024), ink, acrylic, handmade paper, canvas
- *海平面与地平线 9* / *Sea Level and Horizon 9* (2025), ink, acrylic, handmade paper, wood panel
- *锯齿纹研究 - 勒班陀 20* / *Study of Zigzag Patterns – Lepanto 20* (2025), ink, acrylic, handmade paper, wood panel
- *流域，堤坝3* / *Watershed, Embankment 3* (2026), ink, acrylic, bark paper, wood panel
- *让风进入我们的语法1* / *Let the Wind Enter Our Grammar 1* (2026), ink, acrylic, bark paper, wood panel
Her creative style can be described as contemporary ink-based, imagistic, and experimental. She often combines ink and acrylic with handmade paper and wood supports, and her practice spans both printmaking and oil painting. Thematically, her work engages with natural ecology, memory and time, and cultural identity, frequently developing serial motifs such as zigzag patterns, sea level and horizon, and watershed or embankment imagery.
展览与收藏Exhibitions & Collections
根据平台结构化艺术家档案数据，冯嫣的展览经历如下：
**展出机构**
- 利星行文化艺术中心（JUSTART）：2026年，展览《坐标 —— JUSTART第四幕年度展》
- 又生空间：2026年，展览《文脉的绵延·线》；2026年，展览《翎羽集 II》；2025年，展览《界限消失》
- 槐轩：2024年，展览《秩序，气流》
**收藏机构**
平台公开档案中未收录冯嫣作品被收藏的机构信息，因此暂无法提供相关收藏记录。建议以艺术家本人、代理画廊或权威艺术机构发布的最新资料为准。
Feng Yan has exhibited at the following venues according to the available artist profile:
- **Lixinghang Cultural and Art Center** — *Coordinates — JUSTART Fourth Act Annual Exhibition* (2026), presented by JUSTART
- **CYCLE SPACE / 又生空间**, 798 Art District, Beijing — *The Continuation of Cultural Lineage · Line* (2026)
- **CYCLE SPACE / 又生空间**, 798 Art District, Beijing — *Feather Collection II* (2026)
- **CYCLE SPACE / 又生空间**, 798 Art District, Beijing — *Boundary Disappears* (2025)
- **Huai Xuan / 槐轩** — *Order, Airflow* (2024)
As for institutional collections: the available artist profile does not list any institutional collections of Feng Yan’s work.
