冯嫣
简介Biography
冯嫣（Feng Yan），1999年出生于湖南长沙，现生活于北京。2018年毕业于中央美术学院附中，同年保送中央美术学院造型学院；2022年毕业于中央美术学院造型学院版画系，获艺术学士学位，同年保送中央美术学院油画系研究生；2025年毕业于中央美术学院油画系，获艺术硕士学位。其身份涵盖青年艺术家与策展人，创作脉络贯穿版画与油画领域。
Feng Yan, born in 1999 in Changsha, Hunan, currently lives in Beijing. She graduated from the Affiliated High School of the Central Academy of Fine Arts in 2018 and was recommended for admission to the School of Fine Arts at the Central Academy of Fine Arts in the same year. In 2022, she graduated from the Printmaking Department of the School of Fine Arts at the Central Academy of Fine Arts with a Bachelor of Fine Arts degree, and was recommended for admission to the graduate program in the Oil Painting Department at the Central Academy of Fine Arts in the same year. In 2025, she graduated from the Oil Painting Department at the Central Academy of Fine Arts with a Master of Fine Arts degree. Her roles encompass young artist and curator, and her creative practice traverses the fields of printmaking and oil painting.
代表作Selected Works
创作系列Series
《勒班陀》系列平台收录 4 件4 works on ArtMatters
《锯齿纹研究》系列平台收录 9 件9 works on ArtMatters
展览履历Exhibitions
- 2026文脉的绵延·线北京市朝阳区酒仙桥路4号北京798艺术区七星东街 · 又生空间
- 2026翎羽集 II北京市朝阳区酒仙桥路4号北京798艺术区七星东街 · 又生空间
- 2025界限消失北京市朝阳区酒仙桥路4号北京798艺术区七星东街又生空间 · 又生空间
- 2024秩序，气流槐轩
- 2022“加载中...”2022中央美院本科生毕业展 群展中央美术学院
- 2022第九届“繁星计划 —— 时代浪潮中的不快捷方式” 群展树美术馆
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
根据平台档案，冯嫣（Feng Yan，1999年生于湖南长沙）的创作以**当代水墨、意象与实验性**为核心，常用媒介为**水墨、纸上作品及综合材料**，关注**自然生态、记忆与时间、文化身份**等主题。
### 代表作（部分）
- 《锯齿纹研究 – 勒班陀》系列（2024–2025）
- 《锯齿纹研究 – 广场，高塔与屋顶》系列（2024–2026）
- 《海平面与地平线》系列（2025）
### 创作特点
1. **媒介的融合与实验**：将水墨、丙烯与手工纸、木板甚至油画布结合，在版画与油画的创作脉络中交叉探索，打破单一媒介的边界。
2. **意象化的抽象语言**：以“锯齿纹”等重复性的几何纹样作为核心视觉元素，构建出兼具秩序感与流动性的画面，暗含对时间轨迹与记忆结构的隐喻。
3. **主题的当代性**：作品常从自然生态（如海平面、地平线）与文化符号出发，通过模糊具象与抽象，引导观者进入关乎存在与感知的深层思考。
以上信息来源于平台公开的艺术家档案。
Feng Yan’s practice sits at the intersection of contemporary ink painting, imagery (意象), and experimental mixed‑media. She works primarily with ink, acrylic, and handmade paper on canvas or wood panels, often combining traditional materials with distinctly modern compositional strategies. Her recurring motifs – saw‑tooth patterns, expanding horizons, and meditative studies of sea level – suggest a deep interest in nature, ecology, and the fluidity of time and memory.
Key representative works include:
- **锯齿纹研究‑勒班陀2** (2024) – ink, acrylic, handmade paper on canvas
- **海平面与地平线 9** (2025) – ink, acrylic, handmade paper on wood panel
- **锯齿纹研究 – 勒班陀 20** (2025) – ink, acrylic, handmade paper on wood panel
- **锯齿纹研究‑广场,高塔与屋顶 32** (2026) – ink, acrylic, bark paper on wood panel
These pieces reveal a consistent creative method: layered, textured surfaces where saw‑tooth geometries and muted, atmospheric colour fields evoke both personal introspection and broader cultural narratives. Her style is experimental yet grounded in the lyrical, “意象” tradition, blending abstraction with a subtle, almost poetic sensibility.
展览与收藏Exhibitions & Collections
根据平台档案资料，冯嫣的展览经历如下：
**展出机构**
* 又生空间（北京798艺术区）：
* 2026年，参加群展“文脉的绵延·线”
* 2026年，参加群展“翎羽集 II”
* 2025年，举办个展“界限消失”
* 槐轩：
* 2024年，举办个展“秩序，气流”
**收藏记录**
关于冯嫣的作品被哪些机构收藏，平台目前暂无相关公开记录。
Feng Yan has held solo and group exhibitions at the following venues:
- **You Sheng Space (又生空间)**, located in the 798 Art Zone, Beijing:
- *The Boundaries Disappear* (界限消失), 2025
- *Feather Collection II* (翎羽集 II), 2026
- *The Continuation of Cultural Context · Line* (文脉的绵延·线), 2026
- **Huai Xuan (槐轩)**:
- *Order, Airflow* (秩序，气流), 2024
As for institutional collections, the artist's archive does not include any information on which museums or institutions hold her work.
