付美军(Fu Meijun)是一位中国当代艺术家,其创作脉络与展览经历主要集中于2010年代初期。他于2009年参加了在云南艺术学院美术馆举办的云南省第一届大学生文化艺术节。2012年,其作品在昆明创库TCG诺地卡举办的“破镜重圆”展览及昆明“开启未来”提名展中展出。2013年,付美军在上海明圆美术馆举办的第七届全国中青年艺术家推荐展以及昆明框余画廊的“暖春”展览中亮相。2014年,他参与了北京今日美术馆的新星星艺术节和北京SURGE ART艺起北京活动。这些展览记录构成了其早期艺术实践的主要轨迹。
Fu Meijun is a Chinese contemporary artist whose creative trajectory and exhibition history are primarily concentrated in the early 2010s. In 2009, he participated in the First Yunnan Province University Students’ Culture and Art Festival held at the Art Museum of Yunnan Arts University. In 2012, his works were shown in the exhibition “A Broken Mirror Made Whole” at TCG Nordica in Kunming and in the Kunming “Opening the Future” Nomination Exhibition. In 2013, Fu Meijun appeared in the 7th National Recommendation Exhibition for Young and Middle-Aged Artists at the Shanghai Mingyuan Art Museum, as well as the “Warm Spring” exhibition at Kuangyu Gallery in Kunming. In 2014, he took part in the New Star Art Festival at the Today Art Museum in Beijing and the SURGE ART Beijing event. These exhibition records constitute the main trajectory of his early artistic practice.












据平台艺术家档案,**付美军(Fu Meijun)**,1989 年生,中国当代艺术家。
**代表作(据档案收录)**
主要包括:
- 《土地纷争》系列(2024–2025,布面丙烯)
- 《西洱河湖的舞蹈》系列(2023,布面丙烯)
- 《艾拉河的馈赠》系列(2024,布面丙烯)
- 《星辰、山脉、村庄、河流1》(2024,布面丙烯)
- 《万溪冲-春雨2》(2026,布面丙烯)
**创作特点**
档案中归类其创作方向为**表现性具象、意象、具象艺术**,常用媒介为**布面丙烯、丙烯、综合材料**。
题材集中在**风景、静物、记忆与时间、情感**等范畴。从作品标题看,他常以具体自然地理意象——土地、河流、湖泊、星辰、山脉、村庄——作为切入点,如“土地纷争”“西洱河湖的舞蹈”“艾拉河的馈赠”等,呈现出对自然景观、地方经验与情感氛围的关注。展览题名如“烧涧”“无边光景”,也进一步提示其创作与自然、风景及空间感受之间的关联。
档案中暂无更详细的风格演变或学术评述资料,因此目前仅能依据上述作品与题材信息归纳其创作特点。
**Fu Meijun** (b. 1989) is a Chinese contemporary artist. Based on the platform’s structured archive, his practice is primarily in **acrylic on canvas**, sometimes incorporating mixed media.
**Representative works** include:
- *Land Disputes* series (*土地纷争*), including *Land Disputes 1, 2, 3, 6, 9, 10* (2024–2025)
- *Gifts of the Aira River* series (*艾拉河的馈赠*), including *Gifts of the Aira River 2, 3* (2024)
- *Dance of Xi'er River Lake* series (*西洱河湖的舞蹈*), including *Dance of Xi'er River Lake 2, 3* (2023)
- *Wanxichong – Spring Rain 2* (*万溪冲-春雨2*) (2026)
- *Stars, Mountains, Villages, Rivers 1* (*星辰、山脉、村庄、河流1*) (2024)
**Creative style:**
The archive classifies Fu Meijun’s work as **expressive figurative**, **imagistic**, and **figurative art**. His subjects often revolve around **landscape**, **still life**, **memory and time**, and **emotion**. The works tend to combine natural and rural motifs with a lyrical, image-led approach, using acrylic on canvas to build scenes that feel both concrete and emotionally suggestive, often reflecting on memory and the passage of time.
根据平台“结构化艺术家档案数据”,付美军的展出机构记录如下:
**展出机构(依档案记录)**
- 云南艺术学院美术馆:2009年“云南省第一届大学生文化艺术节”
- 昆明创库TCG诺地卡:2012年“破镜重圆”
- 上海明圆美术馆:2013年“第七届全国中青年艺术家推荐展”
- 昆明框余画廊:2013年“暖春”
- 北京今日美术馆:2014年“新星星艺术节”
- 北京SURGE ART艺起北京:2014年
- 玉兰堂(上海):2025年“烧涧”、2026年“无边光景”、2026年“中国当代的抽象叙事”等
- 上海展览中心:2026年 ART021 博览会玉兰堂展位
另,2012年昆明“开启未来”提名展在档案中有记录,但未明确标注具体场馆机构。
**被机构收藏**
平台现有档案中暂无付美军作品被机构收藏的信息,无法确认相关收藏机构。
According to the available artist archive, Fu Meijun’s documented exhibition venues include:
- Yunnan Arts University Art Museum (2009)
- TCG Nordica, Kunming (2012)
- Kunming “开启未来” nomination exhibition (2012)
- Shanghai Mingyuan Art Museum (2013)
- Kunming Kuangyu Gallery (2013)
- Beijing Today Art Museum (2014)
- SURGE ART Beijing (2014)
More recent gallery exhibitions include:
- “烧涧” at Yulantang, Shanghai (2025)
- “无边光景” at Yulantang, Shanghai (2026)
- “ART021 2026 Yulantang” at Shanghai Exhibition Center (2026)
- “中国当代的抽象叙事” at Yulantang, Shanghai (2026)
Regarding institutional collections: the available archive does not list specific institutions that collect Fu Meijun’s work.