高晓依
简介Biography
高晓依（Gao Xiao Yi）拥有华盛顿大学艺术学士和硕士学位。她的作品曾在上海、广州、西雅图、纽约等多地展出，包括Henry Art Gallery、Sand Point Gallery、Jacob Lawrence Gallery、Soil Gallery、Vestibule Gallery、关注画廊、ACENTRIC SPACE上海等。2023年，她获得美国Art Connect颁发的Artist to Watch（2024年最值得关注艺术家奖）。此外，她分别于2018年与2024年获得加拿大Elizabeth Greenshields Foundation奖金。
Gao Xiaoyi holds the Bachelor and Master degree in Fine Art from the University of Washington. She has exhibited at Shanghai, Guangzhou, Seattle, New York and more, including the show at Institute of Contemporary Arts at New York University Shanghai, Gene Gallery, Henry Art Gallery, Jacob Lawrence Gallery, Soil Gallery, Vestibule Gallery and etc. She was a grantee of the Elizabeth Greenshields Foundation in 2018 and 2024.
代表作Selected Works
展览履历Exhibitions
- 2026轻狂欢：蜂巢·生成 · 花园蜂巢｜北京 总部 · 蜂巢当代艺术中心
- 2025低语地 Whispering Grounds上海 · 弥金画廊
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
高晓依的代表作与创作特点如下（依据结构化艺术家档案数据）：
**代表作**
- 《粉色房间里斜卧的女孩》（2025，布面油画）
- 《梳妆台》（2025，油画，使用过的女士衬衣）
- 《马戏》（2025，油画，拼贴布料）
- 《你为什么不跳舞？》（2025，油画，拼贴布料）
- 《睡安，游卧》（2026，布面油画、丙烯、成衣）
- 《遗留的景色》（2026，油彩、布料）
- 《蓝色房间中镜前的女孩》（2025，蓝色床单，油画）
- 《海边的牡丹》（2025，使用过的床单，油画）
**创作特点**
- **常用媒介与材料**：以油画和丙烯为主要媒介，并频繁融入布料、使用过的衬衣、床单、纽扣、袖子等日常生活纺织物，形成一种混合材料的拼贴语言。
- **题材与主题**：聚焦“人物”和“城市景观”，并深入探讨**情感、记忆与时间、身份认同、身体**等命题，部分作品还涉及社会评论与自然生态。作品中反复出现的“房间”“女孩”“镜前”等意象，显示出对特定空间内个体状态的关注。
- **风格倾向**：创作可归入**具象艺术、意象及表现性具象**，在具象的描绘中往往带有较强的心理暗示与情感氛围，画面兼具叙事性与私密感。
Gao Xiao Yi’s practice is rooted in figurative painting but extends toward a more expressive and imagistic sensibility. Her works often combine traditional oil and acrylic paint with found or personal textiles—such as used women’s blouses, bed sheets, buttons, and fabric collages—blurring the boundary between painting and object. The themes she explores are intimate and emotionally charged: figures in domestic interiors, memory and time, identity, the body, desire, and subtle social commentary.
Among her representative works are *Girl Reclining in a Pink Room* (2025, oil on canvas), *Dressing Table* (2025, oil on a used women’s blouse), *Circus* (2025, oil and fabric collage), *Why Don’t You Dance?* (2025, oil and fabric collage), *Bedroom* (2025, bed sheet and oil), *Sleep Well, Wander and Rest* (2026, oil, acrylic, and ready-made garment), and *Girl in Front of a Mirror in a Blue Room* (2025, blue bed sheet and oil). These titles reveal a consistent focus on the private sphere—bedrooms, dressing tables, mirrors—infused with a quiet, almost diary-like quality. The incorporation of worn fabrics gives her paintings a tactile, bodily presence and a sense of lived experience.
Stylistically, Gao Xiao Yi moves between precise figuration and expressive gesture. Her works are often described as “figurative,” “imagistic,” and “expressive figurative,” marked by a sensitivity to surface, texture, and the emotional weight of everyday objects. The palettes and compositions suggest a gentle melancholy and a reflection on femininity and interiority, while the unexpected material combinations keep the work firmly contemporary.
展览与收藏Exhibitions & Collections
关于高晓依的展览经历，现有资料如下：
- **曾在以下机构展出**：
- **蜂巢当代艺术中心**（北京，2026年群展“轻狂欢：蜂巢·生成 · 花园”）
- **弥金画廊**（上海，2025年个展“低语地 Whispering Grounds”）
关于**被哪些机构收藏**，目前的公开档案中暂无相关信息。
Gao Xiao Yi has exhibited at:
- **Hive Center for Contemporary Art (蜂巢当代艺术中心)**, Beijing, as part of “轻狂欢：蜂巢·生成 · 花园” (2026).
- **Galerie Migrant (弥金画廊)**, Shanghai, in the exhibition “低语地 Whispering Grounds” (2025).
Regarding institutional collections, the available artist profile does not list any public or private collections holding her work. This may mean that such information has not yet been recorded or that her works are currently held in private hands.
