高英普(Gao Ying Pu),1993年生于吉林,2012年至2016年就读于中国美术学院油画系本科。2014年参加半野艺舍“四工相对论”展览;2015年参与“自由秩”青年艺术家油画邀请展及“多维的表现”宁波美术馆展览;2016至2017年驻留上海“COMUS 公馆”。
1993 Born in Jilin 2016 Graduated from the "Multidimensional Expression Studio" of the Oil Painting Department of the China Academy of Art Now he lives and works in Hangzhou












根据平台“结构化艺术家档案数据”,高英普(Gao Ying Pu),1993年生于吉林,2012年至2016年就读于中国美术学院油画系本科。
**代表作(据平台档案收录)**
《冲力颤动》(2023,布面油画)、《简单距离》(2024,布面油画)、《刺透》(2024,布面油画)、《泥泞土壤》(2023,布面油画)、《唠嗑“爱恨是多无聊”》(2023,布面油画)、《夜瘾·亲密动作》(2024,布面油画)、《焦点》(2020,布面油画)、《女孩的指甲,男孩的电子表》(2020,布面油画)、《愤怒比绝望更有用》(2023,布面油画)、《派对》(2019,布面油画)、《烧火工》(2019,布面油画)、《安全摇池》(2023,布面油画)等。
**创作特点**
从平台档案看,高英普的创作被归入“具象艺术”“实验性”“意象”“表现性具象”,常用媒介包括丙烯、油画、综合材料、装置。题材集中在人物、全球化、城市景观、情感、消费主义、社会评论、自然生态、记忆与时间、身份认同、身体等方向。
结合展览文章中的自述,他的绘画多围绕都市青年群体展开,常以电子表、美甲、太阳镜、香烟、士力架等消费符号入画,形成类似广告标语式的造型语言;画面强调“刺透”的体感与情绪通感,在自由、无畏、凶狠、幽默、爱与惊悚之间制造混响。群像并非单一情绪输出,而是通过造型、场景重组,指向特定人群的精神画像与身份欲望。近期如《刺透》《冲力颤动》等作品,体现了对青春张力、群体精神互殴以及异化城市生活中身体感的持续关注。
According to the artist archive, **Gao Yingpu** (b. 1993, Jilin) is a Chinese artist who trained in the Oil Painting Department at the China Academy of Art, including the Multidimensional Expression Studio, and later undertook a residency at COMUS Mansion in Shanghai.
### Representative works
Notable works in the archive include:
- *冲力颤动* / *Tremor of Impulse* (2023, oil on canvas)
- *简单距离* / *Simple Distance* (2024, oil on canvas)
- *刺透* / *Piercing Through* (2024, oil on canvas)
- *泥泞土壤* / *Muddy Soil* (2023, oil on canvas)
- *唠嗑“爱恨是多无聊”* / *Chatting: “Love and Hate Are So Boring”* (2023, oil on canvas)
- *夜瘾·亲密动作* / *Night Addiction: Intimate Gesture* (2024, oil on canvas)
- *焦点* / *Focus* (2020, oil on canvas)
- *女孩的指甲,男孩的电子表* / *Girl’s Nails, Boy’s Digital Watch* (2020, oil on canvas)
- *愤怒比绝望更有用* / *Anger Is More Useful Than Despair* (2023, oil on canvas)
- *派对* / *Party* (2019, oil on canvas)
- *烧火工* / *The Fire Stoker* (2019, oil on canvas)
- *安全摇池* / *Safe Wading Pool* (2023, oil on canvas)
### Creative style
The archive classifies Gao Yingpu’s practice as **figurative, experimental, imagistic, and expressive figurative**. His primary medium is **oil on canvas**, with additional work in **acrylic, mixed media, and installation**.
His recurring themes include:
- the human figure
- globalization
- urban landscape
- emotion
- consumerism
- social commentary
- nature and ecology
- memory and time
- identity
- the body
In biographical context, his training in the Multidimensional Expression Studio and his time in Shanghai are relevant to his expressive, urban-oriented approach. His recent exhibitions include the solo project *Sunglasses in the Dark* at Gene Gallery, Shanghai in 2021, and the solo exhibition *夜影夜瘾* at Hunsand Space, Beijing in 2024.
按平台已有档案与文章信息,分两部分说明:
**① 展览机构(以平台“结构化艺术家档案数据”为准)**
高英普在档案中有明确记录的展出机构为:
- **拾萬空间**(北京798)
- 2024年《夜影夜瘾》,拾萬空间二楼展厅
- 2025年《作品集》,拾萬空间
**② 文章上下文补充的展览经历**
本次文章还提到,高英普作为“拾萬石家庄”教堂空间开幕首展的参展艺术家展出。其简介中另提及作品曾展出于:
- 上海 K11
- 上海油罐艺术中心
- 北京 CAFAM 双年展
**③ 收藏机构**
平台现有档案与文章资料中,**暂无高英普被哪些机构收藏的明确记录**,因此无法确认具体收藏机构。
Gao Ying Pu has exhibited at **Hunsand Space (拾萬空间)** in Beijing:
- **2025** – *作品集* (Portfolio), Hunsand Space, 798 Art Zone, Beijing
- **2024** – *夜影夜瘾* (Night Shadow Night Addiction), Hunsand Space, 798 Art Zone, Beijing
There is no information in the structured artist profile about institutions that collect his work.