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高瑀 肖像 Gao Yu portrait
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高瑀

Gao Yu
1981丙烯2003 毕业于四川美术学院12 件作品收录

简介Biography

高瑀(Gao Yu),1981年生于贵州龙安,2003年毕业于四川美术学院油画系,获学士学位,现工作生活于重庆。他成长于普通家庭,早年迷恋古代哲学,常躲在被子里阅读老子著作,中国古代文学与漫画书共同构建了他的哲学倾向,形成其对艺术与生活的洒脱态度。高瑀的创作以经典中国主题的熊猫为核心,但打破其憨厚温顺的传统形象,塑造出暴躁、暴力的熊猫GG。这一形象始于2002年他创作的第一张贪婪吃竹子的熊猫,带有自传色彩,并持续出现在画布上。高瑀的画面平面化、色彩简单,常描绘熊猫GG及其女友的探险。近年来,他将熊猫引入更广的艺术领域,如动画片中熊猫化身孙悟空与“超人”对战,以及“熊猫小堂”中熊猫形象出现在T恤、水杯等生活用品上,体现其对流行文化和消费文化的兴趣。高瑀的“符号的复制”带来名气和争议,但他对此不以为意,继续轻松创作。个展:2006年北京E8空间。参加展览:2004年“少年心气—中国新锐绘画展”,深圳何香凝美术馆;2005年“下一站,卡通吗?”,深圳何香凝美术馆、星空间艺术中心;“一卡通”,北京顶层空间、星空间艺术中心;“自我造局”中国当代绘画展,上海证大现代艺术馆;2006年“坏孩子的天空”,星空间艺术中心。

Gao Yu, born in 1981 in Long’an, Guizhou, graduated from the Oil Painting Department of the Sichuan Fine Arts Institute in 2003 with a bachelor’s degree, and currently lives and works in Chongqing. Growing up in an ordinary family, he was fascinated by ancient philosophy in his early years, often reading the works of Laozi under his blanket. Classical Chinese literature and comic books jointly shaped his philosophical inclination, fostering his carefree attitude towards art and life. Gao Yu’s practice centres on the panda as a classic Chinese motif, but subverts its gentle and docile traditional image, creating the irascible and violent Panda GG. This character first appeared in 2002 in his inaugural painting of a panda greedily eating bamboo, which carries autobiographical overtones, and has since recurred on his canvases. Gao Yu’s pictures are flat and rendered in simple colours, frequently depicting the adventures of Panda GG and his girlfriend. In recent years, he has introduced the panda into broader art contexts, such as an animated film in which the panda transforms into Sun Wukong to battle ‘Superman’, and ‘Panda Xiaotang’, where the panda image appears on everyday items like T-shirts and water cups, reflecting his interest in pop culture and consumer culture. The ‘replication of symbols’ has brought Gao Yu both fame and controversy, but he remains unfazed and continues to create with ease.

Solo exhibitions: 2006 Beijing E8 Space. Group exhibitions: 2004 ‘Youth Spirit—Chinese New Painting Exhibition’, He Xiangning Art Museum, Shenzhen; 2005 ‘Next Stop, Cartoon?’, He Xiangning Art Museum, Shenzhen, and Star Gallery Art Centre; ‘One Card Pass’, Top Space, Beijing, and Star Gallery Art Centre; ‘Self-made Situation’ Chinese Contemporary Painting Exhibition, Zendai Museum of Modern Art, Shanghai; 2006 ‘Bad Kids’ Heaven’, Star Gallery Art Centre.

代表作Selected Works

高瑀《农庄老板儿要杀鸡》
农庄老板儿要杀鸡
布面丙烯 · 200.0×300.0cm · 2024
高瑀《蝗中皇》
蝗中皇
布面丙烯、铝板 · 162.0×350.0cm · 2024
高瑀《醉》
布面丙烯 · 280.0×185.0cm · 2022
高瑀《高更 在大溪地》
高更 在大溪地
布面丙烯 · 180.0×281.0cm · 2022
高瑀《逃跑的永乐帝》
逃跑的永乐帝
布面丙烯 · 250.0×180.0cm · 2023
高瑀《进城的》
进城的
布面丙烯 · 250.0×180.0cm · 2023
高瑀《太白之死》
太白之死
布面丙烯 · 280.0×160.0cm · 2022
高瑀《哼哼》
哼哼
布面丙烯 · 280.0×160.0cm · 2022
高瑀《红孩儿》
红孩儿
布面丙烯裱木板 · 340.0×125.0cm · 2024
高瑀《放屁艺术家》
放屁艺术家
布面丙烯裱木板 · 185.0×200.0cm · 2024
高瑀《丧家犬与老找不着道》
丧家犬与老找不着道
布面丙烯 · 220.0×150.0cm · 2023
高瑀《一蓑烟雨任平生》
一蓑烟雨任平生
布面丙烯 · 220.0×150.0cm · 2023

展览履历Exhibitions

艺见洞察ArtMatters Insights

代表作与创作Selected Works & Style

抱歉,平台暂无高瑀的档案资料(档案数据匹配到的并非同一艺术家),因此关于他的代表作与创作特点,暂时无法提供准确信息。

Gao Yu’s most recognizable motif is **Panda GG** — a subversive, short‑tempered, sometimes violent version of the classic Chinese panda. First appearing in 2002 as a greedy, bamboo‑devouring character with autobiographical overtones, Panda GG has since become the artist’s signature alter ego, often depicted alongside a girlfriend in various imagined adventures.

**Representative works** include:

- *The Farm Boss Wants to Kill a Chicken* (2024, acrylic on canvas)

- *King of Locusts* (2024, acrylic on canvas, aluminum board)

- *The Death of Li Bai* (2022, acrylic on canvas)

- *Red Boy* (2024, acrylic on canvas mounted on wood panel)

- *Fart Artist* (2024, acrylic on canvas mounted on wood panel)

- *A Straw Cape in the Misty Rain — Let Life Be* (2023, acrylic on canvas)

**Creative style:**

Gao Yu works mainly in acrylic on canvas, mixing figurative and conceptual imagery. His pictures are deliberately flat and chromatically restrained, often using bold, graphic compositions. Stylistically, he blends the humour and irony of pop culture with elements drawn from ancient Chinese philosophy and literature. In recent years, Gao has extended the Panda character beyond the canvas — into animations (where Panda GG morphs into Sun Wukong to fight “Superman”) and onto everyday merchandise — reflecting a keen interest in consumer culture and the mechanisms of fame. Across all media, his practice maintains a playful, irreverent tone that undercuts traditional expectations of the panda as a gentle, national symbol.

展览与收藏Exhibitions & Collections

根据现有资料,平台暂无高瑀在机构展出及被收藏的具体记录。提供的“结构化拍卖成交数据”专注于市场价格信息,未包含展览与收藏机构详情;而“结构化艺术家档案数据”中收录的艺术家并非高瑀。因此,无法提供这方面的准确答案。

Based on the available artist profile, Gao Yu’s exhibition history includes the following:

- **“牢骚,赞美,放个屁” (Complaints, Praise, Fart)** in 2024 at **Yulantang (Shanghai)**, located at No. 490 North Suzhou Road, Jing’an District, Shanghai.

- **“逃避的艺术” (The Art of Escape)** in 2023 at **Zhimei Art Museum**.

The current biography and exhibition records in the database **do not list specific public or private institutions that collect his work**. Therefore, I am unable to name any collections from this source.

回答由 AI 依据公开资料生成,仅供参考。AI-generated from public sources, for reference only.
Source & Updated · 来源与更新
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