龚辰宇(Gong Chen Yu),1988年生于黑龙江省齐齐哈尔市,现工作生活于杭州。2012年毕业于中国美术学院雕塑系,获学士学位;2015年毕业于中国美术学院油画系,获硕士学位。其创作观念常围绕对物象的陈列与重构展开,探索绘画与雕塑语言之间的边界。重要个展包括:2022年“龚辰宇:他方世界与少年”、2018年“凿冰:龚辰宇”、2015年“龚辰宇:陈列物”,均在蜂巢当代艺术中心(北京)举办。群展经历丰富,曾参加2015年“罗中立奖学金2015年度获奖作品展”(罗中立美术馆,重庆)、“常青藤计划2015·中国青年艺术家年展”(今日美术馆,北京)等;2014年“第十二届全国美术作品展”(浙江美术馆,杭州)、“命名物的方式”(MAO SPACE,上海)等;2013年“绘画的品格·2013中国油画展”(大都美术馆,北京)、“生长——2013上海青年美术大展”(中华艺术宫,上海)等;以及2011年“浙江省第五届青年美术作品展”、2009年“第十二届浙江省美术作品展”等早期展览。获奖方面,2012年获中国美术学院毕业创作暨林风眠创作奖金奖;2011年获中国美术学院第六届世纪之星佳作奖;2010年获中国美术学院第五届世纪之星佳作奖;2009年获中国美术学院第四届世纪之星艺术奖。
Gong Chenyu, born in 1988 in Qiqihar, Heilongjiang, graduated from the Department of Sculpture, China Academy of Art, with a BFA in 2012 and from the Department of Oil Painting with an MFA in 2015. He currently lives and works in Hangzhou. Gong Chenyu's creation always starts from individual narrative, whether it is the orderly grasp of surrounding objects in the "Display" or the reconstruction of gods in different contexts in the "idol" series, all aim to extract a transformation based on the painting language itself on the basis of text and images. After the epidemic, artists' creations gradually returned to anthropological and ethnographic research related to their birthplace in the Heilongjiang River Basin, rather than depicting scenes from elsewhere. The shift towards perspective and the flow of identity in works constantly reveal the ambiguous, contradictory, and ambiguous core of will in human nature. Between consciousness, departure, and return from contemplation, the artist's ability to perceive the world is continuously enhanced. Born in Qiqihaer, Heilongjiang, China 2012 Graduated from Sculpture Department of China Academy of Art with Bachelor's Degree 2015 Graduated from Oil Painting Department of China Academy of Art with Master's Degree Currently works and lives in Hangzhou












龚辰宇(Gong Chenyu,1988— )是工作生活于杭州的中国当代艺术家,先后毕业于中国美术学院雕塑系与油画系。他的创作在具象绘画、雕塑与实验语言之间交叉,常围绕“偶像”“陈列物”“他方世界”等系列展开。
**代表作方面**,平台档案收录的近作包括:
- 《飞毯》(2022,布面油画)
- 《主角》(2022,布面油画)
- 《与梦为眠》(2024,布面油画)
- 《迁徙》(2024,布面油画)
- 《感性的苏醒》(2024,布面油画)
- 《蝙蝠的报恩 No.2》(2024,布面油画)
- 《一切源于一点》(2024,布面油画)
- 《哺葵》(2024,布面油画)
- 《溪边的争斗》《蝙蝠的报恩》《伴旅》《两足兽与四足兽》等2024年影像作品
在展览脉络中,他的代表性系列还包括“偶像”系列中的《偶像-驯兽师》《偶像-捕鱼》《偶像-凿冰》《偶像-男神》《偶像-大卫与歌利亚II》《偶像-三女神》等,以及“他方世界与少年”系列中的《女战士》《放牧人》《穴居人》《主角》等。其中,素描作品《偶像-大卫与歌利亚II》将经典文本中的少年大卫置换为手持弯刀与机枪的部落少女,体现出他对艺术史母题的戏仿与形象再造。
**创作特点方面**:
- 他以具象艺术为主要语言,同时带有实验性、意象性与表现性具象倾向,常用媒介为油画、丙烯,并受到雕塑训练影响。
- 他热衷对艺术史经典母题进行戏仿,擅长人物身份的置换与再造,画面中的人物常被汹涌笔触与狂放色彩裹挟,在虚拟实景中呈现神秘的存在感。
- 他善于通过颜料本身的物质性和质感构建对象体积,而非单纯依赖传统透视,这与其雕塑专业背景密切相关。
- 其创作题材广泛涉及人物、身体、身份认同、情感、死亡、社会评论、记忆与时间、自然生态等议题。
- 在“他方世界与少年”系列中,他构建了一个神秘而奇幻的“他方世界”,将身边年轻朋友的形象置入异质场景,模糊人物性征,营造带有未来考古学意味和仪式感的画面氛围。
- 他的“野兽与器械”系列则将古典神话转化为当代寓言,例如以大卫与歌利亚的文本暗喻“猛兽众多、大卫缺席”的世界状态;“红色系列”则通过红衣少女、小红帽、占卜师等形象,探讨欲望、魅力、权力与女性身份的复杂关系。
Gong Chen Yu (b. 1988, Qiqihar, Heilongjiang Province) is a Chinese artist working mainly in oil, acrylic, and sculpture. He graduated from the Sculpture Department of the China Academy of Art in 2012 and later received an MFA from the academy’s Oil Painting Department in 2015. He currently lives and works in Hangzhou.
**Representative works** from the available archive include:
- *Flying Carpet* (2022), oil on canvas
- *Protagonist* (2022), oil on canvas
- *Sleep with Dreams* (2024), oil on canvas
- *Migration* (2024), oil on canvas
- *Sensual Awakening* (2024), oil on canvas
- *The Bat’s Repayment* (2024), video
- *The Bat’s Repayment No. 2* (2024), oil on canvas
- *Everything Originates from One Point* (2024), oil on canvas
- *Feeding the Sunflower* (2024), oil on canvas
- *Two-legged Beast and Four-legged Beast* (2024), video
- *Companion* (2024), video
- *Struggle by the Stream* (2024), video
**Creative style**
Gong Chen Yu’s practice is rooted in figurative and expressive figuration, but it also carries a strong experimental and conceptual edge. His work often centers on the arrangement and reconstruction of objects, exploring the boundary between painting and sculpture. His subjects frequently involve figures, urban landscapes, emotion, death, social commentary, nature and ecology, memory and time, identity, and the body. In his painted and video-based works, he tends to combine precise imagery with an atmospheric, sometimes allegorical or dreamlike tone, moving between narrative and symbolic expression.
根据平台结构化艺术家档案,龚辰宇的展览记录中可确认的机构为:**蜂巢当代艺术中心**(北京总部及上海空间),具体包括2026年“轻狂欢:蜂巢·生成 · 甬道”(蜂巢 | 北京 总部)与2024年“阿尼玛格斯”(蜂巢|上海)。
作为补充,文章上下文显示他还在以下机构展出过:
**个展**
- 蜂巢当代艺术中心(北京):“龚辰宇:他方世界与少年”(2022)、“凿冰:龚辰宇”(2018)、“蜂巢·生成第十五期 龚辰宇:陈列物”(2015)
**群展(部分)**
- 蜂巢当代艺术中心(北京)
- 今日美术馆(北京)
- 罗中立美术馆(重庆)
- 浙江美术馆(杭州)
- 中华艺术宫(上海)
- 大都美术馆(北京)
- MAO SPACE(上海)
- 那特画廊(成都)
- 龙美术馆(上海)
- 宁波美术馆(宁波)
- 台州书画院(台州)
- 中国美术学院美术馆(杭州)
- 共同体艺术空间(杭州)等
关于**收藏情况**:目前平台提供的结构化档案与文章上下文中,均未提及龚辰宇的作品被哪些机构收藏的信息,因此该部分暂无公开资料可确认。
Based on the available artist profile for **Gong Chen Yu** (龚辰宇, b. 1988):
**Selected solo exhibitions:**
- 2022: *Gong Chenyu: The Other World and the Youth* — Hive Center for Contemporary Art, Beijing
- 2018: *Cutting Ice: Gong Chenyu* — Hive Center for Contemporary Art, Beijing
- 2015: *Gong Chenyu: Displayed Objects* — Hive Center for Contemporary Art, Beijing
**Recent exhibition entries in the profile:**
- 2026: *Light Carnival: Hive Becoming · Corridor* — Hive Center for Contemporary Art, Beijing headquarters
- 2024: *Animagus* — Hive Center for Contemporary Art, Shanghai
**Selected group exhibitions:**
- 2015: *Luo Zhongli Scholarship 2015 Award-Winning Works Exhibition* — Luo Zhongli Art Museum, Chongqing
- 2015: *Ivy Plan 2015 · China Young Artists Annual Exhibition* — Today Art Museum, Beijing
- 2014: *12th National Art Exhibition* — Zhejiang Art Museum, Hangzhou
- 2014: *Ways of Naming Objects* — MAO SPACE, Shanghai
- 2013: *The Character of Painting · 2013 China Oil Painting Exhibition* — Dadu Museum of Art, Beijing
- 2013: *Growth — 2013 Shanghai Youth Art Exhibition* — China Art Museum, Shanghai
- 2011: *5th Zhejiang Youth Art Exhibition*
- 2009: *12th Zhejiang Art Exhibition*
**Institutional collections:**
The available artist profile does **not** list any institutional collections of Gong Chen Yu’s work. Therefore, based on the provided data, there is no confirmed collection information.