关伟伟
简介Biography
关伟伟（Guan Weiwei），1986年出生于山西长治市，2010年本科毕业于天津美术学院版画系，获学士学位；2014年研究生毕业于天津美术学院版画系，获硕士学位。现工作生活于北京。其创作以版画为媒介，作品曾参加多个群展，包括2013年第二十届全国版画展（黑龙江美术馆，哈尔滨）和上海青年美术大展（中华艺术宫，上海）；2014年南京国际美术展（南京国际展览中心）、2014年度“青年艺术100”（北京农业展览馆）、常青藤计划（IVY ART）2014首届中国青年艺术家推介展（中间美术馆，北京）、版托邦国际版画艺术巡展（泰达当代艺术博物馆，天津）、“即刻”青年版画家邀请展（北京尚8美术馆）、第二届V时代青年当代艺术展（树美术馆，北京）、雅昌·保利新势力提名展（中国国家画院美术中心）以及SAYA2014菁英国际青年艺术家扶持计划（艺家国际画廊，成都）；2015年“城市印迹——当代版画联展”（庆王府，天津）、“艺术北京”（全国农业展览馆，北京）和13人版画展（德滋画廊，北京）。
Guan Weiwei, born in 1986 in Changzhi, Shanxi, graduated from the Printmaking Department of Tianjin Academy of Fine Arts with a bachelor’s degree in 2010 and a master’s degree in 2014. He currently works and lives in Beijing. Using printmaking as his medium, his works have been featured in multiple group exhibitions, including: the 20th National Print Exhibition (Heilongjiang Art Museum, Harbin) and the Shanghai Youth Fine Arts Exhibition (China Art Palace, Shanghai) in 2013; the Nanjing International Art Exhibition (Nanjing International Exhibition Center), 2014 Art Nova 100 (Beijing Agricultural Exhibition Center), IVY ART 2014 First Chinese Young Artists Promotion Exhibition (Inside-Out Art Museum, Beijing), Printopia International Printmaking Art Touring Exhibition (Teda Contemporary Art Museum, Tianjin), “Instantly” Young Printmakers Invitational Exhibition (Shang8 Art Museum, Beijing), the 2nd V Times Young Contemporary Art Exhibition (Tree Art Museum, Beijing), the Artron·Poly New Power Nomination Exhibition (Art Center of China National Academy of Painting), and the SAYA 2014 Elite International Young Artists Support Program (Yijia International Gallery, Chengdu) in 2014; “Urban Imprints – Contemporary Printmaking Group Exhibition” (Prince Qing’s Mansion, Tianjin), “Art Beijing” (National Agricultural Exhibition Center, Beijing), and the 13-Person Printmaking Exhibition (Dezi Gallery, Beijing) in 2015.
代表作Selected Works
展览履历Exhibitions
- 2026日常的拓扑·越界处的视觉异化ISLE Gallery 山与艺术
- 2025见微，知著。苏州李公堤4期17幢 虹·美术馆 · 虹美术馆
- 2023簇生 山与秋季群展ISLE Gallery · ISLE Gallery 山与艺术
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
根据平台艺术档案资料，关于关伟伟的代表作与创作特点整理如下：
**代表作**
关伟伟近年代表性作品包括《勾结》（2021，纸上国画颜料、丙烯、金箔、银箔）、《拉扯》（2021，纸上国画颜料、丙烯、金箔、银箔）、《失语》（2023，木板丙烯、铅笔）、《鸭子》（2023，木板丙烯、铅笔、银箔）、《两个果实》（2024，布面综合材料）、《桃子》（2024，布面综合材料）、《被丢弃的果实》（2025，综合材料：油画布上纸、丙烯、铅笔）、《雨天里的果实》（2025，综合材料：油画布上纸、丙烯、铅笔）以及《风中的果实》（2025，布面综合材料）等。
**创作特点**
① 媒介多元且具实验性：关伟伟的创作媒介涵盖布面油画、综合材料、版画及纸上作品，在材料运用上颇为开放，常将丙烯、铅笔、国画颜料与金箔、银箔等非传统材料并置，显示出对材质的持续探索。
② 题材与主题：作品围绕自然生态、生命、记忆与时间、社会评论以及动物形象展开，具有明显的象征主义和观念艺术倾向。
③ 风格面貌：在具象与表现性具象之间游走，画面往往带有一种冷静而耐人寻味的象征意味，通过具体形象表达更为抽象的观念与社会评述。
Guan Weiwei’s practice is rooted in figurative expression with strong symbolic and conceptual undercurrents. He frequently works across printmaking, mixed-media painting, and works on paper, often incorporating unconventional materials such as gold and silver leaf, acrylic, and graphite on both canvas and board. His thematic focus revolves around the natural ecosystem, life, memory, time, social commentary, and the animal world. The imagery of fruits – often isolated, dropped, or buffeted by wind – recurs as a metaphor for vulnerability and transient existence, while animals appear as carriers of tension, silence, and anthropomorphic reflection.
**Representative works** include:
- *Collusion* (2021, traditional Chinese pigment, acrylic, gold leaf, silver leaf on paper)
- *Drag In* (2021, traditional Chinese pigment, acrylic, gold leaf, silver leaf on paper)
- *Two Fruits* (2024, mixed media on canvas)
- *Fruit on a Rainy Day* (2025, mixed media: paper, acrylic, pencil on canvas)
- *Discarded Fruit* (2025, mixed media: paper, acrylic, pencil on canvas)
- *Peach* (2024, mixed media on canvas)
- *Fruit in the Wind* (2025, mixed media on canvas)
- *Aphasia* (2023, acrylic, pencil on board)
- *Duck* (2023, acrylic, pencil, silver leaf on board)
**Stylistically**, Guan Weiwei maintains a restrained palette and a meticulous, almost graphic handling of surface, a legacy of his printmaking training. His compositions often border on the surreal – objects and creatures are suspended in ambiguous spaces, generating a quiet unease. The fusion of traditional Chinese pigment with Western mixed-media techniques signals a deliberate negotiation between material heritage and contemporary visual language. Across his output runs a sustained interest in how living things weather environmental and societal pressures, lending his otherwise restrained imagery an understated but persistent critical edge.
展览与收藏Exhibitions & Collections
根据“结构化艺术家档案数据”，关于关伟伟的展出机构与收藏机构的信息如下：
**展出机构**
* **ISLE Gallery 山与艺术**（曾举办“日常的拓扑·越界处的视觉异化”等展览）
* **虹·美术馆**（曾举办“见微，知著。”展览）
**收藏机构**
目前平台暂无关于关伟伟作品被哪些机构收藏的资料。
Guan Weiwei has participated in group exhibitions at the following venues (based on the artist’s archival data):
- **ISLE Gallery** (山与艺术), in 2023 for a group show and again in 2026.
- **Hong Art Museum** (虹·美术馆), Suzhou, in 2025.
His biography also notes earlier exhibitions at institutions such as the **Heilongjiang Art Museum** (2013), the **National Agricultural Exhibition Center** (2014), **Inside-Out Art Museum** (2014), **TEDA Contemporary Art Museum** (2014), **Shang 8 Art Museum** (2014), **Tree Art Museum** (2014), **China National Academy of Painting Art Center** (2014), and **Dezi Gallery** (2015), among others.
As for which institutions collect his work, the current archival data does not provide any specific information on public or private collections.
