关音夫
简介Biography
关音夫（Guan Yin Fu），1975年出生于中国黑龙江省齐齐哈尔市，2002年毕业于中央戏剧学院舞台美术系舞台设计专业，现居北京。他的创作涉及绘画与空间的关系，曾举办个展“关音夫：大于等于物”（2013，静画廊，北京），并参与群展“轻抽象的星丛”（2014，尤伦斯艺术商店，北京）、“不是之是：一次关于‘元绘画’的个人表述”（2014，林大画廊，北京）、“夜走黑桥”（2013，北京）、“表\里：观念的形式与幻象”（2013，瞳画廊，北京）、“象与像”（2013，大象画廊，台湾）、“对抗的空间”（2012，鼎峰画廊，北京）、“艺术台北2012”（2012，杨画廊，台湾）、“绘画课Ⅱ——消极与积极的风格”（2012，杨画廊，北京）、“没有边框的绘画”（2011，菲籽画廊，上海）、“视觉运动”架上绘画研究展之“空间与能量”（2010，清河美术馆，南京）、“再实验：智性与意志的重申”（2009，北京）、“重庆青年美术首届双年展”（2009，重庆）、“物之屏”（2009，千高原艺术空间，成都）。
Guan Yinfu, born in 1975 in Heilongjiang Province, China, graduated from the Department of Theatre Arts at the Central Academy of Drama in 2002. He currently lives and works in Beijing. Throughout his career, Guan Yinfu has continuously explored the multi-dimensional material properties of pigments. The sensory qualities carried by the pigments are fully manifested as he constructs spatial order through establishing color relationships. Simultaneously, the interaction of gravity and tension on the substrate results in either thin or thick patches of color. A soothing, sluggish rhythm forms a unique "aesthetics of inertia" on his canvases. This aesthetic transforms the paintings into corporeal entities. Different thicknesses of color patches resemble skin and muscle, corresponding to the two threads of lightness and heaviness in Guan Yinfu's creations. His recent explorations in "The Ontological Turn" subtly echo the forefront of "New Materialism" trends. He also endeavors to penetrate beyond the surface of painting, delving into the depths of the spiritual realm. These varied forms of color blocks step onto the stage of spiritual drama.
代表作Selected Works
展览履历Exhibitions
- 2026中国当代的抽象叙事上海市静安区北苏州路490号玉兰堂（上海） · 玉兰堂
- 20252718kg龙美术馆（西岸馆） · 凯旋画廊
- 2024肤语、肌言及旁白凯旋画廊
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
根据平台的艺术家档案，关音夫（1975年生于黑龙江齐齐哈尔）是一位专注于**抽象与实验性**创作的当代艺术家，常以**木板丙烯**为主要媒介。
他的代表作包括：
* 《疯狂怎么也停不下来》（2024）
* 《现在进行时》（2024）
* 《暗黑练习-4》（2024）
* 《精神也是有形象的》（2022）
* 《多余的部分》（2022）
关音夫的创作特点主要体现在对**物质性的深度探索**上。他着迷于颜料自身的物理属性，在创作中会特意控制颜料流淌、堆叠、挤压的过程，让介于液态与固态之间的颜料在画面上形成饱满、凸起甚至带有重量感的色块。他追求一种舒缓、迟滞的节奏感，画面最终呈现出沉稳、凝重的视觉力场。艺术评论中常将其作品的美学特征概括为一种独特的“**惰性美学**”，即让物质本身的重量和缓慢的形变过程成为作品表达的核心。他的作品主题常围绕物质、记忆与生命，具有较强的观念性。
Based on the provided structured artist profile data, here is an introduction to Guan Yin Fu's representative works and creative style.
**Representative Works**
Guan Yin Fu's representative works are primarily executed in acrylic on wood board. Key pieces from the profile include:
* 《精神也是有形象的》 (2022)
* 《他们之间有一种迷人的情感呼应》 (2020)
* 《6层》 (2025)
* 《疯狂怎么也停不下来》 (2024)
* 《现在进行时》 (2024)
* 《光真的有质量吗?》 (2022)
* 《有意思的大缺点》 (2021), which incorporates mixed media.
* 《十四块颜色》 (2024)
* 《沉默的灰》 (2022)
* 《多余的部分》 (2022)
* 《暗黑练习-4》 (2024)
* 《即持续又不确定》 (2024)
**Creative Style**
Guan Yin Fu is categorized as an artist working in **abstract and conceptual art**, with an experimental approach that also considers spatial and architectural dimensions. His creative style is characterized by an exploration of **materiality** and abstract themes, often delving into concepts of memory, time, and life. He frequently uses **mixed media, installation, and acrylic on wood board** as his primary mediums.
From the available data, his practice is situated at the intersection of painting and spatial relationships, investigating the physical presence and energy of materials through an abstract visual language.
展览与收藏Exhibitions & Collections
根据平台现有的“结构化艺术家档案数据”，艺术家关音夫（Guan Yin Fu）近期在以下机构展出过：
* **凯旋画廊**
* **龙美术馆（西岸馆）**
* **玉兰堂（上海）**
关于关音夫的作品被哪些机构收藏，“结构化艺术家档案数据”中并未提供相关信息，因此目前没有该部分的资料。
Guan Yin Fu has exhibited widely at galleries and museums in Beijing, Shanghai, Nanjing, Chongqing, Chengdu, and Taiwan. Notable venues include:
- **Line Gallery (玉兰堂)**, Shanghai – group show *Chinese Contemporary Abstract Narratives* (2026)
- **Long Museum West Bund (龙美术馆西岸馆)**, Shanghai – group show *2718kg* (2025)
- **Triumph Gallery (凯旋画廊)**, Beijing – solo exhibition *Flesh Language, Muscle Words, and Asides* (2024)
- **Jing Gallery (静画廊)**, Beijing – solo exhibition *Guan Yin Fu: Greater Than or Equal to Objects* (2013)
- **UCCA Store (尤伦斯艺术商店)**, Beijing – group show *The Constellation of Light Abstraction* (2014)
- **Linda Gallery (林大画廊)**, Beijing – group show *Not the Being: A Personal Statement on ‘Meta-Painting’* (2014)
- **Pupil Gallery (瞳画廊)**, Beijing – group show *Surface/Interior: Conceptual Forms and Illusions* (2013)
- **Elephant Gallery (大象画廊)**, Taiwan – group show *Image and Likeness* (2013)
- **Dingfeng Gallery (鼎峰画廊)**, Beijing – group show *Space of Confrontation* (2012)
- **Yang Gallery (杨画廊)**, Beijing and Taiwan – group shows *Art Taipei 2012* and *Painting Lesson II: Negative and Positive Styles* (2012)
- **Feizi Gallery (菲籽画廊)**, Shanghai – group show *Painting Without Frames* (2011)
- **Qinghe Art Museum (清河美术馆)**, Nanjing – group show *Space and Energy* (2010)
- **A Thousand Plateaus Art Space (千高原艺术空间)**, Chengdu – group show *Screen of Objects* (2009)
He has also participated in the *First Chongqing Youth Art Biennale* (2009) and the project *Night Walk on Black Bridge* (2013, Beijing), among others.
Regarding institutional collections: the available archive does not list any public or private collections that hold his work. This information may not be publicly disclosed.
