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何可人

He Ke Ren
1998油画综合材料1998年出生浙江,2023年硕士毕业于米兰布雷拉美术学; 2021年本科毕业于杭州师范大学,现工作生活于杭州/12 件作品收录

简介Biography

何可人,1998年出生于浙江,2021年本科毕业于杭州师范大学油画系,2023年硕士毕业于米兰布雷拉美术学院油画系,现工作生活于杭州/上海。其作品呈现隐喻性内容,描绘的物体通常占据大幅画面,但缺少必要的“视觉部分”,引发遐想与思考。他常运用“影子”“折叠的空间”等隐喻元素,通过已有符号或调动集体经验的符号直接呈现画面,如同“图像的游戏”,时而戏谑,时而严肃。画面中多呈现“被构造价值”的物品,与其所见的生产经历有关,营造出围绕这些“价值”的游戏,让观者体会有趣玩笑与严肃华丽的氛围,从价值物和消费品中寻找被建构的价值的幻像,也是对身份和价值的思考。主要展览包括:2024年,青年艺术家群展“接触地带”,北京唐人艺术中心总部,北京;“春风不相识”,TX淮海年轻力中心,上海;2023年,西岸当代艺术博览会,上海;首尔当代艺术周(seoul modern art show),首尔,韩国;青年艺术家发光计划,小红书,世博创意秀场,上海;2021年,“梦游园”国美众创空间,杭州;NORHOR主题展览宁波东部新城店,宁波。

He Keren, born in 1998 in Zhejiang Province, graduated with a Master's degree in Painting from the Academy of Fine Arts in Milan in 2023, and graduated with a Bachelor's degree from Hangzhou Normal University in 2021, now lives and works in Hangzhou/Shanghai.

The content of He Keren's works is metaphorical. The object depicted usually occupies a large area of the picture, but lacks the necessary "visual component" to evoke reverie and contemplation. The authors usually use many metaphorical elements, such as "shadow", "folded space", etc., and present the picture directly through existing symbols or symbols that mobilise the collective experience, just like a "game of images". The images are presented directly through existing symbols or symbols that mobilise collective experience, like a "game of images", sometimes playful, sometimes serious. The images mostly show objects of "constructed value", which are related to the production experiences he has witnessed . He creates a kind of game around these "values", which makes people experience fun and jokes, but sometimes creates a serious and gorgeous atmosphere, looking for the illusion of constructed values in these values and consumer goods, and also thinking about identity and values.

代表作Selected Works

何可人《穆拉诺》
穆拉诺
布面油画 · 120.0×150.0cm · 2024
何可人《小径幽深的花园》
小径幽深的花园
布面油画 · 70.0×70.0cm · 2023
何可人《环》
环
布面油画 · 50.0×84.0cm · 2025
何可人《真皮层》
真皮层
布面油画 · 60.0×60.0cm · 2024
何可人《琥珀色容器》
琥珀色容器
布面油画 · 60.0×50.0cm · 2025
何可人《无尽》
无尽
布面油画 · 40.0×40.0cm · 2023
何可人《自然景观与人造景观》
自然景观与人造景观
布面油画 · 40.0×40.0cm · 2023
何可人《双泪》
双泪
布面油画、综合材料 · 30.0×40.0cm · 2025
何可人《飘落》
飘落
布面油画 · 40.0×30.0cm · 2025
何可人《身份9》
身份9
布面油画 · 30.0×40.0cm · 2023
何可人《白色脸》
白色脸
布面油画 · 30.0×40.0cm · 2023
何可人《蒙面超神》
蒙面超神
布面油画 · 30.0×40.0cm · 2023

展览履历Exhibitions

艺见洞察ArtMatters Insights

代表作与创作Selected Works & Style

【事实类】(依据结构化艺术家档案数据)

何可人,1998年生于浙江,2021年本科毕业于杭州师范大学油画系,2023年硕士毕业于米兰布雷拉美术学院油画系,现工作生活于杭州/上海。常用媒介为布面油画、丙烯、综合材料,创作题材涉及身份认同、记忆与时间、社会评论、情感与梦境等。

其创作特点:作品呈现隐喻性内容,描绘的物体通常占据大幅画面,但有意省略某些“视觉部分”,引发遐想与思考。他常运用“影子”“折叠的空间”等隐喻元素,通过已有符号或调动集体经验的符号组织画面,形成一种“图像的游戏”,时而戏谑、时而严肃。画面中多出现“被构造价值”的物品,与他的生产经历相关,由此营造围绕“价值”的视觉游戏,从消费品与价值物中寻找被建构的价值幻像,借此思考身份与价值问题。

代表作方面,根据档案收录作品及展览记录,可举出《穆拉诺》(MURANO,布面油画,150 × 120 cm,2024)、《小径幽深的花园》《环》《真皮层》《琥珀色容器》等。其中《穆拉诺》(MURANO)在2024年当代唐人艺术中心“接触地带”群展中展出,可视为其近期代表性作品之一。

【叙事类】(依据展览文章上下文)

在2024年“接触地带”青年艺术家群展中,何可人的作品被归入“符码性景观”线索。展览文章指出,何可人与饶维懿、杨一凡、李百舸、吕慧瑶等人的作品共同体现出图像与文学的对话,以及对身份建构、家庭记忆、新闻影像的反思。他们的绘画首先根植于对绘画性的探索,并在此基础上寻求思辨的逻辑性与时代性,进一步辩证地探寻观念与形式之间的有机关系。

【市场类】

目前平台公开拍卖数据中暂无何可人个人作品的成交记录,无法提供其拍卖价格区间或成交情况。

He Ke Ren (b. 1998, Zhejiang, China) works primarily in oil on canvas, with some mixed-media works.

**Representative works include:**

- *穆拉诺 / Murano* (2024, oil on canvas)

- *小径幽深的花园 / A Garden with Deep Paths* (2023, oil on canvas)

- *环 / Ring* (2025, oil on canvas)

- *真皮层 / Dermis* (2024, oil on canvas)

- *琥珀色容器 / Amber Container* (2025, oil on canvas)

- *无尽 / Endless* (2023, oil on canvas)

- *自然景观与人造景观 / Natural Landscape and Artificial Landscape* (2023, oil on canvas)

- *双泪 / Double Tears* (2025, oil on canvas and mixed media)

- *飘落 / Falling* (2025, oil on canvas)

- *身份9 / Identity 9* (2023, oil on canvas)

- *白色脸 / White Face* (2023, oil on canvas)

- *蒙面超神 / Masked Supergod* (2023, oil on canvas)

**Creative style:**

He Ke Ren’s practice is rooted in figurative and expressive figuration, while also moving into experimental, imagistic, and abstract territory. His themes include the human figure, urban landscapes, emotion, dreams, social commentary, ecology, memory and time, identity, the body, and landscape. In his paintings, objects often occupy a large portion of the composition yet deliberately lack expected visual information, inviting viewers to complete the image through their own associations. He frequently employs metaphors such as shadows and folded spaces, and he draws on existing or collectively familiar symbols to present images almost like a “game of images”—sometimes playful, sometimes serious. Many of his works depict objects loaded with “constructed value,” reflecting his observations of production and consumer environments. Through these value-laden objects and commodities, He Ke Ren explores the illusion of constructed worth and raises questions about identity and value.

展览与收藏Exhibitions & Collections

据平台结构化艺术家档案数据,何可人(1998年生)的展出机构/场合如下:

**展出机构/场合**

- 上海圣佳艺术空间:“海上计划 第二回:洄游”,2026

- 北京唐人艺术中心总部:青年艺术家群展“接触地带”,2024

- 上海 TX淮海年轻力中心:“春风不相识”,2024

- 上海西岸当代艺术博览会,2023

- 首尔当代艺术周(Seoul Modern Art Show),首尔,韩国,2023

- 上海世博创意秀场:青年艺术家发光计划(小红书),2023

- 杭州国美众创空间:“梦游园”,2021

- 宁波 NORHOR 主题展览宁波东部新城店,宁波

**收藏机构**

平台公开档案中暂无何可人作品被哪些机构收藏的记录,暂无法提供相关收藏信息。

Based on the artist profile in the platform archive, **He Ke Ren** has exhibited in the following venues:

- **2026**: *“海上计划 第二回:洄游”* at Shanghai Shengjia Art Space, Shanghai

- **2024**: Group exhibition *“接触地带”* at Tang Contemporary Art, Beijing headquarters; *“春风不相识”* at TX Huaihai Youth Energy Center, Shanghai

- **2023**: West Bund Art & Design, Shanghai; Seoul Modern Art Show, Seoul, South Korea; Youth Artist Lighting Plan, Xiaohongshu / Expo Creative Showcase, Shanghai

- **2021**: *“梦游园”* at Guomei Zhongchuang Space, Hangzhou; NORHOR thematic exhibition at Ningbo Eastern New Town Store, Ningbo

Regarding institutional collections: **the available archive does not list any institutional collections of He Ke Ren’s work.**

回答由 AI 依据公开资料生成,仅供参考。AI-generated from public sources, for reference only.
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