胡水樑(Hu Shuiliang),华裔艺术家。其参展记录显示,2026年他参与了由蜂巢当代艺术中心在北京总部举办的“轻狂欢:蜂巢·生成”大型群展,该展览以全球新一代年轻华裔艺术家为主要考察对象,胡水樑的作品被纳入展览的“剧场”单元。此次展览是蜂巢当代艺术中心长期支持年轻艺术家个案研究的“蜂巢·生成”项目的一部分,胡水樑作为参展艺术家之一,其创作媒介与具体作品信息尚未有更多公开资料。
Hu Shuiliang, a Chinese diasporic artist. According to his exhibition records, in 2026 he participated in the large-scale group exhibition “轻狂欢:蜂巢·生成” (Qing Kuanghuan: Fengchao Shengcheng) held by the Hive Center for Contemporary Art at its Beijing headquarters. The exhibition primarily surveyed a new generation of young Chinese diasporic artists worldwide, and Hu Shuiliang’s work was included in the exhibition’s “Theater” section. The exhibition was part of the Hive Center for Contemporary Art’s long-term “Hive Becoming” project, which supports case studies of young artists. As one of the participating artists, no further public information on Hu Shuiliang’s creative media or specific works is yet available.


根据平台档案,胡水樑的代表作包括《形而上空间·火焰》(2025,布面油画)和《形而上空间·风景的形态 3》(2024,布面油画)。
在创作特点上,他的作品归类于具象艺术与当代水墨等脉络,常用媒介涉及水墨、纸本水墨、综合材料及布面油画;题材主要围绕人物、生命、自然生态、记忆与时间、文化身份等主题展开。其展览记录显示,2026年他参与了蜂巢当代艺术中心在北京总部举办的“轻狂欢:蜂巢·生成 · 剧场”群展。
Based on the available artist archive, Hu Shuiliang’s representative works include the oil-on-canvas paintings *Metaphysical Space · Flame* (2025) and *Metaphysical Space · Morphology of Landscape No. 3* (2024). His creative style is described as encompassing figurative art, contemporary ink painting, imagery, and expressive figuration, using media such as ink, ink on paper, mixed media, and oil on canvas. Thematically, he engages with figures, life, ecology, memory and time, and cultural identity. He was featured in the group exhibition *Light Carnival: Hive·Becoming · Theater* at Hive Center for Contemporary Art in Beijing in 2026.
根据平台艺术家档案数据,胡水樑曾在**蜂巢当代艺术中心**展出,具体为2026年在北京总部举办的群展“轻狂欢:蜂巢·生成 · 剧场”。
关于被哪些机构收藏,目前公开资料中暂无相关记录。
Based on the structured artist profile data, Hu Shuiliang has exhibited in the group show "Light Carnival: Hive-Becoming · Theater" at Hive Center for Contemporary Art (Beijing headquarters) in 2026. There is currently no publicly available information indicating that his works are held in the collections of any institutions.