黄望福
简介Biography
黄望福是一位90后艺术家，其创作理念为“静观其变”。作为敏感人群之一，他喜欢不由自主地关注和感受时代的变迁，通过理性思考将自身对时代变迁的感受通过画面呈现出来，并将观念融入绘画语言中，使画面含蓄而又隐藏着90后独特的锋芒。他的参展经历包括：2013年，作品《筝》入选四川美术学院公共艺术学院首届学生作品年展，同年《自画像》获四川美术学院第十七届学生作品年展优秀奖（虎溪公社）；2014年，作品《她眼中的世界》入选四川美术学院第十八届学生作品年展（虎溪公社）及第五届“保时捷溢彩心”艺术作品展（重庆美术馆），作品《装在箱子里的人》入选第五届重庆市美术作品展暨第十二届全国美展重庆选送作品展并获重庆市三等奖（重庆美术馆），作品《自画像》获四川美术学院公共艺术学院第二届学生作品年展优秀奖（重庆美术馆）；2015年，作品《欢乐暑假之一》入选第六届“保时捷溢彩心”艺术作品展（重庆美术馆）；2016年，作品《我的气球呢？》参加“支点”当代艺术群展（北京桥舍画廊）。
Huang Wangfu is a post-90s artist whose creative philosophy is “Observing Quietly, Seeing How Things Change” (jing guan qi bian). As a member of the sensitive population, he habitually and involuntarily notices and feels the transformations of the era. Through rational contemplation, he translates his perceptions of these transformations onto the canvas and integrates concepts into his painting language, making the images understated yet charged with the distinct edge of his generation.
His exhibition experience includes: In 2013, the work *Kite* was selected for the First Annual Student Works Exhibition of the Public Art College of Sichuan Fine Arts Institute, and in the same year *Self-Portrait* won the Excellence Award at the 17th Annual Student Works Exhibition of Sichuan Fine Arts Institute (Huxi Commune). In 2014, *The World in Her Eyes* was selected for the 18th Annual Student Works Exhibition of Sichuan Fine Arts Institute (Huxi Commune) and the 5th “Porsche Yi Cai Xin” Art Exhibition (Chongqing Art Museum); *Man in a Box* was selected for the 5th Chongqing Art Exhibition and the 12th National Art Exhibition Chongqing Submission Exhibition, receiving the Third Prize of Chongqing (Chongqing Art Museum); *Self-Portrait* won the Excellence Award at the Second Annual Student Works Exhibition of the Public Art College of Sichuan Fine Arts Institute (Chongqing Art Museum). In 2015, *One of the Joyful Summer Vacations* was selected for the 6th “Porsche Yi Cai Xin” Art Exhibition (Chongqing Art Museum). In 2016, *Where’s My Balloon?* participated in the “Fulcrum” Contemporary Art Group Exhibition (Bridge Gallery, Beijing).
代表作Selected Works
展览履历Exhibitions
- 2025见微，知著。苏州李公堤4期17幢 虹·美术馆 · 虹美术馆
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
黄望福的作品以对消费社会、城市景观的观察与个人情绪投射为核心，通过理性克制的绘画语言传递时代感知。他的代表作包括《标准化绿洲》《草地上的神灯》（布面丙烯）、《切开的牛油果》（布面丙烯、银箔、综合材料），以及纸本绢本设色的《仙会图》《长明灯-花开富贵》等系列。创作特点上，他常将水果等日常物象拟人化，以幽默而冷静的方式将自我情绪与集体体验融合，画面看似简洁明快，却隐含“90后”一代面对均质化与信息过载时的内省锋芒，呈现出一种“静观其变”的叙事姿态。
（以上信息基于艺术家公开档案与展览资料，仅陈述其创作特征，不涉及市场判断。）
HUANG WANGFU's creative style is grounded in an attitude of **"静观其变" (observing changes quietly)**. As a highly sensitive observer, he instinctively absorbs the shifts of his time, then translates these feelings into imagery through rational reflection. His visual language is subtle yet sharp, embedding concepts within the painting so that the work remains restrained while carrying the distinctive edge of the post‑90s generation. Stylistically, his practice spans figurative art, cartoon‑like aesthetics, and expressive figuration. He predominantly works with **acrylic on canvas and mixed media**, and his thematic focus circles around **consumerism, the internet, urban landscapes, social commentary, and identity**.
Representative works include:
- *标准化绿洲* (Standardized Oasis, 2025, acrylic on canvas)
- *草地上的神灯* (Magic Lamp on the Grass, 2025, acrylic on canvas)
- *仙会图* (Immortal Gathering, 2023, ink and color on paper/silk)
- *长明灯‑花开富贵* (Eternal Lamp – Blossoming Wealth, 2022, ink and color on paper/silk)
- *钟馗嫁妹* (Zhong Kui Marrying Off His Sister, 2022, ink and color on paper/silk)
These pieces often blend traditional motifs with a contemporary critical eye, creating a unique fusion of cultural memory and present‑day commentary.
展览与收藏Exhibitions & Collections
黄望福的展览经历主要见于：虹·美术馆（苏州李公堤，2025年群展“见微，知著。”）、重庆美术馆、四川美术学院虎溪公社、北京桥舍画廊等机构；在求学期间也曾入选四川美术学院公共艺术学院、保时捷“溢彩心”等展览平台。
平台档案中暂未查到明确的收藏机构记录。
Based on the provided artist profile data, HUANG WANGFU has exhibited at Hong Art Museum (虹美术馆) in Suzhou, with the group exhibition “见微，知著。” in 2025.
There is no information in the available data regarding which institutions collect his work.
