伊内斯·卡塔姆索
简介Biography
伊内斯·卡塔姆索（Ines Katamso，b.1990）是一位法裔印尼艺术家，其创作展开于生态、文化与神话的交汇处。她运用土壤、回收塑料、植物观察等自然材料，发展出缓慢的创作过程，探索人类与生态系统之间精神与环境的纠葛。她的实践汲取万物有灵论宇宙观与地方性知识体系，尤其根植于爪哇与巴厘传统。通过采集与制作颜料，她将土地重新审视——不再作为背景，而是作为叙事者、记忆与身份的活档案。她常与地方社群及生态网络合作，将田野调查与场域响应方法融入雕塑装置、绘画及生物系统之中。
Ines Katamso (b.1990) is a French-Indonesian artist whose work unfolds at the intersection of ecology, culture, and myth. Using natural materials such as soil, recycled plastic, and plant observation, she develops slow-making processes to explore the spiritual and environmental entanglements between humans and ecosystems. Her practice draws on animist cosmologies and local knowledge systems, particularly rooted in Javanese and Balinese traditions. Through gathering and making pigments, she re-examines the land—not as a backdrop but as a narrator, a living archive of memory and identity. She often collaborates with local communities and ecological networks, integrating fieldwork and site-responsive methods into sculptural installations, painting, and biological systems.
代表作Selected Works
展览履历Exhibitions
- 2026多情之躯蜂巢 | 上海 · 蜂巢当代艺术中心
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
根据平台艺术家档案，伊内斯·卡塔姆索（Ines Katamso，b.1990）的代表作与创作特点如下：
**代表作**
* 《菌丝 2》（2026）：媒介为爪哇岛、希腊、巴厘岛土壤、棉布。
* 《菌丝 1》（2026）：媒介为爪哇岛、意大利、希腊、巴厘岛土壤、棉布。
**创作特点**
伊内斯·卡塔姆索是一位法裔印尼艺术家，其创作核心在于生态、文化与神话的交汇。她的主要创作特点包括：
* **材料与过程**：她运用土壤、回收塑料、植物观察等自然材料，并发展出缓慢的创作过程。她的实践包括亲自采集与制作颜料。
* **核心主题**：作品探讨人类与生态系统之间的精神与环境纠葛，并将土地视为叙事者、记忆与身份的活档案。她的创作根植于万物有灵论宇宙观与爪哇、巴厘的地方性知识体系，常涉及文化身份、身份认同、全球化及社会评论等议题。
* **创作媒介与方法**：她主要从事观念艺术、实验性及社会介入性创作，常用综合材料、装置、影像、摄影和数字艺术。她常与地方社群及生态网络合作，并将田野调查与场域响应方法融入其雕塑装置及绘画中。
Based on the structured artist archive, Ines Katamso's representative works include *Mycelium 2* (2026, soil from Java, Greece, Bali on cotton cloth) and *Mycelium 1* (2026, soil from Java, Italy, Greece, Bali on cotton cloth).
Her creative style is rooted in the intersection of ecology, culture, and mythology. She works with natural materials—such as soil, recycled plastics, and botanical observations—to develop slow, process-based works that explore the spiritual and environmental entanglements between humans and ecosystems. Katamso draws on animist cosmologies and local knowledge systems, particularly from Javanese and Balinese traditions. Through the collection and manufacture of pigments, she reframes land not as a backdrop but as a narrator, a living archive of memory and identity. Her practice often involves collaboration with local communities and ecological networks, integrating field research and site-responsive methods into sculptural installations, painting, and biological systems.
展览与收藏Exhibitions & Collections
根据已有的艺术家档案资料：
**展览经历**
伊内斯·卡塔姆索曾在**蜂巢当代艺术中心**位于上海的空间展出。她的个展/群展“多情之躯”于2026年在此举办。
**收藏机构**
关于她被哪些机构收藏，目前的档案数据中暂无记载。
According to the structured artist profile in our database, Ines Katamso has one recorded exhibition: she was part of the group show “多情之躯” (Sensitive Bodies) in 2026 at Hive Center for Contemporary Art in Shanghai. The profile does not list any specific institutions that collect her work. For a complete picture, further research beyond this database may be required.
