姜淼,1981年生于吉林,现居北京。2005年毕业于中央美术学院版画系,获学士学位;2009年毕业于同校同系,获硕士学位。她的作品被中央美术学院、澳门博物艺术馆、贵阳美术馆、南京博物院收藏。姜淼从个人感受出发,创作意象大多是对内在个性与非物质本性的自发表现。她不仅细腻地表现超验的想象,还善于观察并描绘与她年龄相仿、成长于当今社会的青年女性群体,以及她们的情感、意志和智力。鉴于自身性别与生活背景,姜淼坦诚对女性的了解胜于对男性的认知,因此女性是她创作以来一直延续的主题。她认为,艺术家作为人的意义,可贵的不是女性气质和孩子气,而是女性气质的细腻和直觉,并拥有孩子的想象,正是这二者能够融解僵冷的理性世界,涤除纷繁物欲的感性迷障,向着灵性的纯净源头回归。
Born in Jilin, China, in 1981, Jiang Miao graduated from China Central Academy of Fine Arts (Printmaking Department), acquired B.F.A in 2005, consecutively M.F.A in 2009. From her early childhood, she has been strongly intrigued by an ancient civilization and high wisdom. Since 2003, she has committed to the idea of yin/yang, point/line, and energy/life interpretation, thus forming an eastern worldview of "Nature and Man as one". In recent years, Jiang has been working on themes of life. By applying "trigram", "spiral" as a symbol of soul, and energy-releasing "colors" as major visuals, her works suggest living truth of spirit, the soul, and body; they absorb energy from the invisible, then, release spiritual energy and magnetic field into the physical world, casting continuous thoughts for the future civilization on the excessive materialized current world. Her works have been broadly exhibited at galleries and museums in Chinese speaking countries. In 2020, her first solo exhibition "Glow of Harmony" in Japan was held in Whitestone Ginza New Gallery and got favorable reviews. In 2022, her solo exhibition "Luster of Hope" in Hong Kong was successfully held in Whitestone H Queen's Hong Kong Gallery.










































根据平台档案资料,姜淼(Jiang Miao)1981年生于吉林,2005年和2009年先后毕业于中央美术学院版画系,获学士及硕士学位。她的创作常用丙烯、木板与刀刻等媒介,以“天眼系列”“始基之轮回系列”“道教三一与自我系列”等为代表作,如《天眼 2023.3.3.》《始基之轮回 No.24》《道教三一与自我 No.35》等。
她的创作特点集中于:从女性视角出发,以细腻与直觉回应僵冷的理性世界,主题围绕情感、生命、记忆、身份认同与身体展开,将个人感受升华为兼具意象与观念性的抽象表达,并在刀刻与丙烯的层层覆盖中营造出蕴含灵性与时间感的视觉秩序。
Jiang Miao’s practice is rooted in personal perception and inward exploration, often manifesting spontaneous expressions of inner character and intangible essence. She consistently focuses on young women of her own generation—those shaped by contemporary society—and explores their emotions, will, and intellect. She considers the feminine sensibility as not merely “girlish,” but as a perceptive and intuitive force capable of dissolving rigid rationality and returning to a purer, spiritual source.
Her work spans experimental, imagery-based, abstract, and conceptual approaches, frequently employing acrylic on wood panel and aluminum plate, combined with knife-carving techniques. Recurring themes include emotion, death, life, natural ecology, memory and time, identity, and the body.
**Representative works** include:
- *The Eye of Heaven 2023.3.3* (2023, acrylic on aluminum plate, knife-carved)
- *Silent Order 2022.5.15* (2022, acrylic and oil on aluminum plate, knife-carved)
- *Reincarnation of the Primordial No.57* (2022, acrylic on wood panel, knife-carved)
- *Reincarnation of the Primordial No.49* (2021, acrylic on wood panel, knife-carved)
- *Reincarnation of the Primordial No.24* (2019, acrylic on wood panel, knife-carved)
- *Daoist Trinity and the Self No.35* (2020, acrylic on wood panel, knife-carved)
姜淼的展览经历与作品收藏信息如下:
**展览机构**
根据平台档案,她已在以下机构展出:
- **白石画廊**(北京空间),2023年个展《异在之维》;
- **白石画廊**,2023年群展《返魅通灵:姜淼的超验世界》;
- **现代画廊**,2023年群展《能量之旋》。
**收藏机构**
她的作品被以下机构收藏:
- **中央美术学院**
- **澳门博物艺术馆**
- **贵阳美术馆**
- **南京博物院**
(以上事实类信息均来自平台结构化艺术家档案数据)
Jiang Miao has recently exhibited at:
- **Whitestone Gallery** (Baishi Gallery) in Beijing, in the 2023 group exhibition *Dimensions of Otherness* and the 2023 solo project *Re-enchantment and Spirit Communication: Jiang Miao’s Transcendental World*;
- **Modern Gallery** in the 2023 exhibition *Spiral of Energy*.
Her works are held in the collections of:
- **Central Academy of Fine Arts** (Beijing)
- **Macao Museum of Art**
- **Guiyang Art Museum**
- **Nanjing Museum**.
(All information sourced from the platform’s verified artist archive.)