胡安·米格尔·帕拉西奥斯
简介Biography
胡安·米格尔·帕拉西奥斯（Juan Miguel Palacios），1973年出生于西班牙马德里，现工作和生活于纽约。他的创作长期游走于抽象与具象表达的边界地带，持续探索两者之间微妙而复杂的张力关系。在他看来，绘画不仅是图像的呈现，更是一种具有物质属性与身体经验的存在，因此材料本身的重量、痕迹与生成过程成为作品意义建构的重要组成部分。通过反复覆盖、擦除、叠加与留存的创作方式，他构建出一种介于现实与想象之间的空间场域，使抽象形式获得某种若隐若现的具象身份。在其近年的系列作品《虚无的实质》（The Substance of Nothingness）中，他进一步关注环境、记忆与文化经验如何塑造个体感知，并试图打破那些被习以为常的叙事框架，在不断的解构与重构之中引导观者重新审视真实与虚无、意识与存在之间的关系。胡安的作品曾在国际范围内广泛展出并被重要机构及私人收藏，其个展先后举办于纽约、上海、伦敦及莫斯科等城市。
Juan Miguel Palacios, born in 1973 in Madrid, Spain, currently lives and works in New York. His practice has long navigated the boundary between abstract and figurative expression, persistently exploring the subtle yet complex tension between them. In his view, painting is not merely the presentation of images, but an existence imbued with material properties and bodily experience; thus the weight, traces, and generative process of materials become integral to the construction of meaning in his works. Through repeated acts of covering, erasing, layering, and retaining, he constructs a spatial realm situated between reality and imagination, endowing abstract forms with an elusive figurative identity. In his recent series *The Substance of Nothingness*, he further examines how environment, memory, and cultural experience shape individual perception, and seeks to dismantle narratives that have been taken for granted, guiding viewers through continuous deconstruction and reconstruction to re-examine the relationships between reality and nothingness, consciousness and existence. Juan Miguel Palacios’s works have been exhibited widely internationally and are held in major institutional and private collections. His solo exhibitions have been held in cities including New York, Shanghai, London, and Moscow.
代表作Selected Works
展览履历Exhibitions
- 2026流变：浅存的真实北京市朝阳区798艺术区七星中街 · LCE GALLERY
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
胡安·米格尔·帕拉西奥斯（Juan Miguel Palacios），1973年出生于西班牙马德里，现工作和生活于纽约。他的创作长期游走于抽象与具象表达的边界地带，持续探索两者之间微妙而复杂的张力关系。
**代表作**
根据平台档案，他的近期代表作主要分为两类系列：
- **“变奏”系列（2024年）**：如《变奏 第五十五号》《变奏 第六十二号》《变奏 第八十一号》《变奏 第九十五号》《变奏 第九十七号》等，多以布面丙烯、油性颜料棒、喷漆与马克笔等综合材料完成。
- **“SKIN”系列**：包括《SKIN-L》《SKIN-XXXIV》《SKIN-XL》《SKIN-XXIX》《SKIN-XLVII》等。
**创作特点**
在媒介上，他主要采用布面油画与综合材料（丙烯、喷漆、马克笔等），题材聚焦于记忆与时间、身份认同、生命、身体等具有存在主义色彩的命题，整体风格属于具象艺术中的表现性具象与象征主义路径。
在创作理念上，帕拉西奥斯认为绘画不仅是图像的呈现，更是一种具备物质属性与身体经验的存在。他通过反复覆盖、擦除、叠加与留存的手法，构建出一个介于现实与想象之间的空间场域，使抽象形式获得若隐若现的具象身份。近年来，在《虚无的实质》系列中，他进一步探讨环境、记忆与文化经验如何塑造个体感知，试图打破习以为常的叙事框架，引导观者重新审视真实与虚无、意识与存在之间的关系。
Juan Miguel Palacios’s practice navigates the tension between abstraction and figuration, treating painting as a material, bodily process. He builds his works through repeated layering, erasure, and accumulation, constructing an ambiguous space where abstract forms gradually acquire a fleeting figurative identity. His recent series, *The Substance of Nothingness*, examines how environment, memory, and cultural experience shape perception, often questioning fixed narratives to invite a reconsideration of reality and emptiness.
**Representative works** include his ongoing **“Variations”** series (e.g., *Variation No. 55*, *No. 62*, *No. 81*, *No. 95*, all 2024), executed in acrylic, spray paint, oil stick, and marker on canvas, and the **“SKIN”** series (e.g., *SKIN‑L*, *SKIN‑XXXIV*, *SKIN‑XL*, *SKIN‑XXIX*, *SKIN‑XLVII*). Across these works, the weight, marks, and generative process of the materials themselves become integral to the construction of meaning, merging abstract gesture with a palpable sense of physical presence.
展览与收藏Exhibitions & Collections
根据现有资料：
**展览机构**
胡安·米格尔·帕拉西奥斯曾于 **LCE GALLERY**（北京市朝阳区798艺术区七星中街）举办个展《流变：浅存的真实》（2026年）。
**收藏机构**
其个人简介中提到作品被“**重要机构**及私人收藏”，但目前平台档案中未列出具体的收藏机构名称，暂无法提供详细名单。
Based on the artist profile data, Juan Miguel Palacios has had solo exhibitions internationally in cities such as New York, Shanghai, London, and Moscow. His most recent recorded exhibition is *流变：浅存的真实* (2026) at LCE GALLERY in Beijing’s 798 Art District.
Regarding institutional collections, the data does not list specific institutions by name, but notes that his works have been widely collected by important institutions and private collectors.
