许晶媛
简介Biography
许晶媛（Jungwon Jay Hur）是一位青年亚裔艺术家，其创作涵盖绘画、织物、雕塑、装置等多种媒介。2023年，她参加了由蜂巢当代艺术中心举办的群展“肌体的编织”，该展览于2025年6月13日在蜂巢上海空间推出，由于非策划，聚焦十位青年亚裔艺术家，展示了他们富于生命力与多重维度的创作系统。
Jungwon Jay Hur is a young Asian artist whose practice spans painting, textiles, sculpture, installation and other media. In 2023, she participated in the group exhibition “Weaving of the Body” organized by Hive Center for Contemporary Art. The exhibition launched on June 13, 2025 at Hive Shanghai space, curated by Yu Fei, focusing on ten young Asian artists and showcasing their vibrant and multi-dimensional creative systems.
代表作Selected Works
展览履历Exhibitions
- 2023肌体的编织蜂巢|上海 Hive | 上海市黄浦区北京东路270号 · 蜂巢当代艺术中心
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
根据艺术家档案，许晶媛（Jungwon Jay Hur）是一位活跃于当代艺术领域的亚裔青年艺术家，其创作横跨绘画、织物、雕塑、装置等多种媒介。她的艺术实践具有明确的文化身份意识与观念深度，视野触及记忆、身份认同、女性主义及全球化等核心议题。
**代表作方面**，档案列出的近期作品切面包括了以纤维与版画结合的《包袱布》（白棉布、玉纱、苧麻上蚀刻、凹版版画，2024），在桦木板上展开的绘画《痕迹》（2025）与《寻宝》（桦木板油画、韩纸、贝壳，2025），以及以石材塑形的系列作品《伯伦尼斯的头发》（灰色、黑色石器）、《箭（圣塞巴斯蒂安）》（黑色石器）和《许愿祭品（足部）》（黑色石器）等。这些作品呈现了她对多元材料与形式语言的持续实验。
**创作特点可归纳为**：跨媒介的综合表达——她谙熟于将绘画、织物与石材等不同质感的媒介并置，由此生成丰富的感官层次；观念驱动的象征手法——其作品常嵌入神话、身体与圣像式的意象（如伯伦尼斯的头发、圣塞巴斯蒂安的箭），借此探讨记忆、信仰与女性身体的隐喻；文化身份的深度织入——韩纸、包袱布等文化符号的运用，使其创作在全球化语境中始终保有对自身亚裔身份与传统的回望与重构。2023年，她参与的群展“肌体的编织”也呼应着这一线索，显示出她在“编织”这一动作背后对生命经验与文化肌理的持续挖掘。
Based on the structured artist archive data, here is information on Jungwon Jay Hur's representative works and creative style.
**Representative Works**
Her recent works span a diverse range of materials and forms. Notable pieces include:
- *包袱布 (Wrapping Cloth)*, 2024 – white cotton fabric, jade yarn, etched ramie, intaglio print
- *痕迹 (Trace)*, 2025 – oil on birch panel
- *寻宝 (Treasure Hunt)*, 2025 – oil on birch panel, Korean paper, shells
- *伯伦尼斯的头发（灰色）(Berenice's Hair – Gray)*, 2025 – gray stoneware
- *伯伦尼斯的头发（黑色）(Berenice's Hair – Black)*, 2025 – black stoneware
- *箭 (圣塞巴斯蒂安) (Arrow – St. Sebastian)*, 2025 – black stoneware
- *许愿祭品 (足部) (Votive Offering – Foot)*, 2025 – black stoneware
**Creative Style**
Jungwon Jay Hur is an emerging Asian diaspora artist whose practice encompasses painting, textiles, sculpture, and installation. Her work is categorized across figurative art, conceptual art, and symbolism, blending these approaches with a wide range of media including photography, video, mixed media, and installation. Thematically, she explores cultural identity, memory and time, identity formation, feminism, and globalization. Her recent works demonstrate a consistent engagement with materiality—such as combining oil painting with Korean paper and shells, or carving symbolic forms in stoneware—often weaving together personal and collective narratives through a poetic, cross‑cultural lens.
(No market assessment was requested in this question; the response is based solely on the artist's profile data.)
展览与收藏Exhibitions & Collections
根据平台提供的结构化艺术家档案，许晶媛的展出记录为：曾参加蜂巢当代艺术中心于2023年举办的群展“肌体的编织”（展览地点在上海）。关于机构收藏情况，平台现有资料中暂无相关记录。
Based on the available structured archive data, Jungwon Jay Hur has exhibited at Hive Center for Contemporary Art | Shanghai in the group exhibition *肌体的编织* (Weaving of the Body) in 2023.
Regarding institutional collections, the current archive does not list any institutions that collect her work.
