康海涛
简介Biography
康海涛（1976年生于重庆），2000年毕业于四川美术学院油画系，同年起任教于绵阳师范学院艺术系，现生活、工作于成都、绵阳。自2000年以来，他持续探索“夜景”系列油画创作，注重细节刻画，描绘对象多为身边熟悉的场景与日常事物，如树林、门、简单的房子等。作品借鉴中国传统山水画中的“积墨”手法，塑造出宁静、陌生而神秘的画面氛围。在创作“夜景”系列的同时，康海涛也进行抽象绘画的探索，其抽象作品从一片空白和虚无出发，创作过程近乎冥想，与“夜景”系列的强烈形成对立；他既不面对既定的视觉客体，也不面对任何心理体验，甚至不面对画面上某个阶段出现的意象，在不断的肯定与否定中依靠直觉和灵性完成最终呈现。在他的日常工作中，“夜景”与“抽象”系列同时进行，互为补充、互相契合，达成一种存在的完满。康海涛曾多次参加中国香港、美国、韩国、捷克、意大利等地的国际展览，重要个展包括2017年在北京偏锋新艺术空间举办的“康海涛个展”，群展包括2020年广东美术馆的“绘画：宏”、四川美术学院美术馆的“与历史同行——四川美术学院建校80周年（1840-2020）”、2014年龙美术馆（西岸馆）的“开今借古——龙美术馆（西岸馆）开馆大展”、2010年上海民生现代美术馆的“中国当代艺术三十年：1979-2009”等。其作品被龙美术馆、上海民生现代美术馆、上海星美术馆、广东美术馆、吉林省博物馆、武汉美术馆、中央美术学院美术馆、意大利国家旅游局等艺术机构收藏。康海涛自述其创作动机源于早年夜晚散步、游荡带来的美好经验，认为直觉比理性分析更复杂、更有包容性和爆发力；他并不赋予画面明确的意义，而是作为记录者，用个体的方式关照人与世界的关系。
Kang Haitao (b. 1976, Chongqing) graduated from the Oil Painting Department of Sichuan Fine Arts Institute in 2000 and began teaching in the Art Department of Mianyang Normal University the same year. He currently lives and works in Chengdu and Mianyang. Since 2000, he has continuously explored the “Night Scene” series of oil paintings, focusing on meticulous detail and depicting mostly familiar scenes and everyday objects from his surroundings, such as woods, doors, and simple houses. His works draw on the “accumulated ink” technique from traditional Chinese landscape painting, creating a tranquil, unfamiliar, and mysterious atmosphere.
While creating the “Night Scene” series, Kang Haitao also explores abstract painting. His abstract works start from a blank void, and the creative process is almost meditative, standing in opposition to the intensity of the “Night Scene” series. He confronts neither a predetermined visual object nor any psychological experience, nor even the imagery that appears on the canvas at some stage. Through a continuous process of affirmation and negation, he relies on intuition and spirituality to arrive at the final presentation. In his daily practice, the “Night Scene” and “Abstract” series proceed in parallel, complementing and interlocking with each other, achieving a wholeness of being.
Kang Haitao has participated in international exhibitions in Hong Kong, the United States, South Korea, the Czech Republic, Italy, and elsewhere. Important solo exhibitions include “Kang Haitao Solo Exhibition” at PIFO Gallery, Beijing in 2017. Group exhibitions include “Painting: Macro” at Guangdong Museum of Art in 2020, “Walking with History: The 80th Anniversary of Sichuan Fine Arts Institute (1840–2020)” at the Art Museum of Sichuan Fine Arts Institute in 2020, “Evoking the Past in the Present: The Inaugural Exhibition of Long Museum (West Bund)” at Long Museum (West Bund) in 2014, and “Thirty Years of Chinese Contemporary Art: 1979–2009” at Shanghai Minsheng Art Museum in 2010. His works are collected by art institutions such as Long Museum, Shanghai Minsheng Art Museum, Shanghai Star Museum, Guangdong Museum of Art, Jilin Provincial Museum, Wuhan Art Museum, the Art Museum of the Central Academy of Fine Arts, and the Italian National Tourism Board.
Kang Haitao has stated that his creative motivation stems from the beautiful experiences of walking and wandering at night in his early years. He believes that intuition is more complex, inclusive, and explosive than rational analysis. He does not assign explicit meaning to the images; instead, as a recorder, he uses an individual approach to contemplate the relationship between people and the world.
代表作Selected Works
展览履历Exhibitions
- 2024康海涛：绿岛偏锋画廊
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
康海涛的核心创作脉络在于 **“夜景”与“抽象”两个系列长期并行**，两者互为补充，共同构成了他完整的艺术面貌。
### 创作特点
1. **“夜景”系列的具象与氛围**
* 注重对身边熟悉场景（如树林、门、简单的房子）的**细节刻画**。
* 借鉴中国传统山水画中的 **“积墨”手法**，层层叠加，塑造出宁静、陌生而神秘的画面氛围。
* 他以旁观者的视角，通过描绘日常景观，传递一种抽离、疏远的情绪。
2. **“抽象”系列的冥想与直觉**
* 创作过程近乎**冥想**，从一片空白和虚无出发。
* 他不面对任何既定的视觉客体或心理意象，完全**依靠直觉和灵性**在不断的肯定与否定中完成作品。
* 这与“夜景”系列的强烈具象感形成对立，是其艺术表达的另一种维度。
3. **市场表现与认可**
* 康海涛的作品在市场上表现稳健且受到重要机构青睐。公开拍卖记录显示，其最高成交价已达**360万人民币**（2021-2022年成交的“乐园（三联作）”）。
* 近几年的重要作品如“光的记忆”（2023年）、“南方的镜子”（2021年）等作品成交价均在**200万-250万人民币**区间。
* 其作品被龙美术馆、上海民生现代美术馆、广东美术馆、中央美术学院美术馆等多家重要公共机构收藏，学术与市场价值均得到认可。
### 代表作
根据档案及市场公开记录，他的代表作包括：
* **《乐园（三联作）》**（布面丙烯，246×485cm）
* **《南方的镜子》**（布面丙烯，145×250cm）
* **《画》**（纸板丙烯，151×248.5cm）
* **《老房子》**（纸板丙烯，101×156cm）
* **《树》系列**及 **《绿岛》**、 **《时光》** 等近期纸板丙烯作品。
Kang Haitao (b. 1976, Chongqing) is known for balancing two distinct but complementary bodies of work: his meditative **abstract paintings** and the meticulously observed **“Night Scene” series**.
His representative works include *绿岛*, *时光*, *镜中*, *树*, *暮色，或是晨光*, *画A*, *暮影*, *冬夜*, *暮园*, *树影*, *紫薇花*, and *确信的幻觉*. Most of these are executed in acrylic on cardboard.
**Creative Style**
- **“Night Scene” paintings**: Kang depicts quiet, everyday surroundings—trees, doors, simple buildings—drawn from familiar landscapes he encountered during nocturnal walks. He borrows the traditional Chinese “accumulated ink” (积墨) method, layering subdued tones to build a calm yet mysterious atmosphere where ordinary objects feel estranged and suspended in memory.
- **Abstract works**: In contrast, his abstracts begin from complete emptiness, approaching the canvas almost like a meditative ritual. Without referring to any visual object or pre‑existing image, he relies on intuition and a continuous process of affirmation and negation, arriving at compositions that emphasise spontaneity and spiritual clarity.
- **Philosophy**: Kang sees both series as integral to his practice, each completing the other. He considers intuition more nuanced and expansive than rational analysis, and describes himself as a recorder who observes the relationship between people and the world through an intensely personal lens.
His works are held by institutions including the Long Museum, Shanghai Minsheng Art Museum, Guangdong Museum of Art, and the Central Academy of Fine Arts Museum.
展览与收藏Exhibitions & Collections
根据平台档案数据，康海涛近年的重要个展记录为 **2024 年在偏锋画廊举办的“康海涛：绿岛”**。
其作品被以下公共艺术机构收藏：
* **龙美术馆**
* **上海民生现代美术馆**
* **上海星美术馆**
* **广东美术馆**
* **吉林省博物馆**
* **武汉美术馆**
* **中央美术学院美术馆**
* **意大利国家旅游局**
Kang Haitao has exhibited widely, including:
- Solo exhibition **“Kang Haitao: Green Island”** at PIFO Gallery in 2024.
- Group exhibitions such as **“Painting: Macro”** at Guangdong Museum of Art (2020), **“Walking with History: The 80th Anniversary of Sichuan Fine Arts Institute (1840–2020)”** at the Art Museum of Sichuan Fine Arts Institute (2020), **“Borrowing the Past to Open the Present: The Opening Exhibition of Long Museum West Bund”** at Long Museum West Bund (2014), and **“Thirty Years of Chinese Contemporary Art: 1979–2009”** at Minsheng Art Museum, Shanghai (2010).
His works are held in the collections of: Long Museum, Minsheng Art Museum (Shanghai), Start Museum (Shanghai), Guangdong Museum of Art, Jilin Provincial Museum, Wuhan Art Museum, CAFA Art Museum, and the Italian National Tourist Board, among other institutions.
