冷广敏
简介Biography
冷广敏（1986年出生于山东青州），2009年毕业于天津美术学院造型学院油画专业第三工作室，获学士学位；2012年毕业于同校同专业，获硕士学位，现工作、生活于北京。他以抽象绘画创作见长，作品散发着张弛有道的独特趣味和耐人寻味的张力，尚未毕业即引人瞩目。在校期间获奖颇丰，研究生毕业创作多件作品被国家级美术馆收藏。重要个展包括2013年在北京蜂巢当代艺术中心举办的“蜂巢生成II 看见表象——冷广敏个展”。群展经历丰富，如2013年“双向刺点：作为表象的切入口，一种绘画”（蜂巢当代艺术中心）及“在路上：中国青年艺术家作品提名展”（深圳）；2012年“弥散的主体——第九届全国美术院校油画专业应届毕业生优秀作品展”（何香凝美术馆）、“引爆”2012 CYAP汇报展（北京）、“青年艺术100巡回展”（北京、鄂尔多斯、深圳、成都）及“约翰莫尔新绘画大奖赛”（上海油画雕塑院）；2009年“证伪——当代大学生优秀毕业作品展”（何香凝美术馆）和“开放的表达——上海青年美术大展”（刘海粟美术馆）。获奖包括2013年入围第七届AAC“艺术中国”年度青年艺术家；2012年获“罗中立奖学金”（重庆美术馆、四川美术学院）；2009年获“温莎牛顿艺术奖学金”特等奖（天津美术学院）及“柯罗默当代艺术优秀者奖学金”（重庆美术馆、四川美术学院）；2008年获“马利艺术奖学金”特等奖（天津美术学院）。作品被天津美术学院美术馆、何香凝美术馆、环铁时代美术馆等公共机构收藏。
During studies in the department of oil paintings at Tianjin Academy of Fine Arts, Leng spontaneously explored his path to break the traditional paradigm of oil painting creation and became one of the most significant painting artists of the 80s generation. In contrast to accumulated paints and strokes, he chose to open a brand-new physical space in the image with the movement of slicing. Slicing is not only his creative method but also his attitude toward art, which is keen and determined. With relatively consistent painting skills, the artist keeps dissecting materials and images guided by some clues but has no clear themes. The ubiquitous tension formed by confrontations, the opposing but complementary colors, the level and scraped materials, the hard-edged and gradient textures, and the conformal and negative structures are the incomparable attractions of his paintings. They enable the artist to refine the inner order behind the numerous and complicated objects, which can be manifested with images only in a highly abstract and endlessly changing state.
代表作Selected Works
创作系列Series
《分割黄金》系列平台收录 21 件21 works on ArtMatters
展览履历Exhibitions
- 2024垂直的伤口北京798第二空间 · 当代唐人艺术中心
- 2024垂直的伤口当代唐人艺术中心
- 2023分割黄金南艺美术馆 零展厅 · 当代唐人艺术中心
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
冷广敏，1986年出生于山东青州，是一位以“切割”为创作核心的当代艺术家。
**代表作**
他的近期代表作时间线清晰，创作脉络集中体现在近年的“物质解剖”式绘画中。根据艺术家的公开档案，其代表作包括：
- **2024年新作**：《对抗的废墟Ｋ＆Ｊ、Ｋ＆Ｑ、Ｑ＆Ｊ》、《骨骼与壳》、《古典外衣》系列、《复制喜鹊》等。
- **2023年作品**：《消失后的鹅》、《迷雾》。
- **更早期标志性作品**：包括《分割黄金（爱）》以及奠定其“壳”概念的《红色海滩》、《X女神的诞生》等。
**创作特点**
冷广敏的创作兼具“破坏性”与“建构性”，风格鲜明：
1. **核心方法论：“切割”**
他打破了传统油画的笔触堆积，转而以“切割”的动作为画面打开全新的物理空间。这既是他独特的创作技术，也是他锋利、果决的艺术态度。
2. **“壳”的美学**
艺术家提出“壳”的概念，认为“表象即是全部”。他画的物体（如家具、花果、贝壳）坚硬、易碎且没有生机和情绪，像一个个华丽的“壳”。色彩往往极致而直接，如高频率出现的红绿对比，与物体的“旧”感形成矛盾张力。
3. **抽象与具象的张力**
他擅长在高度抽象的视觉语言和可辨识的物体形象之间拉扯。通过“平面”与“立体”、“看透”与“看不透”的对抗，创造出一种既有秩序感、又暗藏别扭和迷离感的画面节奏。
他的作品被天津美术学院美术馆、何香凝美术馆、余德耀美术馆、澳大利亚白兔美术馆等机构收藏，在学术与市场层面均被视为80后绘画艺术家中的佼佼者。
Leng Guang Min (b. 1986) is an artist known for a distinctive abstract and experimental language built largely with mixed media on canvas. His practice bridges collage, acrylic, oil and printmaking, often engaging with themes of consumerism, urban landscapes, memory, identity and the body.
His recent representative works include series and individual pieces such as *Ruins of Confrontation K & J, K & Q, Q & J* (2024), *Classical Coat – Horse* (2024), *Classical Coat – Palace Maid* (2024), *Gilt* (2024), *Directed March* (2024), *Copying the Magpie* (2024) and *Disappeared Goose* (2023). These works consistently employ composite materials on canvas, achieving a tense yet playful balance between form and content.
Leng's creative style is characterized by a meticulously controlled abstract idiom. He extracts material properties and remakes the relationship between painting and image, often deconstructing familiar objects or figures into flat, almost diagrammatic compositions. The surfaces carry a restrained, cool-handed exactness, while the underlying themes—ranging from the erosion of tradition to the facades of luxury—introduce a quiet social commentary. This combination of painterly precision and conceptual layering gives his work a lingering, understated tension that invites prolonged looking.
展览与收藏Exhibitions & Collections
根据平台现有资料，冷广敏的展览经历和作品收藏情况整理如下：
### 机构展览经历
**个展：**
* **当代唐人艺术中心**（北京、香港）
* **南京艺术学院美术馆**（零展厅）
* **MAHO KUBOTA GALLERY**（日本东京）
* **蜂巢当代艺术中心**（北京）
**重要群展（部分）：**
* **国内机构**：OCAT西安馆、久事美术馆（上海）、西岸艺术中心（上海）、中央美术学院美术馆（北京）、四川美术学院美术馆（重庆）、民生现代美术馆（上海）、何香凝美术馆（深圳）、上海油画雕塑院、刘海粟美术馆（上海）、重庆美术馆。
* **国际机构**：贝伦文化中心（葡萄牙里斯本）。
（以上信息来源于平台艺术家档案及画廊文章背景）
### 作品收藏机构
根据平台档案记录，冷广敏的作品被以下公共机构收藏：
* 天津美术学院美术馆
* 何香凝美术馆
* 余德耀美术馆
* 澳大利亚白兔美术馆
（以上为已知收藏记录，可能未完全覆盖所有收藏机构）
Leng Guang Min has exhibited in several solo and group exhibitions in China. His solo exhibitions include:
- "Seeing Appearance: LENG Guangmin Solo Exhibition" at the Hive Center for Contemporary Art, Beijing (2013);
- "Dividing Gold" at the Tang Contemporary Art (2023);
- "Vertical Wound" at the Tang Contemporary Art, Beijing (2024).
He has participated in numerous group exhibitions, such as those held at He Xiangning Art Museum (2009, 2012), Liu Haisu Art Museum (2009), Shanghai Oil Painting & Sculpture Institute (2012), and various platforms including the "CYAP Exhibition" (Beijing, 2012), the "Art Nova 100" touring exhibition, and the "On the Road: Nomination Exhibition of Chinese Young Artists" (Shenzhen, 2013), among others.
His works are collected by public institutions including the Tianjin Academy of Fine Arts Art Museum, He Xiangning Art Museum, and Huantie Times Art Museum.
