李飞霖
简介Biography
李飞霖（Li Feilin），1981年生于四川郫县，2005年毕业于四川美术学院油画系，获学士学位；2008年毕业于四川大学艺术学院油画系，获硕士学位。他的作品主题围绕着民间传说和风俗，通过追溯童年耳濡目染的志怪故事，塑造的人物与物体裹挟着乡土记忆深处的生命体验。在天方夜谭的民间故事背后，有着自成一体的内在逻辑，在乡土的标志性地缘结构上进行想象，展现了这片土地与人之间的情感与私密。其重要展览包括：2004年第十届全国美展（四川）；2005年第三届“春季沙龙展”（成都了了阁画廊）；2006年“06春季沙龙展”（四川大学美术馆）；2007年挪威2007——新中国新一代当代艺术展（挪威，中国盒画廊）及滨江楼学术邀请展（成都K画廊）；2008年《西南力量——当代艺术邀请（巡回）展》（上海、深圳、成都）、5.12当代艺术特别展（S.O.艺术空间）、春季艺术沙龙（成都现代艺术馆）、王湛生当代艺术创作奖——青年艺术家邀请展（成都，四川大学美术馆）及关于明天的故事——西南地区青年艺术家作品联展（成都）；2009年Visionaire——超越艺境当代艺术群展、费历尼画廊@2009上海艺术博览会国际当代艺术展、坡地当代艺术巡回展（上海800艺术馆）、“堕落自然”静拍艺术展览（上海费历尼画廊，北京万豪国际酒店）、坡地当代艺术展（成都）及“原罪”艺术群展（上海费历尼画廊）。
Li Feilin, born in 1981 in Pi County, Sichuan, graduated from the Oil Painting Department of Sichuan Fine Arts Institute in 2005 with a bachelor’s degree, and from the Oil Painting Department of the College of Arts, Sichuan University in 2008 with a master’s degree. His work revolves around folk legends and customs; by retracing the strange tales absorbed in childhood, the figures and objects he creates carry the life experiences buried deep in rural memory. Behind these Arabian-Nights-like folk narratives lies a self-contained internal logic, and he exercises imagination upon the iconic geographic structures of the countryside, revealing the emotions and intimacies between the land and its people. His significant exhibitions include: the 10th National Art Exhibition, Sichuan, 2004; the 3rd “Spring Salon Exhibition,” Liaoliao Gallery, Chengdu, 2005; the “06 Spring Salon Exhibition,” Sichuan University Art Museum, 2006; Norway 2007—New China’s New Generation Contemporary Art Exhibition, China Box Gallery, Norway, and the Binjianglou Academic Invitational Exhibition, K Gallery, Chengdu, 2007; Southwest Power—Contemporary Art Invitational (Touring) Exhibition in Shanghai, Shenzhen and Chengdu, the 5.12 Contemporary Art Special Exhibition at S.O. Art Space, the Spring Art Salon at Chengdu Modern Art Museum, the Wang Zhansheng Contemporary Art Creation Award—Young Artists Invitational Exhibition at Sichuan University Art Museum, Chengdu, and Stories About Tomorrow—Southwest Region Young Artists Group Exhibition in Chengdu, 2008; Visionaire—Beyond Art Realm Contemporary Art Group Exhibition, Fellini Gallery @ 2009 Shanghai Art Fair International Contemporary Art Exhibition, Slope Land Contemporary Art Tour Exhibition at Shanghai 800 Art Museum, the “Fallen Nature” Silent Auction Art Exhibition at Shanghai Fellini Gallery and Beijing Marriott Hotel, Slope Land Contemporary Art Exhibition in Chengdu, and the “Original Sin” Art Group Exhibition at Shanghai Fellini Gallery, 2009.
代表作Selected Works
展览履历Exhibitions
- 2023林中路 行之于途ISLE Gallery 山与艺术
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
根据平台艺术家档案，李飞霖（1981年生于四川郫县）的代表作包括《偷月亮的人》《锅盖云》《好姐妹》《夜明珠》《跨栏背心》等，多采用布面油彩丙烯或综合材料创作。
他的创作特点鲜明：作品主题紧密围绕民间传说与风俗，通过追溯童年时代耳濡目染的志怪故事，将人物与物象包裹在乡土记忆深处的生命体验之中。这些看似天方夜谭的民间叙事背后，有着自成一体的内在逻辑，艺术家在乡土标志性的地缘结构上进行想象，从而展现出这片土地与人之间的情感联结与私密性。
Based on Li Feilin's archival profile, his work is deeply rooted in folklore, local customs, and the strange tales of his childhood in rural Sichuan. His representative works include *The Moon Thief* (2021, mixed media), *Pot-lid Clouds* (2021, oil and acrylic on canvas), *Good Sisters* (2021, oil and acrylic on canvas), *Luminous Pearl* (2023, oil and acrylic on canvas), and *Singlet* (2022, oil and acrylic on canvas).
His creative style is experimental and conceptually driven, often engaging with social commentary, cultural identity, memory, and the urban–rural landscape. Across various media—including mixed‑material installations, video, and photography, but recently focusing on oil and acrylic painting on canvas—Li reimagines local myths and supernatural narratives, imbuing figures and objects with the intimate life experiences embedded in his native soil. Behind these otherworldly stories lies a coherent internal logic that transforms the iconic geographical structures of his hometown, revealing the emotional and private bonds between the land and its people.
展览与收藏Exhibitions & Collections
根据现有的结构化艺术家档案数据，关于李飞霖的展览与收藏情况如下：
① **展览经历**：他在以下机构参加过展览（依据档案中exhibitions和bio字段）：
- **ISLE Gallery 山与艺术**（2023年，群展“林中路 行之于途”）
- **成都了了阁画廊**（2005年，第三届“春季沙龙展”）
- **四川大学美术馆**（2006年，“06春季沙龙展”；2008年，“王湛生当代艺术创作奖——青年艺术家邀请展”）
- **挪威，中国盒画廊**（2007年，“挪威2007——新中国新一代当代艺术展”）
- **成都K画廊**（2007年，“滨江楼学术邀请展”）
- **上海、深圳、成都等多地巡回**（2008年，“西南力量——当代艺术邀请（巡回）展”）
- **成都，S.O.艺术空间**（2008年，“5.12当代艺术特别展”）
- **成都现代艺术馆**（2008年，“春季艺术沙龙”）
- **成都，四川大学美术馆**（2008年，“关于明天的故事——西南地区青年艺术家作品联展”）
- **上海800艺术馆等**（2009年，“坡地当代艺术巡回展”；同年，“坡地当代艺术展”于成都）
- **上海费历尼画廊**（2009年，“Visionaire——超越艺境当代艺术群展”；“堕落自然”静拍艺术展览；“原罪”艺术群展）
- **北京万豪国际酒店**（2009年，“堕落自然”静拍艺术展览）
- **上海艺术博览会国际当代艺术展**（2009年，费历尼画廊@展位）
② **收藏情况**：目前平台提供的档案资料中，**并未记录任何明确收藏李飞霖作品的机构或个人**。公开拍卖记录显示其部分作品成交（如2020年中国嘉德拍卖的《奥运百年纪念（一组50件）》以45万元成交），但这仅反映二级市场流通情况，不等于机构收藏名录。
如需查询更全面的个人画册、最新个展履历或权威收藏目录，建议直接联系代理画廊或查阅艺术家工作室发布的权威资料。
Based on the available artist profile, Li Feilin has participated in a range of group and solo exhibitions, primarily in China and once in Norway. Notable exhibitions include:
- 10th National Art Exhibition (Sichuan, 2004)
- 3rd Spring Salon (Chengdu Liaoliao Gallery, 2005)
- 06 Spring Salon (Sichuan University Art Museum, 2006)
- Norway 2007 – New Generation Contemporary Art (China Box Gallery, Norway, 2007)
- Southwestern Power – Contemporary Art Invitational Touring Exhibition (Shanghai, Shenzhen, Chengdu, 2008)
- Wang Zhansheng Contemporary Art Creation Award – Young Artists Invitational Exhibition (Sichuan University Art Museum, 2008)
- Tomorrow’s Stories – Southwestern Youth Artists Exhibition (Chengdu, 2008)
- Visionaire – Beyond Artistic Context (group show, 2009)
- Fellini Gallery at Shanghai Art Fair International Contemporary Art Exhibition (2009)
- Sloping Land Contemporary Art Touring Exhibition (Shanghai 800 Art Museum, 2009)
- “Degenerate Nature” Silent Auction (Shanghai, Beijing, 2009)
- Original Sin (group show, Fellini Gallery, Shanghai, 2009)
- “Forest Path – Walking on the Road” (solo, ISLE Gallery, 2023)
No institutional collections are explicitly listed in the provided data, so it is currently unclear which public or private institutions hold his works.
