李继开

According to the platform's structured artist archive, there is currently no biographical profile or official representative-work list for Li Jikai (matched: false). Therefore, I cannot provide verified factual details such as his exact resume, birth year, or official catalogue of representative works from the archive.

However, based on public auction records and the contextual information in the provided articles, I can offer the following background summary.

**Representative works (from public auction records):**

Among the works recorded in open auction data, some notable results include:

- *The Great Mammoth* (大猛犸, 2007) — sold for CNY 1,725,000 in 2022

- *Sailing on Land* (陆上行舟) — sold for CNY 1,150,000 in 2011

- *Wooden Horse, Snail* (木马·蜗牛) — sold for CNY 1,120,000 in 2010

- *Scavenger* (拾荒者) — sold for CNY 920,000 in 2016

- *Broken Wood Landscape* (断木风景) — sold for CNY 920,000 in 2013

These titles reflect recurring motifs in Li Jikai's practice, such as lone boy figures, animals, mushrooms, and desolate or dreamlike landscapes.

**Creative style (based on the article background):**

Li Jikai is described in the articles as a leading artist of the post-1970s generation. His paintings are known for their spiritual brushwork and poetic temperament. He often uses a solitary boy as a central image — a figure that appears well-behaved, lost, tired, and melancholic, seemingly absorbed in endless daydreams. This boy can be read as both an inner confession and a metaphor for the psychological state of his generation.

His work has been characterized as possessing a "new painting" quality: it integrates contemporary visual experience (such as borrowings from cartoon aesthetics), treats everyday images as narrative symbols, and emphasizes painterly expression. Scholars in the articles note that Li Jikai created "a complete and original image world" — a personal symbolic system with high recognition — and that he built "a private otherworld for one person."

In recent years, his boy figure has grown older and more adult-like, while his handling of paint has become freer and more uninhibited. His palette is often restrained and layered, with low-saturation hues such as grey-blue, light green, and warm yellow, evoking a quiet, gentle poetry. His images move between reality and surrealism, as if walking the seam between dream and wakefulness.

**Note:** Because the platform's artist archive does not contain a verified profile for Li Jikai, the above information is compiled only from the provided exhibition articles and auction records, and should be treated as contextual rather than an official artist biography.

The platform's structured artist archive currently has no profile for 李继开 (the archive lookup returned **matched: false**). Therefore, I cannot provide a verified list of his exhibition history or the institutions that collect his work from the platform's authoritative source.

The article text you provided includes gallery and museum references, but since these are not confirmed in the structured archive, I should not present them as verified data. For his official CV and collection list, please consult the cited sources, such as 春美术馆 or 欧艺特艺术.