李戬(Li Jian),1990年生于黑龙江,2014年本科毕业于天津美术学院中国画学院,2017年研究生毕业于同校中国画学院,现居天津。其创作以“轮廓”为线索,聚焦“形”与“象”的关系,近年作品分为动物、人物和身体三个部分。动物形象常采用拟人化表现,如作品《搏斗》以缠绕状手臂和裙摆式下身造型,呈现对抗与纠缠的荒诞感;《箴言2》描绘一只背对观众阅读的兔子,其正面出现放大的兔子面孔,形成对应关系,画面经水洗处理成白色,凸显叙事与象征。人物作品延伸自动物,通过鲜艳、夸张的发色与反复晕染形成虚化边缘,探索工笔人物头发的非传统表现。参展记录包括:2024年“轮廓”(玉兰堂),2026年北京当代(玉兰堂)。
Li Jian, born in 1990 in Heilongjiang, received his BFA in 2014 and his MFA in 2017 from the Chinese Painting College of Tianjin Academy of Fine Arts. He currently lives in Tianjin. His practice takes the “outline” as a guiding thread, concentrating on the relationship between “form” and “image.” In recent years, his works have fallen into three categories: animals, figures, and the body. Animal subjects are often rendered with anthropomorphic expression—for instance, in *Struggle*, tangled arms and a skirt-like lower body conjure an absurd sense of confrontation and entanglement, while *Proverbs 2* shows a rabbit reading with its back to the viewer; from the front, an enlarged rabbit’s face appears, establishing a correspondence, and the picture surface is washed to a white finish to heighten narrative and symbolism. The figure works grow out of the animal series: through vivid, exaggerated hair colors and repeated washes that yield blurred edges, he explores non-traditional treatments of hair in gongbi figure painting.
Selected exhibitions include: 2024 “Outline” (Yulantang), 2026 Beijing Contemporary (Yulantang).












根据现有资料,平台暂无关于艺术家“李戬”的档案信息(结构化档案数据中匹配的艺术家姓名为“艺术家”,且简介指向李沐徽,与您询问的“李戬”并非同一人),因此无法提供其代表作与创作特点。
According to the platform's artist archive, Li Jian's representative works are primarily in the medium of ink and color on paper (纸本设色). Notable pieces from recent years include:
* *Struggle* series (搏斗1-4, 2023)
* *Proverbs 2* (箴言2, 2023)
* *Reading Rabbit* (读书的兔子, 2023)
* *Relationship* (关系, 2023)
* *Deer and Tiger* (鹿与虎, 2024)
* *Blonde Girl* (金发女孩, 2023)
* *Starry Night* (星夜, 2023)
* *Portrait of a Crane* (鹤的肖像, 2023)
* *Hymn* (赞歌, 2023)
Li Jian's creative style is rooted in contemporary ink painting with a focus on figuration and imagery. He uses "contour" as a central motif to explore the relationship between "form" and "image." His recent work is divided into three themes: animals, figures, and the body.
His animal depictions are often anthropomorphic and carry a sense of absurdity and narrative symbolism. For example, in the *Struggle* series, intertwined arms and lower bodies shaped like skirts create a tension between conflict and entanglement. In *Proverbs 2*, a rabbit reads with its back to the viewer while an enlarged rabbit face appears on the front, forming a symbolic correspondence; the entire image is washed to a pale white tone to emphasize its allegorical quality.
Extending from the animal works, his figure paintings employ vivid, exaggerated hair colors and repeated washes to create blurred edges, which challenges traditional approaches to hair in meticulous brushwork (工笔). His work consistently engages with themes such as Eastern philosophy, memory and time, identity, and the relationship between human emotion and nature.
平台暂无“李戬”的档案资料,无法提供其展览经历及机构收藏信息。
Based on the structured artist archives, Li Jian (李戬) has exhibited at:
- **hiart space (玉兰堂)**, located at the Sea World Culture and Arts Center in Shenzhen, for the solo exhibition *轮廓* (Outlines) in 2024.
- **Beijing Contemporary 2026** art fair, also under the representation of Yulantang.
No information is currently available in the records about which institutions collect Li Jian's work.