黎勤斌
简介Biography
黎勤斌（Li Qinbin），1996年生于安徽舒城（另作六安），现工作生活于杭州。他于2007年开始学习绘画，2008年移居江苏苏州，2012年考入中国美术学院附中，2015年毕业于中国美术学院附中并考入中国美术学院，次年入油画系第三工作室。2019年本科毕业于中国美术学院油画系，同年保送油画系第三工作室（具象表现绘画）研究生。2022年硕士毕业，获中国美术学院毕业作品展暨林风眠创作奖金奖。黎勤斌的画面可被理解为对理念性微观剧场的重新修复。他在自身感知中生成了对遥远现实的映射，并配置静物作为不合理的再现。他用绘画修建的舞台总是带有滞涩和陌生感，像是在为真实的生活演奏最终的挽歌。主要参展包括：2016年“上山下乡”（二等奖）、“淑尤淑离”、“Inter-youth——国际青年绘画展”、“艺术@苏博”全国素描作品大赛（优秀作品奖）；2017年“西播列shibboleth”、“学院本色2017——美术学院学生作品展”（提名奖）；2018年“504—4”转塘街道城市变迁创作作品展、“区位——第三届保利学院之星当代艺术展”、“遗落的像”——中国美术学院具象表现绘画工作室创作作品展、“勇立潮头——浙江省第七届青年美术作品展”、“新时代·新青年”——庆祝改革开放四十周年美术作品展；2019年“青春·观·世界”——中国美术学院优秀毕业作品展（银奖）。
Li Qinbin, born in Shucheng (alternatively recorded as Lu’an), Anhui Province in 1996, currently works and lives in Hangzhou. He began studying painting in 2007, moved to Suzhou, Jiangsu Province in 2008, and entered the Affiliated High School of the China Academy of Art in 2012. He graduated from the Affiliated High School in 2015 and was admitted to the China Academy of Art, joining the Third Studio of the Oil Painting Department the following year. In 2019 he received his BFA from the Oil Painting Department of the China Academy of Art, and in the same year was recommended for admission to the graduate programme of the Third Studio (Figurative Expressionist Painting). He earned his master’s degree in 2022, winning the Gold Award at the China Academy of Art Graduation Exhibition cum Lin Fengmian Creative Prize.
Li Qinbin’s images can be understood as a restoration of a conceptual micro-theatre. From his own perception he generates mappings of a distant reality, and deploys still lifes as unreasonable representations. The stages he constructs through painting always carry a sense of friction and strangeness, as if performing a final elegy for actual life.
Major exhibitions include: 2016, “Up to the Mountains and Down to the Countryside” (Second Prize), “Shuyou Shuli”, “Inter-youth — International Youth Painting Exhibition”, “Art@Suzhou Museum” National Sketch Competition (Outstanding Work Award); 2017, “Xibóliè shibboleth”, “Academy Essence 2017 — Fine Arts Academy Student Works Exhibition” (Nomination Award); 2018, “504–4” Zhuangtang Street Urban Transformation Creative Works Exhibition, “Position — The 3rd Poly Academy Stars Contemporary Art Exhibition”, “The Lost Image” — China Academy of Art Figurative Expressionist Painting Studio Works Exhibition, “Braving the Tide — The 7th Zhejiang Province Youth Fine Arts Exhibition”, “New Era · New Youth” — Art Exhibition Celebrating the 40th Anniversary of Reform and Opening‑Up; 2019, “Youth · Vision · World” — China Academy of Art Outstanding Graduation Works Exhibition (Silver Award).
代表作Selected Works
展览履历Exhibitions
- 2023簇生 山与秋季群展ISLE Gallery · ISLE Gallery 山与艺术
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
根据平台艺术家档案，黎勤斌（1996年生）的代表作与创作特点如下：
**代表作**
- 《凝视-喂养-黑石头》（2021），布面综合材料
- 《盲-黑石头》（2021），布面油画、喷漆
**创作特点**
黎勤斌的绘画可被理解为对理念性微观剧场的重新修复。他在自身感知中生成对遥远现实的映射，并配置静物作为不合理的再现。他的画面常带有滞涩和陌生感，仿佛在为真实的生活演奏最终的挽歌。作品题材涉及人物、情感、记忆与时间、身份认同和生命等主题，风格属于具象艺术、表现性具象与象征主义范畴，常用媒介包括布面油画、丙烯和综合材料。
Li Qinbin’s paintings are best understood as reconstructions of a conceptual micro‑theater. He generates reflections of distant realities through his own perception, arranging still life as “irrational reproductions.” The stages he builds with paint always carry a sense of stagnation and estrangement, as if performing a final elegy for real life. Stylistically, his work falls within expressive figuration and symbolism, often engaging with themes of the human figure, emotion, memory, time, and identity.
His representative works include *Gaze‑Feeding‑Black Stone* (2021, mixed media on canvas) and *Blind‑Black Stone* (2021, oil and spray paint on canvas).
展览与收藏Exhibitions & Collections
根据平台现有资料，黎勤斌的展出机构信息为：**ISLE Gallery（山与艺术）**，该记录来自2023年的“簇生·山与秋季群展”。
关于机构收藏，目前公开的档案数据中未收录其作品被哪些机构收藏的明确信息。
（注：艺术家的简历中还提及曾参加“Inter-youth国际青年绘画展”“学院本色”“保利学院之星”“浙江省青年美术作品展”等多个展览，但这些展览对应的具体主办或展出机构名称在现有结构化数据中未注明，此处仅提供已确证的信息。）
According to the provided artist profile, Li Qinbin participated in a group exhibition titled *簇生 山与秋季群展* at ISLE Gallery (also referred to as ISLE Gallery 山与艺术) in 2023. No information regarding any institutional collections of his work is available in the dataset.
