朱丽晴(Liane Chu)1997年出生于中国香港,先后获得香港城市大学传播与新媒体学士学位和中央美术学院实验艺术与科技艺术硕士学位,研究方向为总体艺术与跨界研究,现于上海工作生活。她以架上绘画、装置及雕塑等多元材料作为艺术语言,作品不仅是反映她与妥瑞氏症经历的个人叙事,同时也挑战社会对“正常”和“异常”界限的图景;每一笔都成为一种宣泄,体现了她对自我疗愈和自我表达的信念。朱丽晴试图走出二元分化的路径,旨在生活的混沌中找到希望和宁静。在她的超现实主义风景画中,她探讨了人类对养分的依赖如同树木:营养物质维持着我们,有害物质则可能导致腐烂;同时,她强调了媒体在都市生活中的普遍影响,探索了我们与电子科技的互动如何潜移默化地塑造着我们的存在。作品曾在广州K11艺术中心(2024)、上海震旦博物馆(2023)、广州溯榭映美术馆(2022)、香港K11艺术文化中心(2022)等机构展出,并被震旦博物馆、良壤集团、国泰航空等机构收藏。
Liane Chu, born in 1997 in Hong Kong, China, received a Bachelor’s degree in Communication and New Media from City University of Hong Kong and a Master’s degree in Experimental Art and Technological Art from the Central Academy of Fine Arts, with a research focus on Total Art and cross-disciplinary studies. She currently lives and works in Shanghai. Employing diverse materials such as easel painting, installation, and sculpture as her artistic language, her works serve not only as personal narratives reflecting her experience with Tourette syndrome but also as challenges to the social delineation between “normal” and “abnormal.” Each brushstroke becomes a form of catharsis, embodying her belief in self-healing and self-expression. Chu seeks to move beyond binary divisions, aiming to find hope and tranquility amid the chaos of life.
In her surrealist landscape paintings, she explores humanity’s dependence on nutrients, likening it to trees: nourishing substances sustain us, while harmful ones may lead to decay. At the same time, she highlights the pervasive influence of media in urban life, investigating how our interactions with electronic technology imperceptibly shape our existence. Her works have been exhibited at venues including K11 Art Centre, Guangzhou (2024); Aurora Museum, Shanghai (2023); Sushuying Art Museum, Guangzhou (2022); and K11 Art and Cultural Centre, Hong Kong (2022). They are held in collections such as the Aurora Museum, Liang Nang Group, and Cathay Pacific.












根据平台艺术家档案数据,为你梳理朱丽晴(Liane Chu)的代表作与创作特点。
** 代表作**
* 《我就想让你看见我》(2024,综合材料)
* 《妳看,她在大舞台上发光发亮》(2023,布面油画)
* 《丛生》(2023,布面油画)
* 《树高千尺有根,水流万里有源》(2023,布面油画)
* 《寻找那一束光》(2024,布面油画)
** 创作特点**
* **媒介与题材**:她的创作媒介多元,以**丙烯、油画、综合材料和装置**为主。作品题材常围绕**人物、女性主义、情感、身份认同**展开,同时也涉及**社会评论、自然生态、记忆与时间**等议题。
* **核心脉络**:她的艺术语言深植于个人叙事,特别是与**妥瑞氏症共存的经历**。创作过程对她而言是一种**宣泄与自我疗愈**,作品旨在挑战社会对“正常”与“异常”的界定,并从生活的混沌中寻找希望与宁静。
* **视觉风格与主题**:在超现实主义风景画中,她常以树木为喻,探讨人类对养分的依赖(既滋养亦可能腐朽)。同时,她也关注**媒体与电子科技在都市生活中潜移默化的影响**,探索它们如何塑造着我们的存在。
Liane Chu's representative works include *I Just Want You to See Me* (2024, mixed media), *Cluster of Life* (2023, oil on canvas), *Searching for That Beam of Light* (2024, oil on canvas), *You See, She Shines Brightly on the Big Stage* (2023, oil on canvas), and *A Tree Grows High with Roots, Water Flows Far with Sources* (2023, oil on canvas).
Her creative style is deeply intertwined with her personal experience of living with Tourette syndrome. Using painting, installation, and sculpture, Chu transforms inner struggles into acts of catharsis and self-healing, simultaneously challenging societal distinctions between "normal" and "abnormal." She works predominantly in a surrealist landscape idiom, where trees often serve as metaphors for human dependency on nourishment—what sustains us and what may cause decay. Her practice also critically examines the pervasive influence of media and digital technology in urban life, probing how our interactions with electronic devices subtly shape our existence. Through these layered, expressive compositions, Chu seeks hope and tranquility amid the chaos of contemporary living.
根据已有的艺术家档案资料,朱丽晴(Liane Chu)的展出与收藏情况如下:
**展出机构**
她的作品曾在以下机构展出:
* 广州K11购物艺术中心(2025年群展)
* 杜梦堂上海(2024年个展)
* 没顶画廊(2024年个展)
**收藏机构**
她的作品被以下机构收藏:
* 震旦博物馆
* 良壤集团
* 国泰航空
以上信息均来源于其公开的艺术档案。
Liane Chu has exhibited at the following venues and with these galleries (including both solo and group presentations):
- **K11 Art Centre, Guangzhou** (2024 and 2025)
- **Aurora Museum, Shanghai** (2023)
- **Suxiejing Art Museum, Guangzhou** (2022)
- **K11 Art & Cultural Centre, Hong Kong** (2022)
- **Galerie Dumonteil, Shanghai** (2024)
- **MadeIn Gallery** (2024)
Her works are held in the collections of:
- Aurora Museum (Shanghai)
- Liangnang Group
- Cathay Pacific Airways