廖国核
简介Biography
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百度百科是一部内容开放、自由的网络百科全书，旨在创造一个涵盖所有领域知识，服务所有互联网用户的中文知识性百科全书。在这里你可以参与词条编辑，分享贡献你的知识。
展览履历Exhibitions
- 2010磨金石空间 个展
- 2010小平画廊 个展
- 2010站台中国 群展
- 2009创意工坊 群展
- 2008小平画廊 个展
- 2005阿姆斯特丹 群展
- 2003浏阳国际风情馆 群展
- 2001田纳西州 群展
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
平台暂无廖国核的官方艺术家档案资料，因此无法提供由档案确认的权威简历或“代表作”清单。以下根据已有文章上下文与公开拍卖记录，整理其创作特点与相关作品信息，供参考。
**创作特点**
廖国核的创作常被归入“坏画”传统，但又不局限于此。他自1990年代末起，以近乎恶俗、直接甚至带有戏谑感的绘画语言，对中国当代社会的庸常现实进行批判与反讽。其作品往往用喷漆、丙烯等媒介混合，视觉上看似粗糙、简单甚至“傲慢无能”，但实际结构紧密，像孩子或“白痴学者”式的表达，背后隐藏着对“正统”图像与叙事方式的挑战。
他擅长将汉字、拼音、几何图形和日常符号并置，制造出一种字面意义上的“画他所宣称”的诚实感：画面中的内容不多不少，概念无法顺利变成图像，只能停留在词语的残骸上，并在绘画平面中转化为纪念碑式的存在。这种自我否定的方式，切断了观众对图像化现实的惯常联想，反而更直接地面对“真实”与“现实”之间的裂隙。
后期创作尤其关注“民工”等底层劳动者主题，去除大量早期的戏谑形象，代之以更单纯的文字、字母和图形组合。文章评价其带有某种“库尔贝式现实主义”理想：用看似粗鄙的日常事物和简单笔触，追问绘画是否可能通向民主，以及底层经验如何被看见。
**相关作品（据文章上下文及拍卖记录，非档案确认的“代表作”）**
- 文章所述展览/文章中出现过的作品包括：《微微颤动的时辰》《皇上的爆破音》《民工威武MG VW》《招工（红白放射状，蓝螺旋线）》《无题（双梯形 快餐 民工 88 干））））》等。
- 公开拍卖记录中出现过的作品标题还包括：《奶牛舔破车》《熊猫》《责任（鞭球）》《搞坏米菲》《正义（白底浅正女深侧男）》等。
如需官方简历、生卒年及正式代表作名录，目前平台暂无相关档案资料，建议进一步查阅画廊或权威出版物。
**Note on sources:** The platform's structured artist archive does not currently include a verified profile for 廖国核 (matched: false). Therefore, I cannot provide an authoritative, archive-sourced list of representative works. The following stylistic observations are drawn from the article excerpts supplied with your query.
**Creative style**
Liao Guohe is often discussed as an irreverent, deliberately “bad painting” practitioner. His visual language is built from crude figuration, handwritten text, pinyin, numerals, and blunt graphic symbols, using acrylic, spray paint, oil, and board or canvas. Early motifs included fruit, animals, buttocks, distorted human forms, and satirical slogans; later works became more minimal and text-driven, as in the *民工威武* / “Mighty Laborer” series. Critics describe his deceptive simplicity as a way to undermine ideological, moral, and institutional expectations, turning vulgar or comic surfaces into philosophical and political provocations. In recent years, his painting has foregrounded migrant labor and terms such as “gan” (doing) and “human vitality.”
**Works mentioned in the supplied texts**
These are not a definitive representative list, but works named in the article materials include:
- *粗童话* (2008)
- *微微颤动的时辰* (2007)
- *皇上的爆破音* (2010)
- *民工威武MG VW* (2019)
- *无题（双梯形快餐民工88干））））* (2020)
- *招工（红白放射状，蓝螺旋线）* (2020)
For an authoritative list of representative works or verified biographical data, you would need a structured artist archive entry, which the platform does not currently have.
展览与收藏Exhibitions & Collections
平台暂无廖国核的艺术家档案资料，因此无法提供其机构展出与收藏的权威列表。
现有信息中，其公开成交记录仅反映作品曾在嘉德、永乐、保利、华艺等拍卖行上拍或成交，不等于被相关机构收藏。
Based on the structured artist archive available in this system, there is no profile for 廖国核 (Liao Guohe), so I do not have authoritative information on his exhibition history or which institutions collect his work.
The supplied articles mention exhibitions at venues such as SPURS Gallery (Beijing), Start Museum (Shanghai), Tang Contemporary Art (Beijing), Sifang Art Museum (Nanjing), and Beijing Minsheng Art Museum, among others. However, these references come from contextual press materials rather than the structured archive, so they cannot be verified as authoritative or used to confirm institutional collections. For a definitive list, please consult the artist’s gallery or museum databases.
