谢骏梅(Mai Ta)于2015年至2019年就读于纽约视觉艺术学院,获插画专业艺术学士学位。她主要创作水粉与油画作品,描绘内心世界的建筑,其画作以独特的象征性语言勾勒心理地貌——其中的创伤、秘密与记忆。这一创作过程于她而言是一种解放:负罪感在其中消散,表达成为自由的体现。
Mai Ta studied at the School of Visual Arts in New York from 2015 to 2019, earning a Bachelor of Fine Arts in Illustration. She primarily creates gouache and oil paintings, rendering architectures of the inner world. Her works use a distinct symbolic language to delineate psychological terrain—its traumas, secrets, and memories. For her, this creative process is a form of liberation: feelings of guilt dissolve within it, and expression becomes an embodiment of freedom.



谢骏梅的代表作包括《心愿》(2026)、《平原》(2026) 和《河流》(2026),均采用水彩纸水粉完成。
她的创作特点主要体现在:以水粉与油画为主要媒介,描绘内心世界的建筑,并通过独特的象征性语言勾勒心理地貌——其中涉及创伤、秘密与记忆。她将创作过程视为一种解放,负罪感在其中消散,表达则成为自由的体现。其作品主题多围绕身份认同、文化身份、记忆与时间、情感以及身体展开,风格融合了具象艺术、表现性具象与象征主义。
Mai Ta’s representative works include a series of recent gouache-on-watercolor-paper paintings such as *Wish* (心愿), *Plain* (平原), and *River* (河流), all created in 2026. These pieces exemplify her focus on constructing psychological landscapes through a unique symbolic visual language.
Her creative style blends figurative art with expressive and symbolist tendencies. Working primarily in gouache and oil on canvas, mixed media, and acrylic, she translates inner architecture—traumas, secrets, and memories—into compositions that map emotional terrain. Recurring themes are identity and cultural identity, memory and time, emotion, and the body. For Mai Ta, the painting process serves as an act of liberation, where guilt dissolves and expression becomes a form of freedom.
根据平台艺术家档案,谢骏梅(Mai Ta)的展览经历如下:
**展出机构**
- 蜂巢当代艺术中心(上海),展览“多情之躯”(2026年)。
**收藏机构**
目前平台公开资料中暂无其作品被机构收藏的记录。
Mai Ta (谢骏梅) has exhibited in the group show "多情之躯" at Hive Center for Contemporary Art in Shanghai in 2026. There is no information available in the current records regarding any institutional collections of her work.