简介Biography
七户優（Masaru Shichinohe）1959年出生于日本青森县，1981年毕业于武藏野美术大学造型学部建筑学科。在从事建筑工作三年后，转而专业从事艺术创作。晋身画家初期，虽然日本的艺术市场仍偏重“超扁平”及日本动漫风格，但七户優依然故我，集中钻研现实主义画风，并逐渐蜕变成为超现实主义。在他的世界里气压趋近于零，画面里的少男少女、玻璃眼兔子、机械摆设、天体、飞艇以及永远停留在12点的时钟无不渗透着触之可及的沉默。连撞球的运动轨迹都被表现为停留在不同时间点的半空，令人联想意大利未来主义艺术家的多重曝光摄影实验，它们在七户優创造的静谧空间中掀起波澜。他现工作及生活在东京，重要个展包括2018年在北京蜂巢当代艺术中心举办的“東京私語：七戶優”、2017年在东京隐丘画廊举办的“幻真”、2013年在东京Parabolica-bis举办的“黑色紫罗兰演唱会 ～献给七户優～”、2012年在东京Omega Algea举办的“少女纪录所有的一切”、2010年在台北平艺术空间举办的“月下紫罗兰”、2009年在东京青木画廊举办的“小贵妇”、2007年在东京青木画廊举办的“Dark-haired Cinderella”、2004年在东京青木画廊举办的“Platonic”、2002年在东京青木画廊举办的“收敛的并行线”、2001年在东京青木画廊举办的“没有‘t’的男孩”、2000年在东京ArtWall举办的“七户優展”以及1994年在东京HB画廊举办的“物理学漫谈”。其作品被上海龙美术馆及国内外重要藏家收藏。
Masaru Shichinohe was born in 1959 in Aomori Prefecture, Japan, and graduated from the Department of Architecture, School of Art and Design at Musashino Art University in 1981. After three years of architectural practice, he turned to professional art creation. In his early years as a painter, although the Japanese art market still favored "superflat" and anime styles, Shichinohe remained steadfast, concentrating on a realist approach that gradually evolved into surrealism. In his world, atmospheric pressure hovers near zero: the boys and girls, glass-eyed rabbits, mechanical fixtures, celestial bodies, airships, and clocks forever fixed at twelve o’clock all exude a palpable silence. Even the trajectory of billiard balls is rendered suspended mid-air at distinct temporal points, evoking the multiple-exposure photographic experiments of Italian Futurist artists, and stirring ripples within the serene space Shichinohe creates. He currently lives and works in Tokyo. Important solo exhibitions include "Tokyo Whisper: Masaru Shichinohe" at Hive Center for Contemporary Art, Beijing (2018); "Illusion and Reality" at Hidden Hill Gallery, Tokyo (2017); "Black Violet Concert ~Dedicated to Masaru Shichinohe~" at Parabolica-bis, Tokyo (2013); "The Girl Records Everything" at Omega Algea, Tokyo (2012); "Violet Under the Moon" at Ping Art Space, Taipei (2010); "Little Lady" at Aoki Gallery, Tokyo (2009); "Dark-haired Cinderella" at Aoki Gallery, Tokyo (2007); "Platonic" at Aoki Gallery, Tokyo (2004); "Converging Parallel Lines" at Aoki Gallery, Tokyo (2002); "The Boy Without a 't'" at Aoki Gallery, Tokyo (2001); "Masaru Shichinohe Exhibition" at ArtWall, Tokyo (2000); and "A Ramble on Physics" at HB Gallery, Tokyo (1994). His works are held in the collections of the Long Museum in Shanghai and by prominent collectors in China and abroad.
代表作Selected Works
展览履历Exhibitions
- 2026阿弥壳北京市朝阳区酒仙桥路4号798艺术区E06 蜂巢 | 北京 · 蜂巢当代艺术中心
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
平台暂无七户优的完整艺术家档案资料。不过，根据上文文章的介绍：
**创作特点**
七户优的作品营造出一种独处的、幻想的戏剧化空间。画面中常出现少男少女、玻璃眼兔子、机械摆设、天体、飞艇以及永远停留在12点的时钟等元素，渗透着触之可及的沉默，表现出静滞的神秘感。艺术家以绘画给予自身一个冷静观看与批判的距离，自成世界。
**代表作**
文章中提到的一件具体作品为《午夜跳舞 II》（2019年，布面油画，100 cm × 72.7 cm），该作品已于西岸艺术与设计博览会上呈现。
关于拍卖价格与成交纪录，平台暂无相关数据。
Based on the artist's archive profile, Masaru Shichinohe's creative style is grounded in realism yet evolves into a unique form of surrealism. His work is characterized by a deeply tranquil, almost airless atmosphere, often depicting boys and girls, mechanical objects, and clocks frozen at 12 o'clock. His paintings create a silent world where even motion is suspended in time. His genres include Figurative Art and Symbolism, and his recurring themes focus on dreams, memory and time, figures, still life, and emotion.
A representative work is his 2022 oil on canvas painting titled "月亮柜" (Moon Cabinet).
展览与收藏Exhibitions & Collections
平台在“结构化艺术家档案数据”中未收录名为“七户优”的艺术家的展览经历与收藏机构资料，因此无法提供关于其在哪些机构展出过、被哪些机构收藏的信息。
建议您核实艺术家姓名的准确写法（例如是否为“七户優”），或通过其他艺术资讯平台进一步查询。
Masaru Shichinohe has exhibited extensively, both in Japan and internationally. Key solo exhibitions include venues such as:
- Hive Center for Contemporary Art, Beijing (2018, and a forthcoming exhibition in 2026)
- Inkyo Gallery, Tokyo (2017)
- Parabolica-bis, Tokyo (2013)
- Omega Algea, Tokyo (2012)
- Ping Art Space, Taipei (2010)
- Aoki Gallery, Tokyo (multiple exhibitions between 2001 and 2009)
- ArtWall, Tokyo (2000)
- HB Gallery, Tokyo (1994)
In terms of institutional collections, his work is held by the Long Museum in Shanghai, as well as by significant private collectors in China and abroad.
