简介Biography
吉田桃子（Momoko Yoshida，b.1989）2014年毕业于京都市立艺术大学美术学部油画专业，2016年于同校大学院美术研究科绘画专攻修完硕士课程。她构想出一个平行现实般的世界，描绘怀旧与对未来的好奇交汇的场景。伴随自我消解的共鸣，年轻的人物形象浮现于另类领域，那是她自身憧憬、欲望与恋物情结的投射。这些角色作为流动的存在，模糊了国籍、性别、真实与虚拟、二次元与三次元的边界。她通过对理想化过往记忆的迷恋与多维视角，探索个人叙事层层嵌套的结构，将自身人生重构为生成中的虚构。创作时，她先以三维模型与影像记录构想场景，再提取单帧作为绘画底稿，通过多阶段转换与日常拉开距离，在想象世界中深入探求自我。在信息社会身份日益复杂的当下，她将作品视为当代肖像，呈现对现实的另类构想。
Momoko Yoshida (b. 1989) graduated from the Department of Oil Painting, Faculty of Fine Arts, Kyoto City University of Arts in 2014, and completed the master’s program in Painting at the university’s Graduate School of Fine Arts in 2016. She envisions a parallel-reality-like world, depicting scenes where nostalgia and curiosity about the future intersect. Accompanied by a resonance of self-dissolution, youthful figures emerge in alternative realms, serving as projections of her own yearnings, desires, and fetishism. These characters, as fluid beings, blur the boundaries between nationality, gender, reality and virtuality, and the two-dimensional and three-dimensional. Through her obsession with idealized memories of the past and a multidimensional perspective, she explores the nested structure of personal narratives, reconstructing her own life as a fiction in the making. In her creative process, she first records envisioned scenes with three-dimensional models and video, then extracts single frames as the basis for her paintings; through multi-stage transformation, she distances herself from the everyday and delves deeply into the self within an imaginative world. In the present era, when identities become increasingly complex in the information society, she regards her works as contemporary portraits, presenting alternative visions of reality.
代表作Selected Works
展览履历Exhibitions
- 2026多情之躯蜂巢 | 上海 · 蜂巢当代艺术中心
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
吉田桃子（Momoko Yoshida）的**代表作**包括：
- 《茅草屋顶下之三》（2026，布面丙烯油画）
- 《茅草屋顶下之四》（2026，布面丙烯）
- 《我们的领域之二》（2024，布面丙烯油画）
她的**创作特点**主要体现在以下几个方面：
- **媒介与风格**：常用布面油画、丙烯与拼贴，风格兼具具象艺术与卡通感，带有浪漫主义和表现性具象的印记。
- **主题与观念**：作品聚焦女性主义、情感、身份认同、梦境与身体等议题。她构想一个平行现实般的场景，通过消解自我的共鸣，投射自身憧憬、欲望与恋物情结，人物形象模糊了国籍、性别、真实与虚拟、二次元与三次元的边界。
- **创作手法**：她会先用三维模型与影像记录构想中的场景，再从中提取单帧作为绘画底稿，经过多阶段转换与日常拉开距离，在想象的世界中深入探求自我，并将这些作品视为信息社会身份流动下的“当代肖像”。
Momoko Yoshida (b. 1989) works primarily with oil on canvas, acrylic, and collage, creating paintings that blend figurative art with a cartoon-like, romantic, and expressively figurative sensibility. Her practice revolves around themes of feminism, emotion, identity, dreams, and the body.
Yoshida constructs a parallel-reality universe in which nostalgia and curiosity about the future intersect. The young, ambiguous figures inhabiting her pictures act as projections of her own longings, desires, and fetishes—beings that blur the boundaries between nationality, gender, reality and fiction, two-dimensional and three-dimensional space. She often begins by staging a scene as a three-dimensional model and recording it on video, then extracts a single frame as the basis for a painting, a multi-step process that distances the image from daily life and allows her to delve into an imagined world. In an era of increasingly complex identities, she presents these works as contemporary portraits that offer an alternative vision of reality.
Representative works include *Our Realm II* (2024, acrylic and oil on canvas), *Under the Thatched Roof III* (2026, acrylic and oil on canvas), and *Under the Thatched Roof IV* (2026, acrylic on canvas).
展览与收藏Exhibitions & Collections
根据平台已有的艺术家档案资料，以下是吉田桃子的展览经历与收藏情况：
**① 展览经历**
* **个展/群展**：其个展《多情之躯》于 **2026年** 在 **蜂巢当代艺术中心**（蜂巢 | 上海空间）展出。
**② 收藏机构**
平台目前的艺术家档案中**暂无**关于其作品被公共或私人机构收藏的明确记录。
Momoko Yoshida has exhibited at **Hive Center for Contemporary Art in Shanghai** (蜂巢当代艺术中心) in 2026, with the exhibition *Sentient Bodies* (多情之躯).
There is no publicly available information about which institutions collect her work.
