娜蒂莎·琼斯(Natisa Jones)1989年出生于雅加达,在印度尼西亚的巴厘岛度过了大部分童年,目前作为视觉艺术家工作生活于荷兰阿姆斯特丹。她在泰国清迈获得了视觉艺术文凭,并在澳大利亚墨尔本皇家理工大学获得了美术绘画学士学位。通过写作、绘画与影像作品,琼斯将个人经历与创作实践之间建立了极为紧密的联系。她的大量实践可以被看作一种自我反思式的练习,其中迫切与坦诚在创作中扮演了重要的角色。在这个过程中,私人的、孤立的自我,以及作为集体当中的自我,能够彼此之间相互观照。琼斯的创作介于抽象与具象之间,通过定期对于文本的整合,她试图检视人与人之间关系的双面性,并以此探究身份的意义。
Born in 1989 in Jakarta, Natisa Jones is a visual artist who works between Bali, Indonesia where she spent most of her childhood growing up,and Amsterdam, Netherlands where she is currently based. Natisa completed a Visual Arts diploma studies in Chiang Mai Thailand and a bachelor’s degree of Fine Arts Painting in RMIT University - Melbourne, Australia. Through the process of writing, drawing, painting, and video, Natisa establishes a tightly-knit relationship between her personal experience and her creative practice. Much of her practice is an exercise in self-reflection where urgency and candour play a significant role in creating work. A process where the private, isolated self, and the self as part of a collective, are able to confront one another. Fluctuating between abstraction and figuration, while regularly integrating text, Natisa seeks to examine the dichotomy of human relationships and inquire into notions of identity.
Born in 1989, in Jakarta, Indonesia
BFA Graduated from Fine Arts Painting in RMIT University, Melbourne, Australia
Currently lives and works in Amsterdam and Bali












【事实类】
娜蒂莎·琼斯(Natisa Jones),1989年出生于雅加达,童年主要在印度尼西亚巴厘岛度过,目前作为视觉艺术家工作与生活于荷兰阿姆斯特丹。她在泰国清迈获得视觉艺术文凭,并于澳大利亚墨尔本皇家理工大学取得美术绘画学士学位。
她的创作常被归类为**表现性具象、具象艺术与象征主义**,主要媒介包括**布面油画、丙烯、综合材料以及纸上作品**。其核心题材围绕**身份认同、情感、记忆与时间、文化身份以及身体**展开。
**代表作**包括:
- 《软核》(2023,布面丙烯,墨水,石膏底)
- 《感谢椰子树》(2023,布面丙烯、石膏底)
- 《我与它同行》(2023,亚麻布面丙烯,石膏底)
- 《当事情变得棘手,我会祈祷》(2023,亚麻布面丙烯,石膏底)
- 《我尽全力唱一首新歌》(2023,布面丙烯,墨水,石膏底)
- 《珍宝 I》与《珍宝 II》(2023,布面丙烯、石膏底)
- 《遗赠》(2023,布面丙烯,石膏底)等。
**展览经历**方面,近年个展/群展包括:
- “阿弥壳”(2026,蜂巢当代艺术中心 | 北京)
- “乳牙”(2024,蜂巢当代艺术中心 | 上海)
- “肌体的编织”(2023,蜂巢 | 上海)
她的实践可被看作一种**自我反思式的练习**,在其中,**迫切与坦诚**扮演了重要角色。透过个人经历与创作之间的高度连结,私人的、孤立的自我与集体中的自我得以彼此观照,进而探究身份的意义。
【创作特点】
娜蒂莎·琼斯的作品在**抽象与具象之间游走**,并经常整合文本元素。她透过这种视觉语言,试图检视人与人关系的两面性,以及身份如何在这些动态中被建构与动摇。其创作方法带有强烈的日记性与身体感,并非单纯对外部世界作出描绘,而更接近于对内在状态与记忆痕迹的反复梳理与投射。
Natisa Jones is an Indonesian-born visual artist (b. 1989) who works between Amsterdam and Bali. Her practice is deeply self-reflective, moving between abstraction and figuration, often described as expressive figuration with symbolic undercurrents.
**Representative Works**
Among her notable recent paintings are the diptych "软核" (Soft Core, 2023), the pairs "珍宝 I" and "珍宝 II" (Treasure I & II, 2023), and works such as "感谢椰子树" (Thank You Coconut Tree, 2023), "我与它同行" (I Walk With It, 2023), and "遗赠" (Bequest, 2023). These are mostly made with acrylic, ink, and gesso on canvas or linen.
**Creative Style**
Jones's style sits at the intersection of expressive figuration and abstraction. She frequently integrates text and personal writing directly into her canvases, using the process as a form of introspective exercise. Her themes revolve around identity, emotion, memory, the body, and the duality of private versus collective self. Visually, there is a raw, urgent honesty in her brushwork and composition – often combining drawn lines, layered washes, and gessoed surfaces to create a space where figures emerge and dissolve. Her work consistently examines the meaning of identity through the lens of personal experience, balancing vulnerability with a bold, material presence.
根据现有的资料,娜蒂莎·琼斯(Natisa Jones)的展览经历如下:
**展出机构:**
她曾在**蜂巢当代艺术中心**展出,具体展览和地点包括:
* 2026年,群展《阿弥壳》,蜂巢当代艺术中心(北京)
* 2024年,群展《乳牙》,蜂巢当代艺术中心(上海)
* 2023年,群展《肌体的编织》,蜂巢当代艺术中心(上海)
**被收藏机构:**
目前公开的艺术家档案及文章上下文中,暂未提及她的作品被哪些具体机构收藏。
Based on the structured artist profile data:
Natisa Jones has exhibited at **Hive Center for Contemporary Art (蜂巢当代艺术中心)** in both Beijing and Shanghai.
Her recent exhibition history at the gallery includes:
* 2026: *阿弥壳* at Hive | Beijing
* 2024: *乳牙* at Hive | Shanghai
* 2023: *肌体的编织* at Hive | Shanghai
The provided data does not contain information on which institutions collect her work.