倪有鱼
简介Biography
倪有鱼，男，1984年出生，艺术家、策展人。2007年毕业于上海大学美术学院国画系。2005年起开始策展人职业生涯，从事当代艺术展览策划及艺术批评写作。2008年受上海双年展启发转向当代艺术创作，2011年完成《0.0012立方米山居》系列作品。2014年获CCAA最佳年轻艺术家奖。作品被布鲁克林美术馆、香港M+美术馆等机构收藏。2022年在和美术馆举办最大规模个展“穹顶与刻度”，展出2008至2022年间创作的绘画、装置等百余件作品，并独创“水冲绘画”技法。2024年与JUZHI矩制合作推出艺术家具《凝固的∞》，同年11月在宝龙美术馆举办“手卷”个展，展线长达540米，展出三百余件多媒介作品。
NI YOUYU, male, born in 1984, is an artist and curator. He graduated from the Department of Chinese Painting, College of Fine Arts, Shanghai University, in 2007. He began his curatorial career in 2005, engaging in contemporary art exhibition planning and art criticism writing. In 2008, inspired by the Shanghai Biennale, he turned to contemporary art creation, and in 2011 completed the series *0.0012 Cubic Meters of Mountain Dwelling*. In 2014, he received the CCAA Best Young Artist Award. His works are held in collections of institutions including the Brooklyn Museum and Hong Kong’s M+ Museum. In 2022, he held his largest solo exhibition, “Dome and Scale,” at He Art Museum, presenting over one hundred works such as paintings and installations created between 2008 and 2022, and pioneering his own “water-wash painting” technique. In 2024, he collaborated with JUZHI (矩制) to launch the art furniture piece *Solidified ∞*; in November of the same year, he held the solo exhibition “Hand Scroll” at Powerlong Museum, with an exhibition line spanning 540 meters and presenting over three hundred multi-media works.
代表作Selected Works
展览履历Exhibitions
- 2025见微，知著。苏州李公堤4期17幢 虹·美术馆 · 虹美术馆
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
倪有鱼的代表作与创作特点如下：
**代表作**
根据艺术家档案，其代表作包括《门》（2024，布面丙烯及古董画框）、《三室一厅》（2024，布面丙烯及古董画框）。此外，他还独创了“水冲绘画”技法，并在2022年和美术馆个展“穹顶与刻度”中展出了2008至2022年间创作的百余件作品，涵盖绘画、装置等多种媒介；2024年又在宝龙美术馆“手卷”个展中呈现了三百余件多媒介作品，展线长达540米。
**创作特点**
倪有鱼的创作横跨观念艺术、实验性、空间建筑感与象征主义，常用媒介包括综合材料、装置、摄影、拼贴和雕塑。他的作品核心主题围绕记忆与时间、文化身份、物质性、静物以及自然生态展开。其艺术实践常通过日常物的收集、排列与重组，反思既定客观存在，呈现出一种对历史与个人经验的冷峻观察与诗意转化。
Ni Youyu is a Chinese contemporary artist (born 1984) whose practice spans conceptual art, experimental approaches, spatial and architectural themes, and symbolism. He works across a wide range of media, including mixed media, installation, photography, collage, and sculpture. His creative style is deeply engaged with themes of **memory and time, cultural identity, materiality, still life, and natural ecology**.
**Representative Works**
- **《0.0012立方米山居》series (2011):** A seminal early series that marked his turn toward contemporary art, exploring miniature landscapes and the compression of space and time.
- **《门》 (Door, 2024):** Acrylic on canvas with antique frame, continuing his dialogue between painting and found objects.
- **《三室一厅》 (2024):** Acrylic on canvas with antique frame, furthering his investigation of domestic and architectural space.
- **"水冲绘画" (Water-Rinse Painting):** A distinctive technique developed by the artist, using water jets to erode and reshape painted surfaces, introducing chance, erosion, and a layered sense of temporality into the image.
- **《凝固的∞》 (Solidified ∞):** An art furniture collaboration with JUZHI in 2024, extending his conceptual language into functional design.
**Creative Style**
Ni Youyu's work is characterized by a rigorous, research-driven approach that often reinterprets traditional Chinese cultural motifs and literati aesthetics through contemporary conceptual frameworks. He frequently incorporates antique frames, found objects, and architectural references to create layered meanings that oscillate between the past and present, the miniature and the monumental. His practice confronts the materiality of time—how objects, images, and spaces carry memory, erode, and transform. The "water-rinse" technique exemplifies this: it is a method that simultaneously destroys and creates, embodying a philosophical acceptance of impermanence and the coexistence of control and chance.
His works have been collected by major institutions including the Brooklyn Museum, M+ Museum in Hong Kong, and the Yuz Museum, and he was awarded the CCAA Best Young Artist prize in 2014.
展览与收藏Exhibitions & Collections
依据“结构化艺术家档案数据”：
**① 展出机构**
倪有鱼曾在以下机构举办个展或参与展出：
- 上海美术馆
- 台北当代美术馆
- 余德耀美术馆
- 加州橘郡美术馆
- 德国 Kunstverein Konstanz
- 和美术馆（2022年举办其当时最大规模个展“穹顶与刻度”）
- 贝浩登（上海）
- CFA 柏林
- Galerie Obadia 巴黎
- 宝龙美术馆（2024年11月“手卷”个展）
- 虹·美术馆（苏州，2025年群展“见微，知著。”）
- 万一空间（深圳，2024年参加“万里不挑一 VOL.3”及深圳艺术周相关论坛）
**② 收藏机构**
其作品被以下机构收藏：
- 布鲁克林美术馆
- 新加坡美术馆
- 香港 M+ 美术馆
- 香港艺术馆
- 上海外滩美术馆
- 余德耀美术馆
- 和美术馆
- 悉尼白兔美术馆
- 首尔阿拉里奥美术馆
- 柏林 Me 美术馆
- 希克收藏
- 皮诺收藏
- DSL 收藏
- 瑞士齐斯拉艺术基金会
- 上海摄影艺术中心 (SCoP)
- 南京艺术学院美术馆
以上信息来源于本平台艺术家档案库所载明的展览与收藏记录。
NI YOUYU has held solo exhibitions at the following institutions:
- Shanghai Art Museum, Shanghai, China (2012)
- Museum of Contemporary Art Taipei, Taipei, Taiwan (2015)
- Yuz Museum, Shanghai, China (2019)
- Orange County Museum of Art, California, USA (2018)
- Kunstverein Konstanz, Konstanz, Germany (2017)
- He Art Museum, Shunde, China
- Galerie Perrotin, Shanghai, China (2019)
- Contemporary Fine Arts, Berlin, Germany (2018)
- Gallery Nathalie Obadia, Paris, France (2017)
His works are held in the collections of numerous institutions, including:
- Brooklyn Museum, New York, USA
- Singapore Art Museum, Singapore
- M+ Museum, Hong Kong
- Hong Kong Museum of Art, Hong Kong
- Rockbund Art Museum, Shanghai, China
- Yuz Museum, Shanghai, China
- He Art Museum, Shunde, China
- White Rabbit Gallery, Sydney, Australia
- Arario Museum, Seoul / Jeju, South Korea
- me Collectors Room / Olbricht Collection, Berlin, Germany
- Sigg Collection
- Pinault Collection
- DSL Collection, Paris, France
- Ghisla Art Collection Foundation, Locarno, Switzerland
- Shanghai Center of Photography (SCoP), Shanghai, China
- Art Museum of Nanjing University of the Arts, Nanjing, China
