王千一
简介Biography
王千一（None_Wang Qian Yi），1993年出生于济南，分别于2017年、2020年获得清华大学美术学院雕塑系学士及硕士学位，现工作、生活于北京。其近年来的创作从关注身边不经意瞥见的东西，如建筑废料、不明金属物、散步时在街边拾得的“现成物（Found Object）”等，逐渐回归到对“物（das Ding）”这一概念本身的思考与讨论。在他看来，这些物不确定也没有身份，是消失的附近性，是寒冬里的无产者，也是被抛入荒原的祭祀品。作为一名受过良好雕塑训练的艺术家，王千一对有重量的实体有着敏锐的觉察力，并在实践中强调直觉的重要性，以及对物之形态、体量和质感的准确表达。
Wang Qianyi (b. 1993, Jinan) received his BFA and MFA from the Sculpture Department of the Academy of Arts & Design, Tsinghua University in 2017 and 2020, respectively. He currently lives and works in Beijing. In recent years, his practice has shifted from an attention to things inadvertently glimpsed in the everyday—such as construction debris, unidentified metal objects, and “found objects” picked up during walks on the street—to a reflection on and engagement with the concept of “the thing” (das Ding) itself. In his view, these things are indeterminate and without identity; they are the disappearing nearby, the proletariat in the harsh winter, and sacrificial offerings cast into the wilderness. As an artist with rigorous training in sculpture, Wang Qianyi possesses a keen sensitivity to weighty substance, and in his practice he emphasizes the importance of intuition and the precise expression of form, volume, and texture of things.
代表作Selected Works
展览履历Exhibitions
- 2024月光下的雾霭逸空间画廊 · 逸空间
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
王千一（1993年生于济南）是平台档案中收录的艺术家，先后于2017年、2020年获清华大学美术学院雕塑系学士与硕士学位，现工作、生活于北京。
**代表作**
档案收录的代表作主要包括：
- 《程序正义》（2023，布面油画）
- 《门 Entrance》（2025，布面油画）
- 《内部3号》（2024，布面油画）
- 《白光2号》（2023，布面油画）
- 《爱》（2024，布面油画）
- 《背面2号》（2022，布面油画）
- 《小山》（2022，布面油画）
- 《洞穴》（2024，布面油画）
- 《容器》（2024，布面油画）
- 《无题》系列（2023，布面油画）
- 《白光》（2023，布面油画）
**创作特点**
王千一的创作从关注身边不经意瞥见的东西开始，如建筑废料、不明金属物、散步时在街边拾得的“现成物（Found Object）”，逐渐回归到对“物（das Ding）”这一概念本身的思考与讨论。在他看来，这些物“不确定也没有身份”，是“消失的附近性”，是“寒冬里的无产者”，也是“被抛入荒原的祭祀品”。
作为一名受过良好雕塑训练的艺术家，他对有重量的实体有敏锐的觉察力，创作中强调直觉的重要性，并注重对物之形态、体量和质感的准确表达。其近年作品多以布面油画为媒介，但内在仍延续着雕塑训练带来的对实体、空间与物性的敏感。
**Wang Qian Yi (None_Wang Qian Yi)** is a Chinese artist born in 1993, trained in sculpture at Tsinghua University’s Academy of Arts & Design. His representative works are mostly oil paintings from 2022 to 2025, including:
- *Procedural Justice* (2023)
- *Entrance* (2025)
- *Interior No. 3* (2024)
- *White Light No. 2* (2023)
- *Love* (2024)
- *Back No. 2* (2022)
- *Small Mountain* (2022)
- *Cave* (2024)
- *Container* (2024)
- *White Light* (2023)
His creative style is rooted in a sculptor’s sensitivity to weight, volume, and material presence. He works primarily in oil on canvas, while also using acrylic and mixed media. Thematically, Wang Qian Yi focuses on overlooked, marginal things encountered in daily life—construction debris, unidentified metal objects, and found objects picked up on walks. His practice has gradually returned to a reflection on the concept of “das Ding” (the Thing). In his view, these objects are uncertain and identityless; they represent a “disappearing nearbyness,” “proletarians in the cold winter,” or “sacrificial objects cast into the wilderness.” Trained as a sculptor, he emphasizes intuition and precise expression of form, mass, and texture in his painted works.
展览与收藏Exhibitions & Collections
根据平台现有的结构化艺术家档案资料，王千一（1993年生于济南）的展览经历中记录有：
- **2024年**，在**逸空间画廊**举办/参加展览《**月光下的雾霭**》。
关于**被哪些机构收藏**，平台现有公开档案中**暂无相关收藏机构信息**，因此无法确认具体收藏情况。
According to the platform’s artist archive, **None_Wang Qian Yi (Wang Qianyi, b. 1993)** has exhibited at **Yikongjian Gallery (逸空间画廊)** in the exhibition **“月光下的雾霭” (“Mist under the Moonlight”)** in **2024**.
The available archive does **not** record any institutional collections of the artist’s work. If you need collection details, they are not listed in the platform’s current public data.
