裴可(Pei Ke),当代艺术家,创作以自然物为基础,致力于重现日常基底上生长出神话脉络的动态过程。2026年,其作品参展群展“神性的周遭”(又生空间)。展览前言指出,裴可与范桦晓等艺术家“以自然物为基础,重现日常基底上生长出神话脉络的动态过程”,将日常物体的形态视为孕育神话内核、承载永恒意涵的容器,在平凡中淬炼出超越自身的哲学意涵。
裴可(Pei Ke),当代艺术家,创作以自然物为基础,致力于重现日常基底上生长出神话脉络的动态过程。2026年,其作品参展群展“神性的周遭”(又生空间)。展览前言指出,裴可与范桦晓等艺术家“以自然物为基础,重现日常基底上生长出神话脉络的动态过程”,将日常物体的形态视为孕育神话内核、承载永恒意涵的容器,在平凡中淬炼出超越自身的哲学意涵。




根据平台档案资料,裴可(Pei Ke)的创作特点是以自然物为基础,致力于重现日常基底上生长出神话脉络的动态过程;他将日常物体的形态视为孕育神话内核、承载永恒意涵的容器,在平凡中淬炼出超越自身的哲学意涵。
其代表作包括《世界卵 1》(2025,布面油画),《路引》(2025,木板坦培拉),《巨蛋 4》(2025,木板坦培拉),以及《西行 1》(2025,木板坦培拉)。
Pei Ke’s representative works, as recorded in the platform’s artist database, include:
- *World Egg 1* (2025, oil on canvas)
- *Guidepost* (2025, tempera on panel)
- *Giant Egg 4* (2025, tempera on panel)
- *Journey to the West 1* (2025, tempera on panel)
His creative style is rooted in natural objects and aims to reconstruct the dynamic process by which a mythological vein emerges from the everyday substrate. A group exhibition note describes this approach as treating “the forms of everyday objects as vessels that nurture a mythological core and carry eternal implications,” distilling philosophical meaning from the ordinary. Pei Ke works across multiple media—including mixed media, installation, video, and digital art—and his practice engages with themes such as identity, cultural belonging, memory and time, social commentary, and globalization.
根据现有结构化艺术家档案数据,有关裴可的展览经历与机构收藏情况如下:
- **展出机构**:裴可曾于2026年在**又生空间**(位于北京市朝阳区酒仙桥路4号北京798艺术区七星东街)参加群展“神性的周遭”。
- **机构收藏**:目前档案中未记载任何机构收藏信息。
需要说明的是,上述信息完全基于平台已收录的艺术家档案,若后续有更多展览或收藏记录更新,可进一步补充。
Pei Ke has exhibited in the group exhibition “The Divine Surroundings” (神性的周遭) at Yousheng Space (又生空间), located in the 798 Art District, Beijing, in 2026. Based on the available artist archive, there is currently no information regarding institutional collections of her work.