秦妮(Qin Ni),1986年出生于中国淮安,现生活和工作于法国巴黎。她以绘画、视觉装置及视频制作为主要创作手段。在法语中,“histoire”一词首字母小写时意为“故事”,大写时意为“历史”;秦妮致力于将个人的思想、情感与记忆(h)融入艺术创作,最终为每件作品在虚拟博物馆(H)中寻得一席之地,所有作品均登记、分类、归档并公开展出,在此过程中不断创造新的集体记忆。教育方面,她于2005年至2009年就读于清华大学美术学院,获文学学士学位;2011年至2013年就读于法国图尔美术学院,获DNAP学士文凭;2013年至2015年获得法国昂热大学多媒体艺术双硕士;2013年至2016年就读于法国南特美术学院,获DNSEP硕士文凭。重要展览与活动包括:2016年至2018年参加国际新锐艺术家博览会(法国巴黎)、山林艺术节/当代艺术双年展(法国沙瓦尼阿克拉费埃特市);2018年参加巴黎大皇宫ARTCAPITAL艺术沙龙、巴黎“HEAT”亚洲当代艺术节开幕展;2013年至2015年参加巴黎双十画廊“四元素”展览(获第一名)、圣纳泽尔“数字交错”2015年年展、巴黎第八大学“青年艺术家,中国制造?”群展、巴黎双十画廊“Mix&Match”群展、法国南特Dulecie画廊“船难报告”展览、美国德克萨斯州MARFA“船难报告”展览,并参与美国国际艺术项目“船难报告”;2005年至2009年参加今日美术馆“青涩创想计划——艺术院校大学生年度提名展”,作品《雀跃》被清华大学美术学院留校收藏,毕业论文刊登于《版画》杂志,并参与798艺术区《突围》影像展览及清华大学美术学院《不是古代版画展》。此外,她曾担任法国Biolife集团艺术总监及设计部主管,并在法国《ARTVISIONMONDE》杂志实习,任执行主编及美编。
Born 1986 in Huai'an, China Lives and works in Paris, France Education 2016, Master “DESAP” diploma, Academy of Fine Arts in Nantes Métropole, Nantes, France 2015, Master diploma, Master 2 "multimedia master" at the University of Angers, Angers, France 2013, license“DNAP”diploma, Academy of Fine Arts in Tour, Tour, France 2009, license diploma, Tsinghua University, Beijing, China Solo Exhibitions 2025, The Polarized Chronicle, BONIAN SPACE, Beijing, China 2025, L'immensité intime, Zeto Art, Paris, France Recently Group Exhibitions 2025, Collecting Scintilla & Equanimity, Absent Gallery, Guangzhou, China 2025, Perspektiven – Rückblicke, 48th KUNSTPREIS, Karlsruhe, Germany 2024, Ubiquitous Technology: The Science of Aesthetics, the first Tsinghua Alumni London Art Exhibition., St. James's, London, England 2019, ARTISTES EN EXILS, Patronage Laïque, Paris, France 2018, Les arts foreztiers / Festival de création contemporaine, Chavaniac-Lafayette, France 2018, ART CAPITAL, art salon in the Grand palais, Paris, France 2017, HEAT, Asian Contemporary Art Festival, Paris, France 2016, Tsinghua Power, Jiuyu Art Gallery, Shenzhen, China Art Fair 2018, YIA - Young International Artists ART FAIR, Carreau du Temple, Paris, France












平台暂无“秦妮”这位艺术家的档案资料,无法提供其代表作与创作特点。
Based on the structured artist profile data, **Qin Ni** (秦妮, b. 1986, Huai’an, China) is a contemporary artist who lives and works in Paris. Her practice bridges painting, visual installation, and video, with a conceptual focus on transmuting personal memories and emotions into a collective, archivally-organized virtual museum.
**Representative works** (selected from recent outputs):
- *“521.11” 偏光笔记-牧群第三乐章* (2026, oil on wood panel)
- *“533” 空气动力学系列 - 失衡* (2025, oil on wood panel)
- *植物园藏品 III* (2024, oil and incised wood panel)
- *植物园藏品 X* (2024, oil and incised wood panel)
- *“305.409”无人校对* (2025, oil on wood panel)
- *幽蓝书* (2025, oil on wood panel)
Her work increasingly employs oil on wooden panels, often combined with knife-cut techniques, creating layered, textured surfaces that oscillate between painting and relief.
**Creative style**
Qin Ni’s style is characterized by a fusion of traditional Chinese ink aesthetics with contemporary abstraction and expressive figuration. While her early repertoire relied on ink and mixed materials on paper, her recent maturity shows a shift toward oil on board, yet the visual language retains an ink-like fluidity and a meditative, atmospheric quality. Thematically, she engages with nature and ecology, the passage of time, the fragility of memory, and the undercurrents of Eastern philosophy. Her genre tags – “当代水墨” (contemporary ink), “意象” (imagery), “抽象艺术” (abstraction), “表现性具象” (expressive figuration) – mirror a practice that deliberately blurs the line between representation and abstraction. Conceptually, she often treats each artwork as a “specimen” in a private museum of personal and collective memory, registering, cataloguing, and exhibiting the immaterial trace of human experience.
根据现有资料,平台暂无关于艺术家“秦妮”的档案资料,因此无法提供其参展机构与收藏机构的信息。若您需要了解其他艺术家的相关情况,欢迎进一步说明。
Qin Ni has exhibited in a diverse range of venues across China, France, and the United States. Her solo exhibitions include *The Polarized Chronicle* at BONIAN SPACE in Beijing (2025). Group exhibitions include *Light Carnival: Hive · Becoming · Garden* (Hive Center for Contemporary Art, Beijing, 2026), *Beijing Contemporary 2026* (BONIAN SPACE, 2026), *Oops! I'm Late!* (Hive | Beijing, 2026), *Four Elements* at Double S Gallery (Paris, 2015), *Digital Crossroads* at Saint-Nazaire (2015), *Young Chinese Artists, Made in China?* at Paris 8 University (2015), *Mix & Match* at Double S Gallery (Paris, 2015), *The Shipwreck Report* at Galerie Dulecie (Nantes, 2014) and in Marfa, Texas (2013), *HEAT Asian Contemporary Art Festival* (Paris, 2017), *Art Capital* at the Grand Palais (Paris, 2018), *Les Arts Foreztiers / Contemporary Art Biennial* (Chavaniac-Lafayette, 2018), *My Motherland and Me – Today Art Student Annual Awards* at Today Art Museum (Beijing, 2009), and others.
Regarding collections, the work *Joy* (*Queyue*) is held in the permanent collection of the Academy of Arts & Design, Tsinghua University. Additional institutional collectors are not specified in the available records.