冉凯(Ran Kai),1988年生于湖北,现生活工作于杭州。其创作脉络涵盖油画及当代艺术,作品曾多次参加国内外展览。重要个展包括2015年于杭州梵耘艺术空间举办的“置换”冉凯个人作品展。群展经历丰富,2013年参展“八大美院优秀作品展”(湖北美术学院)及“世纪之星”油画作品展(中国美术学院美术馆);2014年参展“相对论”油画作品展(半野艺舍)、“世纪之星”油画作品展(中国美术学院美术馆)及“春天来了”(三尚当代美术馆);2015年参展转塘双年展、Inter-youth国际青年艺术展(中国美术学院美术馆)、“学院本色”作品展(中央美术学院美术馆)、“多维的表现”油画展(宁波美术馆)及“一个有意思的展览”(西冷艺舍);2016年参展“建筑与艺术”邀请展(116美术馆)、“HELLO SUMMER”(八大画廊)、“重置。已知”当代艺术邀请展(MAOSPACE)、“116绘画流动双年展”(116美术馆)及“奇园异考”(三尚当代美术馆)。
Ran Kai was born in Hubei in December 1988.He graduated from the Oil Painting Department of the China Academy of Art in 2016 and currently lives and works in Hangzhou.












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Ran Kai's body of work foregrounds a compelling dialogue between figuration and abstraction. His creative universe is characterised by an **experimental and imagery-driven approach**, often merging expressive figuration with abstract sensibilities. Working primarily with **oil on canvas, acrylic, oil pastel, charcoal and mixed media**, he navigates themes such as the human figure, emotion, social commentary, urban landscapes, identity, memory, and ecological reflection.
Among his notable representative works are the *“空阁 (Empty Pavilion)”* series (2015–2016), which includes paintings like *空阁-古典灯* (2015) and *《空阁》* (2016); *人物与权利 (Figures and Power)* (2024), a layered composition in oil, oil pastel and charcoal; and *虚假的斗争 (False Struggle)* (2025), executed in acrylic, oil pastel and charcoal. These pieces encapsulate his signature tension between constructed space and psychological narrative, as well as his ongoing exploration of how personal and collective identities are shaped in contemporary life.
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Ran Kai has exhibited primarily in gallery contexts within China. According to available records, his recent exhibition appearances include:
- **2024** – "回归线-Imaginary Lines" and "作品 部分" at **Mijing Gallery (弥金画廊)** in Shanghai.
Information regarding institutional collections of his work is not available in the current database. There are no recorded public or institutional acquisitions documented at this time.