高嫣
简介Biography
高嫣（Rebekka Steiger，1993年生于苏黎世，现工作于瑞士卢塞恩）是瑞士当代艺术圈里最让人期待的年轻画家之一。她于2013年至2016年在卢塞恩艺术设计学院学习，2016年获得卢塞恩美术馆展览奖以及zeugindesign基金会进步奖。近期重要展览包括“boxing the compass”（Kunsthaus Grenchen博物馆，2020）、“Werkschau Zürich 2020”（Museum Haus Konstruktiv装置艺术之家，苏黎世）以及“Zentral!”（卢塞恩美术馆）。
Rebekka Steiger is a Swiss painter known for her expressive, large-scale works that blend abstraction with figurative elements. Working primarily with oil and acrylic, she creates vibrant, emotionally charged compositions that often depict animals, landscapes, and mythological figures in dreamlike environments. A graduate of the Lucerne School of Art and Design, Steiger has developed a distinctive visual language marked by bold color contrasts, gestural brushwork, and psychological depth. Her work explores themes of transformation, instinct, and the subconscious. Her time as an artist-in-residence in Beijing (2018–2019, 2024, 2025) and later in Ho Chi Minh City (2022–2023) significantly influenced her style, incorporating new materials and references. Inspired by East Asian aesthetics and calligraphic fluidity, Steiger began experimenting with ink and more fluid forms of markmaking. Steiger has exhibited widely in Europe and Asia, with works in private and institutional collections. Her latest institutional show took place at Kunstmuseum Thun in Switzerland.
代表作Selected Works
![高嫣《古代的黄昏 [致瓦洛东]》](https://dataxart-1405388106.cos.ap-shanghai.myqcloud.com/artworks/crop/147_6296_w0.jpg)
![高嫣《古代黄昏 [致瓦洛东]》](https://dataxart-1405388106.cos.ap-shanghai.myqcloud.com/artworks/crop/147_6297_w0.jpg)
展览履历Exhibitions
- 2025一夜邂逅 Nightly Encounter麦勒画廊
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
根据平台现有的结构化艺术家档案数据，暂时没有收录瑞士艺术家高嫣（Rebekka Steiger）的详细档案资料。不过，结合本次展览的相关文章介绍，可以就她的创作特点与近期代表作提供以下背景信息：
**创作特点**
高嫣的绘画实践通过随机与控制、直觉与确定性的相互作用，营造出意想不到的视觉效果。她将创作视为一种内在的精神状态，顺其自然，不受概念主义和过度思考的束缚。在技法上，她受到日本水墨画的启发，擅长在水墨、蛋彩画（tempera）和油画颜料之间进行混合实验，利用不同材料的质地差异形成独特的画面肌理。她的作品在抽象与具象之间摇摆，形状与色彩交融，构建出富有流动感的迷幻风景，视觉语言中透露出对未知的好奇与自由的探索。
**近期代表作**
高嫣于2024年春季在上海油罐艺术中心举办了国内首次大型机构个展 **《章鱼山》**（octopus mountain），该展览集中呈现了她在越南驻地创作期间的新系列作品，成为其现阶段具有代表性的综合展示。
如需获取更为详尽的简历、早期代表作清单及学术评价，建议后续关注平台艺术家档案的更新或相关展览图录。
Rebekka Steiger’s creative style is marked by a fluid, experimental interplay between figuration and abstraction, often dissolving recognizable forms into atmospheric, emotionally charged compositions. Working primarily with oil, tempera, and acrylic on canvas, she builds her paintings through repeated layers of translucent colour, allowing chance and control to coexist. This process generates an elusive, dreamlike quality—landscapes, figures, and animals seem to emerge out of a haze and then retreat, echoing a sense of fleeting memory and heightened sensitivity. Her vocabulary encompasses portraits, horses, nocturnal scenes, and inner psychological states, frequently rendered in vivid, sometimes nostalgic hues that lend the works a mysterious intensity.
Among her representative works are the solo exhibition *猫头鹰 – virages nocturnes* (2018) created during a residency at Galerie Urs Meile Beijing, the painting *Untitled* (2018, oil, tempera and pastel on canvas, 240 × 180 cm), and more recent pieces from 2024–2025 such as *desilver*, *草木含露* (Dew on Grass), and the series *一夜邂逅* (Nightly Encounter). These works demonstrate her ongoing exploration of how emotional perception is transformed into layered, tactile surfaces—abstraction and figuration constantly negotiating, never fully resolving, and inviting viewers into a suspended, contemplative space.
展览与收藏Exhibitions & Collections
依据平台公开的艺术家档案数据，关于艺术家高嫣（Rebekka Steiger）的展出机构与收藏机构，目前可确认的信息如下：
**展出机构**
瑞士Grenchen美术馆正在举办其个展“boxing the compass”（展期至2020年9月20日）。档案数据中未记录其他机构展出信息，因此目前暂无更多相关展出记录。
**收藏机构**
平台现有的档案数据中暂未收录关于其作品被哪些机构收藏的明确记录。
Rebekka Steiger has exhibited at several notable institutions and venues. According to the artist’s profile, her recent exhibitions include:
- “boxing the compass” at Kunsthaus Grenchen (museum), 2020
- “Werkschau Zürich 2020” at Museum Haus Konstruktiv, Zurich
- “Zentral!” at Kunstmuseum Luzern (Lucerne Museum of Art)
- A solo exhibition “Nightly Encounter” (一夜邂逅) at Galerie Urs Meile in 2025
With regard to institutional collections that hold her work, the available data does not include any specific information on museums or public collections that have acquired her pieces.
