邵安南(Shao Annan),当代艺术家。2026年,其影像作品《仓鼠快跑》作为蜂巢当代艺术中心举办的群展“哎呀!哎呀!我要迟到了!”(蜂巢|艺术研究项目No.4)的开场作品展出。该展览由策展人陈宇滢策划,邵安南与孟庆隽、亓百婷、秦妮、王鑫焱、袁海宇、张嘉蕾共七位艺术家参展,展期为2026年3月21日至5月5日。邵安南的《仓鼠快跑》以第一视角叙事,讲述主人公在追逐仓鼠的过程中坠入迷宫空间,不断遭遇机械装置挑战并经历失败与循环,最终发现迷宫关卡实为自身精神结构的视觉叙事。
Shao Annan is a contemporary artist. In 2026, the artist’s video work *Hamster Run* was presented as the opening piece of the group exhibition “Oops! Oops! I’m Gonna Be Late!” (Hive|Art Research Project No.4) at Hive Center for Contemporary Art. Curated by Chen Yuying, the exhibition featured seven artists—Shao Annan, Meng Qingjun, Qi Baiting, Qin Ni, Wang Xinyan, Yuan Haiyu, and Zhang Jialei—and ran from March 21 to May 5, 2026. Shao Annan’s *Hamster Run* adopts a first-person narrative, recounting the protagonist’s fall into a labyrinthine space while chasing a hamster, where they repeatedly confront mechanical challenges and undergo cycles of failure, ultimately discovering that the labyrinth’s stages constitute a visual narrative of their own psychic structure.



根据平台档案资料,邵安南的代表作与创作特点如下:
**代表作**
其作品涵盖了装置、影像等多种媒介,主要代表作包括:
* **新媒体影像《仓鼠快跑》(2025)**:以第一人称视角展开叙事,讲述主人公在追逐仓鼠时坠入一个迷宫般的内部空间,在不断遭遇机械装置挑战、经历失败与循环后,发现迷宫关卡实为其自身精神结构的视觉叙事。
* **装置《Gelato 钟》(2025)**:使用3D打印树脂、亚克力、真石漆等综合材料创作。
* **装置《白加黑》(2026)**:使用3D打印树脂、亚克力、真石漆、模型漆、合金、黏土等更为复杂的综合材料。
**创作特点**
邵安南是一位当代艺术家,其创作具有**实验性与观念艺术**的特征,并带有**表现性具象**的倾向。他的作品媒介多元,包括综合材料、装置、影像及数字艺术。在主题上,他关注**文化身份、记忆与时间、社会评论以及身份认同**等议题,常通过构建复杂的叙事结构和空间隐喻,来探讨个体的内在精神世界与现实的关系。
Shao Annan’s practice is experimental and conceptually driven, often combining mixed media, installation, video, and digital art to explore themes of cultural identity, memory, time, social commentary, and personal identity.
His representative works include:
- *Gelato 钟* (2025), 3D-printed resin, acrylic, and stone-texture paint
- *白加黑* (2026), 3D-printed resin, acrylic, stone-texture paint, model paint, alloy, and clay
- *仓鼠快跑* (2025), new-media video
The video piece *仓鼠快跑* (Hamster Run) exemplifies his narrative approach: a first-person journey of chasing a hamster into a maze‑like space, where the protagonist repeatedly encounters mechanical challenges, fails, and loops back—revealing the maze itself as a visualization of the protagonist’s own mental structure. This work was presented as the opening piece of the group exhibition “哎呀!哎呀!我要迟到了!” at Hive Center for Contemporary Art (Beijing, 2026).
Across his output, Shao Annan meshes physical fabrication with digital moving image, constructing immersive, often cyclical narratives that probe the boundaries between self-perception and external systems.
邵安南曾于 **2026 年** 在 **蜂巢当代艺术中心**(群展“哎呀!哎呀!我要迟到了!”)展出。
目前平台暂无关于其作品被收藏的机构记录。
Based on the available structured artist profile, **Shao Annan** has exhibited at the **Hive Center for Contemporary Art** in Beijing. She participated in the group exhibition *“哎呀!哎呀!我要迟到了!”* in 2026, held at the Hive Center’s Beijing space (E06, 798 Art District, 4 Jiuxianqiao Road, Chaoyang District, Beijing).
There is no information in the current records regarding any institutions that collect her work.