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大竹茂夫 肖像 Shigeo Otake portrait
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大竹茂夫

Shigeo Otake
1955油画纸上1981 毕业于京都市立艺术大学; 1979 毕业于京都市立艺术大学12 件作品收录

简介Biography

大竹茂夫(Shigeo Otake),1955年出生于日本神户。1974年进入京都市立艺术大学美术系,1976年加入油画壁画班,师从山添耕治学习湿壁画与蛋彩画。1976至1978年,他赴欧洲尤其是意大利和西班牙游学两年,随后于1979年和1981年分别获得京都市立艺术大学学士与研究生学位。毕业后,他作为日本文化厅国内艺术家研修员,师从前田常作。自1982年起,大竹茂夫在东京、京都、神户等地多次举办个展与群展。2009年,他出演NHK纪录片《热枕时光:百忙之中有爱好/冬虫夏草篇》,以对冬虫夏草的热情给观众留下深刻印象。作为日本虫草菌同好会成员,他参与了2012年由石田大成社发行的《冬虫夏草的文化志》编撰,该书由奥沢康正主导,使用了大量大竹茂夫在京都实地采集的真菌照片。1988年起,他与早川书房合作,为美国儿童教育家桃莉·海顿的文学作品日译本绘制封面。2000年和2005年,他与作家天沼春树合作,由帕罗舍出版了绘本《爱丽丝之国》和《小红帽》。大竹茂夫的创作最初受自然界昆虫和海栖动物启发;1985年,他在工作室附近挖出一株蝉花虫草,由此深入虫草世界。此后近四十年,他在京都西部山区持续采集和研究虫草菌。其作品系列包括“移动真菌园”“菌生代”与“真菌塔罗牌”,分别描绘真菌与人类文明的融合、借鉴但丁《神曲》的未来世界,以及将纸牌角色与真菌特征贯通。1995年阪神淡路大地震摧毁了艺术家童年与成长的地景,也深刻影响了他绘画中的空间结构,废墟成为其创作的重要主题。2023年,蜂巢当代艺术中心在北京举办了大竹茂夫在中国的首次个展“大竹茂夫:芳集托皮亚”,展览名称由“fungi”与“utopia”合成,意为真菌之邦,展出了他自1980年代至今的绘画创作。2025年,蜂巢当代艺术中心又举办了其个展“脱壳”。

Shigeo Otake was born in Kobe, Japan, in 1955. In 1974, Shigeo Otake enrolled in the Department of Fine Arts at Kyoto City University of Arts and joined the oil and mural painting class in 1976, studying fresco and tempera painting under Koji Yamazoe. Having benefited from the trend created by the enthusiasm of his school for the early Italian Renaissance at that time, following his predecessors, Otake embarked on a two-year journey in Europe, especially in Italy and Spain, from 1976 to 1978. He later received his bachelor’s and graduate degrees from Kyoto University of Arts in 1979 and 1981, respectively, and after graduation, he worked as a domestic artist researcher for Japan’s Agency for Cultural Affairs under the mentorship of Jōsaku Maeda. Since 1982, Otake has had many solo and group exhibitions in Tokyo, Kyoto, and Kobe and has a devoted audience. In 2009, he appeared in the "Cordyceps" episode of Japanese network NHK’s documentary program "Time for Enthusiasm: hobbies in the busy time," leaving a great impression on the audience as a painter with a passion for Cordyceps. A member of the Japanese Society of Cordyceps, he participated in the editing and preparation of Cultural History of Vegetable Wasp & Plant Worms, published by Ishida Taiseisha in 2012. Mainly edited by Yasumasa Okuzawa, this book features numerous photos of the fungus collected by Otake on-site in Kyoto. Japan in the 1980s was once regarded as the epitome of publishing in Asia when a significant amount of European literature flooded into the Japanese market. In 1988, Shigeo Otake collaborated with the science fiction giant Hayakawa Publishing, and for more than a decade since, his paintings have been featured on the covers of several volumes of Japanese translations of the literary works of renowned American educator Torey L. Hayden. In 2000 and 2005, in collaboration with author Haruki Amanuma, he published children’s books Alicetopia and Little Red Riding Hood by Parol-sha, in which Otake illustrated the classical literary motifs of "Alice in Wonderland" and "Little Red Riding Hood". In Alicetopia , Otake painted a fascinating urban maze full of strange creatures. Throughout human history, people have been attracted to strange creatures hybrid with several kinds of species, such as the Pegasus in ancient Greek mythology, the Chimera (with the fore part of a lion, in the hinder a serpent, and in the midst a goat), the mermaid, and the Nue (with the head of a monkey, the limbs of a tiger, the body of a Japanese raccoon dog and the front half of a snake for a tail) in Japanese mythology. The inhabitants of Shigeo Otake’s world of paintings are intertwined with everyday life and concealed from reality. His practice was first inspired by insects and sea creatures. In 1985, he dug up a cicada Cordyceps in the yard of his studio; the immature sporocarp emerged from the body of the cicada larvae parasitized by mycelium, which drew the art

代表作Selected Works

大竹茂夫《通往圣地亚哥-德孔波斯特拉之路》
通往圣地亚哥-德孔波斯特拉之路
木板坦培拉油彩 · 130.3×193.9cm · 1996
大竹茂夫《此路不通》
此路不通
布面坦培拉油彩 · 130.3×162.1cm · 1995
大竹茂夫《公园的植物群》
公园的植物群
木板坦培拉油彩 · 112.1×162.1cm · 2003
大竹茂夫《真菌学家 H 的误判 A》
真菌学家 H 的误判 A
木板坦培拉油彩 · 112.0×162.0cm · 1988
大竹茂夫《遗产》
遗产
木板坦培拉油彩 · 63.0×180.0cm · 1996
大竹茂夫《安居之所》
安居之所
布面坦培拉油彩 · 91.0×116.7cm · 1991
大竹茂夫《废墟中的肺鱼》
废墟中的肺鱼
布面坦培拉油彩 · 90.9×116.7cm · 1995
大竹茂夫《菜园》
菜园
木板坦培拉油彩 · 90.9×116.7cm · 2006
大竹茂夫《人类纪念公园》
人类纪念公园
木板坦培拉油彩 · 90.9×116.7cm · 2008
大竹茂夫《冬虫夏草的化妆舞会》
冬虫夏草的化妆舞会
木板坦培拉油彩 · 90.9×116.7cm · 1997
大竹茂夫《自然历史博物馆的秘密》
自然历史博物馆的秘密
布面坦培拉油彩 · 80.3×116.7cm · 1987
大竹茂夫《别在我的梦里闹腾》
别在我的梦里闹腾
木板坦培拉油彩 · 80.3×116.7cm · 2022

展览履历Exhibitions

艺见洞察ArtMatters Insights

代表作与创作Selected Works & Style

根据平台档案,大竹茂夫(Shigeo Otake,1955年出生于日本神户)的创作脉络与特点可归纳如下:

**代表作品(部分)**

- 《通往圣地亚哥-德孔波斯特拉之路》(1996,木板坦培拉油彩)

- 《此路不通》(1995,布面坦培拉油彩)

- 《公园的植物群》(2003,木板坦培拉油彩)

- 《真菌学家 H 的误判 A》(1988,木板坦培拉油彩)

- 《遗产》(1996,木板坦培拉油彩)

- 《安居之所》(1991,布面坦培拉油彩)

- 《废墟中的肺鱼》(1995,布面坦培拉油彩)

- 《菜园》(2006,木板坦培拉油彩)

- 《人类纪念公园》(2008,木板坦培拉油彩)

- 《冬虫夏草的化妆舞会》(1997,木板坦培拉油彩)

- 《自然历史博物馆的秘密》(1987,布面坦培拉油彩)

- 《别在我的梦里闹腾》(2022,木板坦培拉油彩)

**创作特点**

大竹茂夫的创作属于具象艺术与象征主义,主要以**布面油画及综合材料(尤其坦培拉油彩)** 进行。题材集中在**神话宗教、梦境、自然生态与生命**等宏阔而内在的领域。早年受自然界昆虫与海栖生物启发,1985年意外挖到一株蝉花虫草后,**真菌(冬虫夏草)的形态、生态及其隐喻的“共生/寄生”“异变与消解”关系**成为贯穿至今近四十年的母题。1995年阪神淡路大地震摧毁其童年地景后,**废墟意象**亦叠加入其画面空间,与真菌世界交织出文明脆弱与生命绵延的双重张力。他先后发展出“移动真菌园”“菌生代”“真菌塔罗牌”等系列,以坦培拉细腻的层层罩染,将博物学式的观察、文学叙事的暗喻(如但丁《神曲》)与个人记忆熔铸为一种既幽暗又生机盎然的“真菌之邦”(芳集托皮亚)。

Shigeo Otake (b. 1955) is a Japanese artist known for his highly detailed, symbolic figurative paintings, primarily executed in tempera and oil on wood panel or canvas. His work draws deeply from the natural world, especially insects and marine life, but what has come to define much of his practice since the mid‑1980s is a fascination with cordyceps and other fungi, triggered by the discovery of a cicada-infecting fungus near his studio. This led to decades of fieldwork collecting and studying fungal specimens in the mountains west of Kyoto.

**Representative works** (from the artist’s decades‑long career) include:

- *Path to Santiago de Compostela* (1996, tempera & oil on panel)

- *No Thoroughfare* (1995, tempera & oil on canvas)

- *Flora of the Park* (2003, tempera & oil on panel)

- *Mycologist H’s Mistake A* (1988, tempera & oil on panel)

- *Legacy* (1996, tempera & oil on panel)

- *A Place of Peace* (1991, tempera & oil on canvas)

- *Lungfish in the Ruins* (1995, tempera & oil on canvas)

- *Vegetable Garden* (2006, tempera & oil on panel)

- *Human Memorial Park* (2008, tempera & oil on panel)

- *Masquerade of Cordyceps* (1997, tempera & oil on panel)

- *The Secret of the Natural History Museum* (1987, tempera & oil on canvas)

- *Don’t Riot in My Dream* (2022, tempera & oil on panel)

**Creative style**

Otake’s visual language combines a meticulous, almost medieval tempera technique with a symbolic, quasi-mythological narrative world. His earlier work was inspired by insects and sea creatures, but after 1985 the fungal realm became a central, generative metaphor. He has developed several thematic series: *Moving Fungus Garden*, *Fungal Epoch*, and *Fungal Tarot*, which respectively explore the fusion of fungi and human civilization, a futuristic realm indebted to Dante’s *Divine Comedy*, and a playful intertwining of tarot archetypes with fungal characteristics. The 1995 Great Hanshin earthquake, which destroyed the landscapes of his childhood, profoundly shaped the spatial structures of his paintings, making ruins a recurring motif. Throughout his career, Otake has maintained a figurative, symbolic approach, using dense, layered compositions where nature, decay, rebirth, and human memory coexist in a strange, often melancholic harmony.

展览与收藏Exhibitions & Collections

根据现有资料,大竹茂夫的展览记录如下:

**展出机构**

- **蜂巢当代艺术中心**:2023年于北京举办个展“芳集托皮亚”;2025年于上海举办个展“脱壳”。

**收藏机构**

关于大竹茂夫的作品被哪些机构收藏,目前暂无相关公开记录。

According to the available archive, Shigeo Otake has exhibited at **Hive Center for Contemporary Art** (蜂巢当代艺术中心). His solo exhibitions include *Fangitopia* (芳集托皮亚) in 2023 at Hive Beijing, and *Exuviate* (脱壳) in 2025 at Hive Shanghai.

There is currently **no information in the archive regarding specific institutional collections** of his work.

回答由 AI 依据公开资料生成,仅供参考。AI-generated from public sources, for reference only.
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