沈君怡
简介Biography
沈君怡（SHUM Kwan Yi），1995年出生于中国香港。她毕业于香港浸会大学视觉艺术系，先后获得文学士（BA）及文学硕士（MPhil）学位，其间曾赴日本名古屋造形大学交流半年。她主要从事水墨创作，探索传统山水画在当代语境下的意义，并将其转化为象征语言，作品结合个人经验与集体叙事，关注社会限制与流离等议题。她的作品多次展出于Art Basel，并被英国牛津大学阿什莫林博物馆收藏。2022年，她获得刘国松水墨艺术奖铜奖（刘国松青铜奖·水墨艺术奖）；同年个展《不能承受的轻》获得D&AD Wood Pencil、纽约ADC铜立方、东京TDC、金点设计奖及亚洲设计银奖。2024年出版作品集《尘杂与蝉鸣》，获金点设计奖、纽约ADC及亚洲设计优选奖。她曾于2018年获得冯永基教授中国绘画奖、视觉艺术院奖，2017年获得君尧艺术基金会香港学生奖。2022至2024年，她担任香港浸会大学视觉艺术院兼任讲师；2018至2022年任项目助理。近年个展包括2026年上海《Sinking in the Floating World》、2024年《Landscape of Haven》、2023年《The Inhabitant Islets》、2022年《不能承受的轻》、2020年《Mountains Whispers in the Town》及2019年《Clouds Say》。她积极参与社区艺术项目，包括2025年日本越后妻有大地艺术祭“香港部屋”《The Whispers of Stone》、2024年与香港大学中国建筑与城市研究中心合作的《艺术谷埔》（《Is Kuk Po an Island?》）、2023年《西贡海艺术节》以及2021年《南丫说：》等，持续探索水墨艺术与社区互动的可能性。
SHUM Kwan Yi (born 1995, Hong Kong, China) graduated from the Department of Visual Arts, Hong Kong Baptist University, earning a Bachelor of Arts (BA) and a Master of Philosophy (MPhil). During her studies, she spent a semester on exchange at Nagoya Zokei University of Art & Design in Japan. She primarily works in ink, exploring the significance of traditional landscape painting in a contemporary context and translating it into a symbolic language. Her practice merges personal experience with collective narratives, addressing issues such as social constraints and displacement. Her works have been exhibited on multiple occasions at Art Basel and are held in the collection of the Ashmolean Museum, University of Oxford, UK.
In 2022, she received the Bronze Award of the Liu Kuo-sung Ink Art Award (Liu Kuo-sung Bronze Award · Ink Art Award). The same year, her solo exhibition The Unbearable Lightness (不能承受的轻) won a D&AD Wood Pencil, a New York ADC Bronze Cube, a Tokyo TDC award, a Golden Pin Design Award, and a Silver Award at the Asian Design Awards. In 2024, she published the monograph Dust and Cicada Chirps (尘杂与蝉鸣), which received the Golden Pin Design Award, a New York ADC award, and an Asian Design Award (Merit). She was awarded the Professor Fung Wing-ki Chinese Painting Award and the Academy of Visual Arts Award in 2018, and the Kwan Yiu Art Foundation Hong Kong Student Award in 2017. From 2022 to 2024, she served as a part-time lecturer at the Academy of Visual Arts, Hong Kong Baptist University; from 2018 to 2022, she held the position of project assistant. Recent solo exhibitions include Sinking in the Floating World (Shanghai, 2026), Landscape of Haven (2024), The Inhabitant Islets (2023), The Unbearable Lightness (不能承受的轻) (2022), Mountains Whispers in the Town (2020), and Clouds Say (2019).
She is actively engaged in community art projects, including The Whispers of Stone at the Hong Kong House of the Echigo-Tsumari Art Triennale, Japan (2025); Art Kuk Po (Is Kuk Po an Island?), in collaboration with the Centre for Chinese Architecture and Urbanism, The University of Hong Kong (2024); the Sai Kung Hoi Arts Festival (2023); and Lamma Says: (2021), continually exploring the potential for interaction between ink art and local communities.
代表作Selected Works
创作系列Series
《浮世柜》系列平台收录 20 件20 works on ArtMatters
展览履历Exhibitions
- 2026轻狂欢：蜂巢·生成 · 甬道蜂巢 | 北京 总部 · 蜂巢当代艺术中心
- 2026浮世沉流蜂巢·生成 | 上海 · 蜂巢当代艺术中心
- 2026浮世沉流蜂巢·生成 | 上海 · 蜂巢当代艺术中心
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
沈君怡（SHUM Kwan Yi，1995年生于香港）的平台档案显示，她主要从事水墨创作，并将传统山水画在当代语境中转化为象征语言，结合个人经验与集体叙事，关注社会限制与流离等议题。
**代表作（档案收录的近期作品）**
包括2026年的《孤岛独树》《凝固的风暴II》《寒冬与藏景》《幽灵信号的回荡》《风港》《荒港》《藏松》《巨浪之柜》《柜中六君子》及《浮世柜》系列等。这些作品多为铜箔、银箔水墨纸本设色或纸本设色，体现了她近年以水墨与金属箔结合的创作路径。
**创作特点**
- **媒介与形式**：以纸本水墨为主，常加入铜箔、银箔等综合材料；档案也记录其创作涉及装置、影像、摄影。
- **风格类型**：被归入实验性、当代水墨、意象、抽象与观念艺术。
- **核心题材**：文化身份、记忆与时间、身份认同、语言、社会评论。
- **近期语言特征**：在“浮世沉流”展览中，她以“浪”与“柜子”为重要意象，用墨与金属箔构建流动而不稳定的视觉系统。银箔、铜箔随时间氧化，图像随之变化；构图常倾斜、压缩，将景观限制于纸本边界之内。画面中的柜体、收纳格层等结构，被视为对动荡的回应与对个体状态的暂时固定，形成一种在失序中建立边界的视觉实践。
**SHUM Kwan Yi** (b. 1995, Hong Kong) is a contemporary ink artist whose practice is experimental, conceptual, and image-driven. She works primarily with **ink and mixed media**, while also employing installation, video, and photography. Her creative language re-examines traditional Chinese landscape painting in a contemporary context, transforming it into a symbolic system that blends personal experience with collective narrative. Her work often addresses **cultural identity, memory and time, identity, language, and social commentary**, with recurring attention to social restrictions and displacement.
Her representative works include:
- *孤岛独树 / Lone Tree on an Islet* — copper and silver foil, ink and color on paper
- *凝固的风暴II / Frozen Storm II* — copper and silver foil, ink and color on paper
- *缺席的拖船 / The Absent Tugboat* — silver foil, ink and color on paper
- *寒冬与藏景 / Winter and Hidden Landscape* — ink and color on paper
- *幽灵信号的回荡 / Echoes of Phantom Signals* — silver foil, ink and color on paper
- *风港 / Wind Harbor* — silver foil, ink and color on paper
- *荒港 / Desolate Harbor* — silver foil, ink and color on paper
- *藏松 / Hidden Pine* — ink and color on paper
- *松书 / Pine Book* — ink and color on paper
- *巨浪之柜 / Cabinet of Great Waves* — ink and color on paper
- *柜中六君子 / Six Gentlemen in a Cabinet* — ink and color on paper
- *浮世柜 1 / Floating World Cabinet 1* — copper foil, ink and color on paper
Stylistically, her work is characterized by a fusion of **contemporary ink aesthetics with abstract and conceptual approaches**, frequently using copper and silver foil to create layered, symbolic landscapes that question how tradition, memory, and social experience can be articulated today.
展览与收藏Exhibitions & Collections
关于沈君怡的展出与收藏机构，以下依据平台结构化艺术家档案数据整理：
**展出机构/平台：**
- **蜂巢当代艺术中心（北京总部）**
2026年，参加“轻狂欢：蜂巢·生成 · 甬道”。
- **蜂巢当代艺术中心·蜂巢·生成（上海）**
2026年，举办个展“浮世沉流”。根据展览信息，展期为2026.04.24–2026.06.18，是沈君怡在中国内地的首次个展。
- **Art Basel（巴塞尔艺术展）**
档案资料载其作品多次展出于 Art Basel，但未列出具体年份与城市。
**收藏机构：**
- **英国牛津大学阿什莫林博物馆（Ashmolean Museum, Oxford）**
档案资料明确载明其作品被该馆收藏。
需要说明的是，平台现有档案中仅明确列出上述收藏机构；更完整的收藏与展览清单，建议以画廊或艺术家最新公布的履历为准。
SHUM Kwan Yi (b. 1995, Hong Kong) has exhibited in Hong Kong, mainland China, Japan, and internationally. Based on the available archive, her exhibition venues and projects include:
- **Hive Center for Contemporary Art, Beijing** — *轻狂欢：蜂巢·生成 · 甬道* (2026)
- **Hive Becoming, Shanghai** — *浮世沉流* / *Sinking in the Floating World* (2026)
- **Art Basel** — exhibited multiple times
- **Echigo-Tsumari Art Triennale, Japan** — “Hong Kong House” project (2025)
- **Art Kuk Po, Hong Kong** — in collaboration with the Centre for Chinese Architecture and Urbanism, University of Hong Kong (2024)
- **Sai Kung Hoi Arts Festival** (2023)
- **Lamma Mia** (2021)
Her solo exhibitions also include *The Unbearable Lightness* (2022), *Landscape of Haven* (2024), *The Inhabitant Islets* (2023), *Mountains Whispers in the Town* (2020), and *Clouds Say* (2019), though the archive does not always specify the exact venues for these solo shows.
Institutional collections holding her work include:
- **Ashmolean Museum, University of Oxford**
