沈君怡
简介Biography
沈君怡（SHUM Kwan Yi），1995年出生于中国香港。她毕业于香港浸会大学视觉艺术系，先后获得文学士（BA）及文学硕士（MPhil）学位，其间曾赴日本名古屋造形大学交流半年。她主要从事水墨创作，探索传统山水画在当代语境下的意义，并将其转化为象征语言，作品结合个人经验与集体叙事，关注社会限制与流离等议题。她的作品多次展出于Art Basel，并被英国牛津大学阿什莫林博物馆收藏。2022年，她获得刘国松水墨艺术奖铜奖（刘国松青铜奖·水墨艺术奖）；同年个展《不能承受的轻》获得D&AD Wood Pencil、纽约ADC铜立方、东京TDC、金点设计奖及亚洲设计银奖。2024年出版作品集《尘杂与蝉鸣》，获金点设计奖、纽约ADC及亚洲设计优选奖。她曾于2018年获得冯永基教授中国绘画奖、视觉艺术院奖，2017年获得君尧艺术基金会香港学生奖。2022至2024年，她担任香港浸会大学视觉艺术院兼任讲师；2018至2022年任项目助理。近年个展包括2026年上海《Sinking in the Floating World》、2024年《Landscape of Haven》、2023年《The Inhabitant Islets》、2022年《不能承受的轻》、2020年《Mountains Whispers in the Town》及2019年《Clouds Say》。她积极参与社区艺术项目，包括2025年日本越后妻有大地艺术祭“香港部屋”《The Whispers of Stone》、2024年与香港大学中国建筑与城市研究中心合作的《艺术谷埔》（《Is Kuk Po an Island?》）、2023年《西贡海艺术节》以及2021年《南丫说：》等，持续探索水墨艺术与社区互动的可能性。
SHUM Kwan Yi (born 1995, Hong Kong, China) graduated from the Department of Visual Arts, Hong Kong Baptist University, earning a Bachelor of Arts (BA) and a Master of Philosophy (MPhil). During her studies, she spent a semester on exchange at Nagoya Zokei University of Art & Design in Japan. She primarily works in ink, exploring the significance of traditional landscape painting in a contemporary context and translating it into a symbolic language. Her practice merges personal experience with collective narratives, addressing issues such as social constraints and displacement. Her works have been exhibited on multiple occasions at Art Basel and are held in the collection of the Ashmolean Museum, University of Oxford, UK.
In 2022, she received the Bronze Award of the Liu Kuo-sung Ink Art Award (Liu Kuo-sung Bronze Award · Ink Art Award). The same year, her solo exhibition The Unbearable Lightness (不能承受的轻) won a D&AD Wood Pencil, a New York ADC Bronze Cube, a Tokyo TDC award, a Golden Pin Design Award, and a Silver Award at the Asian Design Awards. In 2024, she published the monograph Dust and Cicada Chirps (尘杂与蝉鸣), which received the Golden Pin Design Award, a New York ADC award, and an Asian Design Award (Merit). She was awarded the Professor Fung Wing-ki Chinese Painting Award and the Academy of Visual Arts Award in 2018, and the Kwan Yiu Art Foundation Hong Kong Student Award in 2017. From 2022 to 2024, she served as a part-time lecturer at the Academy of Visual Arts, Hong Kong Baptist University; from 2018 to 2022, she held the position of project assistant. Recent solo exhibitions include Sinking in the Floating World (Shanghai, 2026), Landscape of Haven (2024), The Inhabitant Islets (2023), The Unbearable Lightness (不能承受的轻) (2022), Mountains Whispers in the Town (2020), and Clouds Say (2019).
She is actively engaged in community art projects, including The Whispers of Stone at the Hong Kong House of the Echigo-Tsumari Art Triennale, Japan (2025); Art Kuk Po (Is Kuk Po an Island?), in collaboration with the Centre for Chinese Architecture and Urbanism, The University of Hong Kong (2024); the Sai Kung Hoi Arts Festival (2023); and Lamma Says: (2021), continually exploring the potential for interaction between ink art and local communities.
代表作Selected Works
创作系列Series
《浮世柜》系列平台收录 20 件20 works on ArtMatters
展览履历Exhibitions
- 2026轻狂欢：蜂巢·生成 · 甬道蜂巢 | 北京 总部 · 蜂巢当代艺术中心
- 2026浮世沉流蜂巢·生成 | 上海 · 蜂巢当代艺术中心
- 2026浮世沉流蜂巢·生成 | 上海 · 蜂巢当代艺术中心
- 2025未介之时蜂巢生成 | 上海 · 蜂巢当代艺术中心
艺见洞察ArtMatters Insights
代表作与创作Selected Works & Style
沈君怡（1995年生于香港）的代表作包括《孤岛独树》（2026）、《凝固的风暴II》（2026）、《缺席的拖船》（2026）等，多以铜箔、银箔水墨纸本设色创作。
**创作特点：** 她被归为实验性、当代水墨、意象与观念艺术方向；常用水墨、综合材料、装置、影像、摄影等媒介；作品主题围绕文化身份、记忆与时间、身份认同、语言及社会评论展开。其创作核心是将传统山水画置于当代语境中进行转化，使之成为象征性语言，往往交织个人经验与集体叙事，关注社会限制、流离等议题。材料上广泛使用铜箔、银箔与水墨设色，形成独特的视觉质地。
SHUM Kwan Yi (b.1995, Hong Kong) is a contemporary artist who works primarily in ink and mixed media, often incorporating metallic foils such as copper and silver onto paper. Her practice reinterprets the language of traditional Chinese landscape painting, transforming it into a personal symbolic vocabulary that addresses themes of cultural identity, memory, displacement, and the tension between individual experience and collective narrative.
Her creative style can be described as experimental and conceptually driven, merging the material sensitivity of ink art with installation, video, and photographic elements. She uses suspended boat imagery, isolated trees, frozen storms, and ghostly signals to evoke liminal states and hidden landscapes. The use of metallic foil adds a luminous, almost archaeological layer of meaning, creating images that feel both ancient and urgently contemporary.
Representative works include:
- *Lonely Island, Solitary Tree* (2026, copper and silver foil, ink on paper)
- *Frozen Storm II* (2026, copper and silver foil, ink on paper)
- *Absent Tugboat* (2026, silver foil, ink on paper)
- *Winter and Hidden Scene* (2026, ink and color on paper)
- *Cave 20: Tree, Rock, Trapped Boat* (2025, copper foil, ink and color on paper)
- *Echoes of Ghost Signals* (2026, silver foil, ink on paper)
SHUM’s work has been exhibited at Art Basel, and her paintings are held in the collection of the Ashmolean Museum, Oxford. She received the Liu Guosong Ink Art Award (Bronze) in 2022, and her projects have been recognised internationally with design and art direction awards.
展览与收藏Exhibitions & Collections
关于艺术家沈君怡的展览及收藏情况，根据现有资料整理如下：
**展出机构：**
沈君怡近年来的个展及群展主要在以下画廊/艺术空间举办：
* **蜂巢当代艺术中心**（位于北京和上海的空间，是其近年展览的主要合作画廊）。
* 她亦积极参与社区及公共艺术项目，例如在日本越后妻有大地艺术祭的“香港部屋”等场域展出。
**收藏机构：**
根据公开的艺术档案，其作品被以下机构收藏：
* **英国牛津大学阿什莫林博物馆**（Ashmolean Museum, University of Oxford）
目前平台暂无其他公立或私人机构收藏记录的详细公开数据。
SHUM Kwan Yi has presented her work in numerous solo and group exhibitions. These include "轻狂欢：蜂巢·生成 · 甬道" (2026) at Hive Center for Contemporary Art in Beijing, "浮世沉流" (2026) at Hive · Generation in Shanghai, and "未介之时" (2025) also at Hive Generation in Shanghai. Her solo exhibitions further encompass "Sinking in the Floating World" (Shanghai, 2026), "Landscape of Haven" (2024), "The Inhabitant Islets" (2023), "不能承受的轻" (2022), "Mountains Whispers in the Town" (2020), and "Clouds Say" (2019). She has also taken part in community-oriented art initiatives such as the Echigo-Tsumari Art Triennale "Hong Kong House" project (2025) and the Sai Kung Hoi Arts Festival (2023).
Her work is held in the collection of the Ashmolean Museum, University of Oxford.
